BoerseBZ - Einzelnen Beitrag anzeigen - [ Archiv ] Musik VST Synths und FX - Sammelthread

**darkula** · 27.08.09, 21:46

Zebra 2.3
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Zebra is a wireless modular synthesizer. It combines numerous synthesis techniques (subtractive, additive, fm, wavetable, etc.) with a powerful modulation engine that even smoothly integrates with the built-in effects section.

Unlike its analog predecessors Zebra has got an adaptive user interface that shows only what you can hear. You don't have to worry about complexity - but it's available when you need it!

Zebra can be ordered online for only 199$ (USD)!

Natürlich incl. KeyGen!

Korg LEGACY COLLECTION v1.1.3
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Die genialste virtuelle Instrumentenkollektion mit MS-20/Polysix/WAVESTATION plus USB Controller im MS-20-Look.

Die Legacy Collection von KORG ist das ultimative virtuelle Software-Paket, das einen ganz realen MS-20 und Polysix in bester Analog-Tradition enthält und zudem mit einem Modell des Vector-Synthesizers WAVESTATION aufwartet. Die Authentizität wird durch den MS-20-Controller noch verstärkt, weil er dem MS-20 zum Verwechseln ähnlich sieht (wenngleich er etwas kompakter gehalten ist).

GForce ImpOSCar v1.0.1
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Instrument Overview
If you want subtractive, additive, monophonic, duophonic, polyphonic, multiple oscillator waveforms, multiple LFO types, multiple filter types, multiple triggering modes, keyboard velocity response, integrated effects, an arpeggiator, filter overdrive, programming immediacy, a hefty patch library and the capability of producing a vast and varied range of sublime tonal textures, then the impOSCar really could be the only virtual synth you need!

This is a bold claim, we know, but such has been the response to the impOSCar and our belief in it's ability to produce the highest quality sounds across an extensive tonal range, that it might not be so fanciful after all!

The impOSCar is modeled on the unique and wonderfully esoteric British synthesizer, the OSCar, manufactured between 1983 and 1986 and subsequently used to great effect by artists such as Ultravox, Jean-Michel Jarre, Stevie Wonder, Underworld, Orbital and even Oscar Peterson. Because it was released at the same time as MIDI and early affordable polyphonic synthesisers, the instrument wasn't a huge commercial success and only 2000 were produced before the company ceased trading.

However, to those in the know, OSCar has been a highly prized item and the secret weapon in many programmer's sonic arsenal. In a sea of monophonic subtractive synths available at that time it was unique and refreshing in many ways:

It looked interesting. It had an additive synthesis section. It had memories. It was duophonic and monophonic and, with the exception of the filter, it was all digital. All of these features contributed to its sound which could be summed up in one word- Awesome.

From sublime to screaming, from clean and clinical to phat as phuck, the OSCar did it all.

The impOSCar was two years in production and since its release it has become one of the most respected virtual synthesisers on the market. All the notable features of the original instrument are evident here as well as several enhancements including a more intuitive additive section, polyphony, increased LFO waveforms and a chorus and delay effects section.

The filters are a particular highlight of the impOSCar and features two stunning 12dB filters running in series, a filter overdrive and sublime separation control. In fact these filters are now so respected, ace instrument and sound design company Spectrasonics licensed them for use in their wonderful Stylus RMX.

With additive and subtractive synthesis, a huge number of potential waveforms on offer, a plethora of kick-ass filter modes and an intuitive design, the impOSCar is capable of a range of sounds far beyond that of any standard subtractive synthesiser.

OhmForce Ohmicide Pro v1.10
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Killing lust

It's commercial common knowledge that "people always want more distortions" and this is exactly what Ohmicide: Melohman is delivering. In one death blow.

Based on Predatohm design, Ohmicide:Melohman is organized around up to four frequency bands, each of them coming with their own Noise Gate, Dynamics, Distortion, Feedback Generator and all mixing abilities with just a twist of pre- and post-processing (distortion input, high shelf output...).

The DSP is 100% different from Predatohm: compressor/expander works differently to fit well with both the very sharp Noise Gate we've included and the huge amount of new distortions. Those are at the core of Ohmicide. They're designed to offer pretty much everything you can think of next to a lot of things you can't think of. Some, like the tasty "Porridge" distortion sounds deliciously analog, while the "Fractal" one is harsh and digital as hell. Or you've got the very dense "Accumulator" that can add low harmonics instead of high.

All those distortions are mainly new breeds - yet the classics are also covered. They all are declined in three variations: normal, ampsim and odd. The "Odd" one is terribly exciting as it gives you control on the harmonics frequency and allows for slightly detuned distortion. Last but not least, we've added a disto type that was missing from Predatohm... No distortion. It was an absolute need, considering how many things can be done just by using the multiband dynamics and/or the filter!

Indeed the filter that allows the band separation - much steeper than the Predatohm's - is matched with a recombining filter that correct the phase shifts it induced. This improves greatly the transients preservation as well as the filter sound. Add to this an interesting dynamics processing and you'll end up using it everywhere. We've warned you!

Predatohm addicts will be happy to know that not only does Ohmicide:Melohman include a feedback generator on each band, but that it can be spread in stereo.
Combined with all the different disto and melohman features it's a huge larsen soundscape waiting to spice up your tracks.

Für ein DANKE wär ich dankbar!