Attack is a percussion synthesizer that integrates the sound of the 80's analog classics and the ambitious electronic club drums of the 90's into the software system of the 21st century. Attack generates all its sounds in real time, giving you the freedom to alter all parameters directly.
Attack has 24 sounds available per percussion set, spread over two octaves. The sound architecture is extremely flexible, as one would expect from a Waldorf synthesizer. Two oscillators, each with nine waveforms, represent the sources. In addition to well-known analog waveforms, Attack offers three samples to help create hi-hats or crash cymbals. Ring modulation and frequency modulation expand the sound spectrum with a metallic component and FX sounds. The integrated "
Crack" module takes care of reproducing analog handclaps authentically.
Attack contains a filter section with 6 filter types, resonance up to self-oscillation, and an overdrive of up to +52dB. The two envelopes are used to alter oscillator pitches, FM amount, filter cutoff, and the output volume. Two modulation delays and eight outputs (2 stereo, 4 mono) connect Attack to the VST world. Seamless integration into the VST 2.0 interface means that all parameters may be addressed via MIDI controllers, allowing you to create powerful dynamic changes.
And as though this were not enough - twelve sounds in each drum set can be played melodically. With this feature you can create tom fills and conga or other percussive grooves in no time, and you can even play bass, melody or sequencer lines.
Features:
* Virtual analog sound synthesis.
* 31 sounds kits with over 700 sounds included.
* 24 percussion sounds per set, spread over two octaves.
* Per sound (editable):
o 2 oscillators with each 9 waveforms (triangle, sine, square, sawtooth, sample&hold, noise, hihat closed, hihat opened, crash).
o FM and Ring Modulation.
o '
Crack'-module for authentic analog hand claps.
o 6 filter types with resonance up to self oscillation and overdrive.
o 2 envelopes for Pitch, FM amount, Filter Cutoff and Loudness.
* All parameters addressable via MIDI controller.
* 8 audio outputs (2 stereo, 4 mono).
* Two integrated and synchronizable Modulation Delays for the stereo outs.
* Percussive Bass und Lead sounds - polyphonic playable.
PPG Wave 2.V is the reincarnation of a cult, which started back in 1982.
The Wave 2 series was the first digital wavetable synthesizer with analog filters, heralding a revolution in both sound and concept. The Wave's most interesting feature was its ability to sweep through 64 waveforms in what PPG called a wavetable.
Almost 2000 waveforms were available within the Wave's 32 internal wavetables. The result of this wavetable technology is that the PPG instrument has a much broader palette and more animated sound than typical analog synthesizers of the early 80's, which tended to have only a few static waveforms such as sawtooth, pulse, or triangle. The PPG sound was very unique and identifiable.
Features:
* 8 part multi-timbral.
* 32 wavetables with 64 different waveforms each.
* 2 oscillators per voice.
* Low-pass filter with Emphasis.
* 1 LFO.
* 3 envelopes (2 ADSR, 1 AD).
* Velocity and Aftertouch sensitivity.
* Graphical interface for envelope generators and Cutoff/Emphasis.
* Number of voices depending solely on CPU power.
* Real-time MIDI control and automation of all parameters.
D-Pole is a musically versatile filter plug-in.
Features:
* Filter Module
o Frequency 0Hz up to over 17000Hz.
o Resonance up to self-oscillation.
o 5 Filter types:
+ Low Pass.
+ Band Pass.
+ High Pass.
+ Notch.
+ Resonator.
o 12dB / 24dB Slope selectable.
* Amplifier Module
o Overdrive up to 52dB.
o Volume.
o Panning.
o Delay Mix.
* LFO Module
o LFO Speed up to over 7000Hz, syncable to tempo and audio.
o 3 LFO Shapes:
+ sinus
+ triangle
+ saw
o Positive or negative modulation of Filter Cutoff, Panning and Oscillator Pitch.
* Envelope Follower Module
o Adjustable Decay Rate.
o Positive or negative modulation of Filter Cutoff.
* Delay Module
o Delay Time up to 2000ms, syncable to tempo.
o Feedback up to 100%.
o Damping.
* Oscillator Module
o Ring Modulation.
o Frequency up to over 7000Hz.
o Shapes:
+ Sine.
+ Triangle.
+ Saw.