Hey Leute, ich suche schon seit langem das East West Quantum Leap Gypsy wäre mega wenn das jemand da hat zum uploaden! oder überhaupt die ganze reihe von east west quantum leap ist sehr gut, die sounds sind bombe!
Sonart Audio ‘VIRUS VIRTUAL V.2′ - Featuring over 10,160 24bit samples including over 1250 instruments! More than 8 Gb of New Virus Sounds!!!
The virus contains more than 1250 patches of legendary synthesizer. This virtual sound module is ideal for music styles such as: Electro, trance styles, DnB, House, Electro House, Minimal, Techno, RnB, Hip Hop, Jump, hardcore, breakbeat and more!!!
***Contains programs for Kontakt 1 & 2.1, EXS24, Giga 2 | 3 and HALion***
Features in Detail:
+ Massive 8 gig 24-bit core wav library!
+ 1256 new Virus patches.
+ More than 10160 24-bit wav samples.
+ 6 different formats (EXS24, Kontakt 2.1, Kontakt, Halion, SF2 and Wav)
+ All NEW Sounds developed by Sonart sound designers.
+ Ease of use in the PC/MAC studio
+ Fully programmable
+ Sounds legendary synthesizer Virus
* Professional DJ software, integrating industry-standard workflows into an intuitive and stylish interface
* Modular user interface featuring 4 playback decks with automatic beat-gridding of tracks, advanced beat detection and Sync Lock for perfect mixing
* 21 professional effects - tempo sync to any deck or route an external source through the industry-leading effects section
* Auto Loop makes it easy to create synchronized loops on the fly with precise control over loop In and Out points
* Fully featured 4-channel mixer, emulating the Xone: 92™ 4-band EQ and filters by Allen & Heath and three other high end equalizers
* Real-time track management with incremental search, Crate Flick artwork browsing, iPod™ and iTunes compatibility
* Play, cue, jog wheel control, hot cues, and loop setting / adjusting follow the same intuitive workflow as industry-standard hardware
* Automatic gain control based on perceived loudness; high-quality key correction
* Directly record your set to disk with the integrated recorder supporting internal and external audio input
* Supports multiple MIDI controllers and advanced MIDI assignments, as well as the sync'ing of external gear through MIDI clock functionality
NEW FEATURES IN VERSION 1.1
MASCHINE INTEGRATION
TRAKTOR will work in perfect harmony with the upcoming MASCHINEgroove studio. Sync MASCHINE to TRAKTOR and use the AUDIO 8 DJ to route the MASCHINE audio to your mixer. Simultaneously use the MASCHINE hardware as a MIDI controller for TRAKTOR.
AUTO SYNC MODE
Once you have selected SYNC for a deck, it will remain engaged when loading a new track. Drop a new track into a mix in perfect time, without having to hit the sync button again.
ADVANCED CONTROLLER SETUP WIZARD
Fast and convenient set up of controllers and interfaces is now possible with the addition of this feature. The Wizard can be dialed up from within the application (and opens on first startup) plus it also allows hotplugging of devices while TRAKTOR is running. Once a device is connected, select it in the Wizard and it'll load the respective TSI with all settings. Plug and play!
HIGH-RESOLUTION 14 BIT MIDI SUPPORT
Added support for 14bit-MIDI in version 1.1 allows TRAKTOR PRO to leverage the extended precision and responsiveness of high-resolution knobs and faders on various current DJ controller models.
OTHER ENHANCEMENTS
Adjustable pitch bend sensitivity
With version 1.1, you can now control the sensitivity of the pitch bend function via the preferences pane
Modifiers for keyboard mappings
Create more complex and intelligent keyboard mappings with this update
New 10% tempo slider range
The tempo slider range now matches the range of various CD decks (CDJ etc)
New "Manual" clock mode for manual assignment of master and slave
Improved master clock tracking of deck tempo (8x increase)
New "History Archive" browser node
Option to physically delete tracks in browser
Option to remove TRAKTOR-specific tags from collection
Ableton Live is about making music. When you're writing and composing, Live is quick and responsive.
When you want to record and develop your ideas, Live has the depth and toolset for intricate production.
It's got the features to take your DJ skills to the next level and it's stable and flexible on stage,
whether you're playing in front of 10 or 10,000 people. However and wherever you make music, whatever
music you make, Live will inspire you.
Changes in v8.0.3:
Code:
http://forum.ableton.com/viewforum.php?f=8
Install:
1) Unrar and mount or burn.
2) Install Setup.exe
3) replace Live 8.0.3.exe with the one from /Crack dir, then doubleclick Authorizelive8.auz
4) Enjoy this fine Team AiRISO release !!!
Introducing syntAX...part synth, part interactive sonic revolution. A massive, expansive, and complex collection of electronic textures, the core of syntAX is a 2000+ patch synth library covering an immense amount of synth territory, including soaring leads, evolving pads, thick basses, harsh distortions, unusual textures, other-worldly atmospheres, FX, hits, blips, and more.
Then syntAX blazes into new territory with its custom scatterFX engine which allows real-time manipulation and interaction with the syntAX core library. scatterFX is made up of two components: scatFX and stepFX. scatFX gives you unprecedented control over rhythmic stuttering, allowing you to program, play, and command rhythmic patterns of syntAX. stepFX functions as an advanced step modulator allowing you to melodically animate pattern-based arpeggiations. Both scatFX and stepFX lock to tempo and can be controlled by numerous external MIDI controllers, making the synth completely interactive.
syntAX goes far beyond where synthesizers have gone before. With a massive core library (designed by the renowned sonic sculptors at Bunker 8 Digital Labs) that goes far beyond traditional synthesis types, and an easily tweakable engine that multiplies the possibilities, syntAX is a new breed of synthesizer that puts the power in the hands of the synth enthusiast. syntAX is complex synthesis, but effortless creation.
* Over two thousand different synth patches across a wide variety of folders: Arp Attacks, Atmospheres, Basses, Distortions, FX and Hits, Leads, Pads, Phat and Filtered, SyntOrchestra, and Textures
* 3.6GB of 24-bit samples
* The revolutionary scatterFX engine available in all patches
* Remote control of many sonic parameters, including scatterFX and envelope controls, available via MIDI CC
* Independent control of scatFX and stepFX modules
* Resonant filter controllable via modulation wheel
* 16 Preset slots to save custom scatterFX settings
* All rhythmic operations instantly tempo-sync to sequencer hosts
* Customizable input quantization
* Multitimbral operation, supporting up to 64 simultaneous instruments loaded (subject to RAM availability), receiving up to 64 MIDI channels (16 in plug-in mode)
* Kontakt Player 2 engine, supporting standalone operation as well as plug-in operation in all major hosts that support AudioUnit, VST, RTAS, or DXi plug-ins
* Special upgrade pricing to the full version of Kontakt 3, which allows for fuller editing of the instruments
Das umfangreichste Drummodul das jemals veröffentlicht wurde! Mehr als 27000 verschiedene Drum & Percussion Sounds: 1200 sofort spielbare Drum Kits verschiedenster Musikrichtungen, 5400 original Drum Machine Samples, 3800 Bass Drums, 4100 Snares & Rim Shots, 750 Claps & Snaps, 480 Toms, 1600 Hi-Hats, 300 Cymbals, 670 analoge Synth Drums & electronic Percussion, 340 mixed Special Effects, 1500 Percussion-Instrumente aus der ganzen Welt.
Mehr als 1200 Drum Kits aus 16 verschiedenen Musikrichtungen: 1980's Pop & Dance, Club, House, Dance, Techno, Garage, Trance, Hardcore, Drum & Bass, Electronic, Experimental, 80's Rap & Old School, HipHop, RnB, Pop, Vintage & Oldies, Big Beat, Pop Ballads,...
* Support for monitoring on USB sound devices!
* Type in track/album information during recording!
* Automatically look up track information online for less typing!
* Better track detection based on typed or looked up information!
* Record two times longer! Up to 13.52 hours at CD quality!
* New easy speed/rate adjustor for recording 78s at 45 rpm.
* Ability to change volume of each track!
* Full Vista support!
* Dedicated interface to easily record your old cassettes and records. Easily transfer vinyl LP to CD or cassette to CD.
* Visual and audio wizards guide you through the recording level adjustment, hardware hookup, recording and editing process.
* Automatic track detection and silence removal algorithm splits your albums into tracks ready for your iPod, MP3 or CD player.
* Automatically removes old record clicks, pops and tape hiss.
* Create audio CDs and/or convert recordings to MP3, OGG, WMA, and hi-fi WAV files.
* Record in hi-fi sampling rates and bit depths and render out to hi-fi DVD audio ready files, if desired and supported. (48khz -> 192 khz, 24 bit audio)
* Split up previously recorded MP3s, WAVs, WMAs or OGGs into multiple tracks or burn to CD.
* Will burn tracks longer than one CD's worth. For example, if you wanted to record an 4-tape audio book, it would burn it over as many CDs as it needed.
djDecks offers you up to three decks to load your songs in (2 are shown by default)
Each deck has a pitch slider with a selectable range from +-8% up to +-100%
You can pre-listen the song using headphones through the rear-out of your 3d-soundcard, with a second sound card, by splitting left and right channels or by using ASIO drivers.
djDecks has a very advanced bpm detection that will help you synchronizing your songs.
It's very easy to set a cue-point and start your song exactly when you want it at the position you want. Beat-matching two songs is also made easier by using the virtual record to speed a song up or down.
djDecks includes a high-quality three-band equalizer per player. You can configure the cut-off frequencies of each band to create cool filtering effects.
You also get an advanced effect panel with effects such as echo, flanger and gapper.
It's very easy to create instant-loops up to 8 beats long with just a simple click on a button.
To select your songs you can use the playlist and file browser. It loads all the id3 tags and shows the songs found based on id3 tags so you get the information displayed the way you want it, instead of by filename.
djDecks can also be controlled by external hardware such as an external analog mixer, or by dj controllers such as the Vestax VCI-100, Denon HC-4500, Hercules DJ Console or the Behringer BCD-3000.
If you want to have the feeling of mixing with vinyl, yet have the advantages of digital files, then you'll definitely want to check out djDecks' TimeCoded vinyl plugins. Using special vinyls that contain a special code, your mp3's will follow the exact speed and location of the needle on the control record.
To see a complete list of all features djDecks offers, check out the complete feature list
Die Software bietet Ihnen jede Menge Funktionen, die für die Bearbeitung oder Aufnahme von Musikdateien nützlich sind. So lassen sich beispielsweise Songs zurecht schneiden oder mit Effekten editieren.
Schnell stellen Sie etwa Ihren eigenen Remix zusammen. Sollte ein Plattenspieler am Line-in-Eingang Ihres Rechner angeschlossen sein, können Sie Ihre alten Vinyls mit "Cool Record Edit Pro" digitalisieren.
Fazit: Im Vergleich zur Open-Source-Alternative Audacity bietet "Cool Record Edit" zwar mehr Features - ist aber auch deutlich teurer.
Hinweis: Der Hersteller bietet auf der offiziellen Website eine etwas günstigere Pro-Version von "Cool Record Edit" an.
About Ots Labs... Focused on innovation and quality in developing professional, intelligent computer-based audio and video solutions since 1996. OtsAV DJ, OtsAV Radio, OtsAV TV, Ots Player, and Ots Studio are all part of the Ots Labs suite of products. DJ software, radio automation software and TV automation software are our specialty. More...
Discover why OtsAV software is unique - a breakthrough application allowing you to manage, play and mix music, audio and video, in an unprecedented manner with a standard Windows PC. OtsAV heralds a new age in DJ software mixing, TV / radio automation and AV enthusiast enjoyment. Choose a solution section here...
Try one of the free OtsAV trials now and start enjoying our high quality DJ software, radio automation software, or TV automation software today.
Built off of the PCDJ DEX Technology, RED Mobile is lighter DJ software aimed directly at the needs of the Mobile DJ. Everything you want to make your job easier, with a clean and user friendly interface that easy to navigate. Use many of the top controllers or a simple keyboard and mouse, your choice!
PCDJ Red Mobile is a computer mixing program geared for a Mobile DJ’s needs. Red Mobile has a powerful Recordcase (track library) that allows you to Import, Mix, and Search all of your mp3, ogg, wma, flac, wav files, unprotected iTunes files easily. Red Mobile supports multiple m3U waitlists, play-list, or crates of mix and match tracks. PCDJ RED Mobile is all you need to rock any mobile event! With Autoplay, a MIX NOW button for quick crossfade and play, an easy to navigate user interface, you have the mobile DJ’s dream package. Less screen clutter and just the right feature set to make your job as easy as possible. Concentrate on your clients and not your DJ software!
VariSaturator is an audio effect plug-in designed to apply saturation effects to audio material. VariSaturator can be used both to boost the loudness of the audio tracks without increasing their peak levels proportionally, and to apply subtle harmonic coloration that makes tracks sound more pronounced and polished.
VariSaturator features two saturation modules which are applied in sequence, in two-band mode each. The valve saturation module applies asymmetric valve processing that closely resembles sound of valve amplifier cascade, and being a digital emulation, it applies its best sonic features without side artifacts like noise, strong phase shift and high frequency roll-off. Another saturation module VariSaturator features is a digital “waveshaping” saturator with feedback topology. This module applies smooth two-band saturation which can amplify signal level and apply desirable harmonic coloration. If you have some “muffled” track in the mix that needs to cut through the mix better, VariSaturator will help you in this case easily.
VariSaturator can be used in a variety of audio processing cases: you may apply it with good results over drum, bass and vocal tracks, over sub-mixes and of course over complete mixes. Since VariSaturator does not provide a brick-wall limiting performance, when applied over full mixes, it is best used for the final loudness boost inserted before the finishing brick-wall limiter.
Note, though, that since VariSaturator applies distortion, it may damage original sonic qualities of the audio material if used incautiously. For initial evaluation of VariSaturator’s sonic performance you can use the factory presets VariSaturator comes with.
Features
* Two-band processing
* Selectable crossover filter steepness
* Valve and digital saturation
* Multi-channel processing
* Internal channel routing
* Channel grouping
* Mid/side processing
* Up to 8x oversampling
* 64-bit floating point processing
* Preset manager
* Undo/redo history
* A/B comparisons
* Contextual hint messages
Compatibility
This plug-in can be loaded into any audio host application that conforms to the VST or AudioUnit plug-in specification.
This plug-in is compatible with Windows XP, Windows Vista (32- and 64-bit) and Mac OS X 10.4.11 and above (Intel and PowerPC) computers (2 GHz dual-core or faster processor with at least 1 GB of system RAM recommended). A separate binary distribution file is available for each target computer platform for each plug-in format.
Voxengo Elephant is a mastering limiter plug-in for professional music production applications. The most remarkable feature of this signal limiter is its ultimate transparency. Elephant brings sound limiting and loudness maximization without any audible “pumping” effects.
Elephant is a highly competitive plug-in for mastering applications: it features a variety of limiter modes that can be deeply customized, and a comprehensive set of level metering tools. Elephant's built-in linear-phase oversampling is a new standard in quality peak limiting and loudness maximization.
Elephant limiter can be used for mixing and mastering of both stereo and multi-channel music and sound material, at any standard sample rate.
Elephant, also featuring a DC offset filter, and a high-quality bit-depth converter with an optional noise-shaping, allows you to finish your music and audio productions with a spark.
Features
* Transparent signal limiting action
* 10 predefined limiter modes
* Limiter mode editor
* Optional release stage
* Noise-shaped bit-depth converter
* DC offset removal filter
* Multi-channel processing
* Internal channel routing
* Channel grouping
* Up to 8x linear-phase oversampling
* 64-bit floating point processing
* Preset manager
* Undo/redo history
* A/B comparisons
* Contextual hint messages
Compatibility
This plug-in can be loaded into any audio host application that conforms to the VST or AudioUnit plug-in specification.
This plug-in is compatible with Windows XP, Windows Vista (32- and 64-bit) and Mac OS X 10.4.11 and above (Intel and PowerPC) computers (2 GHz dual-core or faster processor with at least 1 GB of system RAM recommended). A separate binary distribution file is available for each target computer platform for each plug-in format.
VK Premium Collection is the most versatile and comprehensive conforming solution on the market today. Whether you own a Mac or a PC, and whether you work with ProTools or with Nuendo, VK Premium Collection can save hours and sometimes days of time by automating the process of conforming sound to picture changes.
VK works with edls, Avid Change Notes, and now, with the release of VK Premium Collection 3.0, Virtual Katy, in cooperation with Apple, brings sound editors the ability to conform using output from Cinema Tools. Version 3.0 also includes our new expression editor, which is extremely valuable to anyone working with animation and/or visual effects.
New: ProTools 8 compatibility is here!
VK Premium is available for purchase or for weekly rental.
Tone2 is proud to present BiFilter2, a high-end quality stereo filter module. BiFilter2 drastically extends the ‘filter plug-in’ concept to provide today’s creative musicians with an extremely powerful multi-effect tool.
Years of research were necessary to create the ultimate filter module for today’s musicians. We are certain that you will find it to be a useful and powerful tool in your musical arsenal and have a lot of fun making music with BiFilter2!
BiFilter2 offers dual multimode filters with 47 unique and different sounding filter types. 8 additional distortion types, FM, AM, wave shaping and lo-fi effects create new and unheared sounds.
A high precision display shows the frequency response of the filter in realtime. This makes BiFilter2 very easy to use and understand.
BiFilter2 features:
* 47 unique, different sounding filter types
* 8 warm sounding distortion types
* FM, AM, Waveshaping, bit crushing, resampling, comb filtering, vocal filtering, equalizing, reverbaration
* Excellent value for money
* High precision, real time frequency response display
* Paramtere smooting, click-free knob movements
* High-end quality filter algorithms, anti-aliasing, oversampling
* True stereo architecture, works in all known sample rates
* Easy to use interface
* 100 presets
* Midi and automation support
* High performance
Distortion types:
* Off – When this mode is selected, the distortion module will be bypassed.
* Volume – Drive controls the volume of the signal.
* Tube Amp – A ‘soft knee’ saturated distortion.
* Transistor – An asymmetric 'soft knee' distortion.
* Presence – A ‘soft knee’ saturated distortion with falloff at higher levels.
* Hard Clip – A ‘hard knee’ clipping distortion.
* Bitcrush – This distortion type reduces the bit rate of the audio to ‘lo-fi’.
* Waveshape – This distortion type adds additional harmonics by using round nonlinear amplification of the audio signal.
* Pow2 – This distortion type adds additional harmonics by using edged nonlinear amplification of the audio signal. It is similar to exciters.
Technical requirements:
PC version: VST compatible host software (free available), Windows 95/98/ME/2000/XP/Vista, processor with at least 100 MHz
MAC version: Mac OS X 10.3 or higher, Intel MAC or Power PC, processor with at least 100 MHz
Buy it now and receive it instantly!
Filter types:
* Off – The filter is disabled.
* LP 30dB – A lowpass filter with a 30dB/Octave slope.
* LP 12dB – A lowpass filter with a 12dB/Octave slope.
* LP Analog – A analogue modeled lowpass filter with self oscillation.
* LP Moog – A lowpass filter with a classic ‘Moog Diode Ladder Filter’ type response.
* LP Fat - A lowpass filter with very broad resonance.
* LP Oct – A lowpass filter with resonance tuned in octave distance from the cutoff point.
* LP Elliptic - A ‘brickwall like’ lowpass filter with very steep slope.
* HP 30dB – A highpass filter with a 30dB/Octave slope.
* HP 12dB – A highpass filter with a 12dB/Octave slope.
* HP Elliptic - A ‘brickwall like’ highpass filter with very steep slope.
* HP Analog – A analogue modeled highpass filter with self oscillation.
* BP 15dB – A bandpass filter with a 15dB/Octave slope.
* BP 6dB – A bandpass filter with a 6dB/Octave slope.
* BP Analog – A analogue modeled bandpass filter with self oscillation.
* BR – A band rejection or notch filter with an adjustable center frequency and slope.
* BR Analog – A analogue modeled notch filter with self oscillation.
* EQ Low Shelf – A lowpass shelving filter.
* EQ Hi Shelf – A highpass shelving filter.
* EQ loudness – A loudness filter.
* EQ Peak 1 – An equalizing filter with a broad slope.
* EQ Peak 2 - An equalizing filter with a tight slope.
* EQ Block – cuts all frequencies below and above the selected range.
* VOC IEAOU 1 – A series of vocal formant filters emitted by vowel use in human speech.
* VOC IEAOU 2 – A series of vocal formant filters
* VOC A - A vocal formant filter.
* VOC - A vocal formant filter.
* VOC - A vocal formant filter.
* VOC I - A vocal formant filter.
* VOC O - A vocal formant filter.
* W-Shape - Double parallel-switched bandpass filters.
* M-Shape - Serial lowpass and highpass filters, with 2 resonant maxima at the edges of the filter.
* Allpass – Does nothing, just changes the phase of the signal.
* Phaser - A phasing filter that affects the phase offset of the incoming audio stream.
* Comb 2x – A comb filter, with multiple equally spaced resonance peaks.
* Comb 3x – A different comb filter, similar to Comb 1.
* Comb 5x – A different comb filter, similar to Comb 1.
* Resonator – An oscillator which is excited from the input signal.
* Diffuser 8x– A 8 step diffuser filter with feedback. Sounds like small room reverb.
* Diffuser 32x– A 32 step diffuser filter with feedback. Sounds like large room reverb.
* Delay – Delays the input signal by a given amount.
* Resample – Resamples the signal to a lower sample rate.
* AM - Amplitude modulation.
* Formant 2 - Double formant (vocal) filter with 2 resonant maxima.
* FM Sine – Frequency modulation with a sine oscillator.
* FM Tri – Frequency modulation with a triangle oscillator.
* FM Saw – Frequency modulation with a saw oscillator.
* FM Square – Frequency modulation with a square oscillator.
Audio Spectrum of the Song of the Prothonotary Warbler
Spectrogram version 16 is a freeware dual channel audio spectrum analyzer for Windows 2000/XP/Vista which can provide either a scrolling time-frequency display or a spectrum analyzer scope display in real time for any sound source connected to your sound card. Spectrogram allows unlimited recording and playback of the sounds from the audio spectrum display and can provide very high resolution spectrum analysis of wave files with a wide choice of frequency bands and frequency resolution and either linear or logarithmic frequency scales. Spectrum data logging capability is also provided. Spectrogram is ideal for any purpose related to sound spectrum analysis including
* Analysis and identification of biological sounds
* Analysis of bat echolocation sounds
* Analysis and identification of human speech
* Analysis of vocal and instrumental music
* Evaluation and tuning of musical instruments
* Evaluation and calibration of home audio systems
* Ham Radio audio reception and tuning
VoiceTools is a collection of shareware programs for the voice professional including tools for use in the laboratory, voice clinic, and voice studio. These tools can be used to provide detailed laboratory analysis of the voice spectrum, clinical evaluation and modification of voice habitual pitch, training for voice students in vocal technique, and exercises for the voice student in pitch matching.
IZotope Mastering Effects Bundle DX v1
IZotope.Mastering.Effects.Bundle.DX.v1.0.Incl.Keyg en
Size: 8mb Language: Multilangual OS: WinAll
Discription
Û The Mastering Effects Bundle is a suite of plug-ins Û
Û powered by iZotope DSP technology. The effects Û
Û include 64-bit precision and high quality algorithms Û
Û for exceptional sound, as well as immersive Û
Û interfaces with metering and graphical feedback to Û
Û make mastering as quick and easy as possible. Û
Û Û
Û Û
Û Û
Û Mastering EQ Û
Û Û
Û The Mastering EQ is a six-band parametric equalizer Û
Û featuring four bell filters, a high shelving filter, Û
Û and a low shelving filter. It incorporates 64-bit Û
Û processing and analog modeling, as well as real-time Û
Û spectrum analysis for essential visual feedback while Û
Û adjusting parameters. Û
Û Û
Û Û
Û Mastering Reverb Û
Û Û
Û The Mastering Reverb was designed to add depth to Û
Û dull mixes and smooth over acoustic imperfections. It Û
Û features two processing algorithms, plate and room, Û
Û and a real-time spectrum analyzer. Û
Û Û
Û Û
Û Multiband Compressor Û
Û Û
Û The Multiband Compressor is an essential tool for Û
Û adding warmth and fullness to mixes. It allows Û
Û independent control over the dynamics of four Û
Û frequency bands, and adjustable crossover points let Û
Û you fine tune the range of each band. A real-time Û
Û spectrum analyzer shows each frequency band in its Û
Û own color, in addition to the combined spectrum of Û
Û all bands. Û
Û Û
Û Û
Û Mastering Limiter Û
Û Û
Û The Mastering Limiter lets you create louder and Û
Û fuller masters by limiting the dynamic range and Û
Û boosting the perceived overall level of the mix. IRCÖ Û
Û (Intelligent Release Control) lets you dial in both Û
Û aggressive and transparent limiting, and a histogram Û
Û meter helps you fine tune the effect for the best Û
Û results. Û
Celemony Melodyne Studio Edition v3.1.2.0
Celemony.Melodyne.Studio.Edition.v3.1.2.0.incl.Key gen-AiR
Size: 44mb Language: Multilangual OS: WinAll
Discription
Die neue Melodyne3-Funktionen im Überblick
Sehr hochwertiges Timestretching und Pitchshifting auch für polyphones und komplexes Audiomaterial (nur in Melodyne studio)
Damit können auch mehrstimmige Signale - zum Beispiel Harmonieinstrumenten wie Gitarre oder Klavier - oder sogar ganze Songs gepitcht, gestretcht und neu quantisiert werden - und das in Echtzeit und in der bekannten Melodyne-Klangqualität. Dieser neue und flexible Umgang mit Audio-Material wird zu einer ganz neuen Arbeitsweise im Studio führen: Nicht nur das notenbasierte Umarrangieren und Remixen eines Songs lässt sich intuitiv und spielerisch realisieren, der Produzent erhält ganz neue und kreative Möglichkeiten zum Umgang mit Harmoniespuren.
Neue und deutlich verbesserte Erkennung
Die Erkennung passt sich dem Audio-Material automatisch an und bedarf keiner Einstellung mehr. Für gezieltes Batchprozessing lassen sich eigene Erkennungs-Templates editieren und speichern.
Makros für Tonhöhen- und Timingkorrektur
Die aus Melodyne uno bekannten Makros für die schnelle Korrektur von Tonhöhe und Timing sowie kreative (Um-)Quantisierungen stehen nun auch in den Mehrspur-Versionen zur Verfügung.
Vereinfachte Arrangement-Bearbeitung
* Neuer Globaler Tempo-Parameter im Transportfeld
* Neue intuitive Temposteuerung mit "Autostretch"-Funktion
* Durch die effektivere neue Temposteuerung entfallen alle bisherigen Arrangement-Werkzeuge.
* Das Verschiebewerkzeug für Noten arbeitet nun kontextsensitiv
* Tempo/Taktartänderungen können einfach im Takt/Zeitlineal eingetippt werden
Deutlich effektivere Bearbeitungsmöglichkeiten im Editor
* Das Öffnen einer einzelnen Audiodatei öffnet gleich den Editor
* Vereinfachungen beim Export bearbeiteter Audiodateien - alle Export-Parameter sind automatisch passend eingestellt
* Effektive Kombi-Werkzeuge mit verbesserter Handhabung für allgemeine Bearbeitungen, Tonhöhe, Formanten, Amplitude und Zeit lösen die bisherigen Werkzeuge ab.
* Die Befehle der bisherigen Werkzeug-bezogenen Aktionen-Menüs sind nun übersichtlich und ohne überflüssige Werkzeugwechsel über das Bearbeiten-Menü zugänglich
* Blobs können bei "Local Sound Synthesis"-Mithörkontrolle transponiert werden
* Definierbare Taste erlaubt schnellen Wechsel zwischen den beiden zuletzt benutzten Werkzeugen
Datei-bezogene Verbesserungen
* Batch-Processing im MelodyManager
* Kompatibilität zu den Liquid-Sounds von Überschall
Verbesserungen bei Übersicht und Arbeitsfluss
* Neue handliche Shortcuts für Navigation und Zoom in Arrange und Editor
* Rasterweite für Bearbeitungen kann bequem im Takt/Zeitlineal eingestellt werden
* Bequemes Scrubbing im Taktlineal in Arrange und Editor
* Spurtitelfelder können breiter gezogen werden, Namen sind besser lesbar
* Ergänzungen und Verbesserungen in der Menüstruktur
* Die Audio-to-MIDI- und Play-Algorithmus-Parameter befinden sich nun in übersichtlichen Inspektoren und sind - wenn gewünscht - immer sichtbar.
Sonstige Verbesserungen
* Verbesserungen bei der Einbindung in Host-Programme durch neuen Bridge- und Rewire-Technik
* Performance-Verbesserung beim Umsortieren von Tracks
* Verbesserungen beim PlugIn-Hosting
* Verbesserungen bei Drag'n'drop
Einen detaillierten Funktionsvergleich aller Melodyne-Versionen finden Sie unter www.celemony.com
Über Melodyne
Die Audio-Recording-Software Melodyne wurde im Jahr 2001 von der deutschen Firma Celemony Software GmbH auf den Markt gebracht und ermöglicht im Gegensatz zu herkömmlichen Programmen einen völlig neuartigen und kreativeren Zugriff auf Audio-Daten. Melodyne analysiert monofone Audio-Daten und erlaubt anschließend, die einzelnen Parameter Tonhöhe, Phrasierung, Formanten und Timing getrennt voneinander, beliebig und in einzigartiger Qualität zu bearbeiten. Dabei reagiert die Software sehr musikalisch und erhält beispielsweise bei einer Intonationskorrektur die Phrasierung inklusive des Vibratos.
Melodyne hilft bei Timing- und Intonationsproblemen und gestaltet so die Musik-Produktion effizienter. Gleichzeitig aber bietet das Programm Zugriff auf bisher ungeahnte kreative Möglichkeiten im Umgang mit Audio.
Melodyne lässt sich über die PlugIn-Schnittstellen VST, AudioUnit, RTAS und DirectX oder über Rewire elegant in alle Musik-Produktions-Umgebungen integrieren.
Melodyne läuft unter Mac OS und Windows und wird derzeit in drei Versionen angeboten: Die studio edition erlaubt neben dem polyphonen Timestretching unendlich viele virtuelle Spuren und 32Bit/192kHz-Unterstützung. Die mittlere cre8-Version bietet bei gleicher Klangqualität 8 Spuren und Auflösungen bis maximal 96 kHz und 24 Bit. Für die unkomplizierte Bearbeitung von Melodien schließlich gibt es seit Mitte des Jahres die einspurige Version Melodyne uno.
M51galaxy features custom SynthEdit modules and hybrid synthesis along with rhythmic algorithmic generators, and can be used for anything from ambient-space to high techno-trance.
Features:
* 2 completely independent synths each with:
o PDO (Phase Distortion Oscillator) with 2*8 waveforms.
o SUB (VA Oscillator) with 7 waveforms and a 12dB/oct SV Filter.
o FM capability for metallic sounds.
o Ensemble, Detune, Mono mode, Portamento, Vibrato.
o Two 8 Stage Graphic Envelopes (AMP and MOD) with save and load file functions.
o LFO (BPM synced) with an unique Arpeggiator.
o Pulsar (BPM synced, creates the algorithmic element).
o Easy to operate 3 * 5 Modulation Matrix.
* FX:
o Stereo Chorus/Flanger.
o Stereo BPM synced Cross-Delay.
o Auto-panner.
o 2 Warps with distortion (no/soft/hard) and resonant lowpass filter. Recordable gestures and load and save file functions.
* Global:
o Keyboard split.
o Virtual keyboard for audition.
o 16 step trance gate.
o Multi-timbrality: 2.
o Polyphony: 6 voices (each synth).
Enceladus is inspired by one of the many moons orbiting the ringed planet Saturn and brought to light by the Cassini probe mission. It offers from liquid leads, glassy silky pads to up front basses and trance evolving arps, sequences and synths.
Features:
* Two oscillators, each with 32 waveforms. Sync, voice detune, and filter allocation for each oscillator as well as keyboard on-off function.
* Two Filters, each with 3 filter types (Low pass, High pass and Band pass) with 2x serial filters for richer filter sounds. Separate keyboard tracking and envelope modulation controls are provided.
* Five ADSR style graphical envelope generators with fixed allocations to Amp, Filter1, Filter2, and 2 user mod envelopes.
* Three LFOs (Low Frequency oscillators) with separate FM and Sample hold controls.
* Two separate step sequencers each with BPM synced selections and smooth controls. Steps can be 8, 16 or 32 steps.
* Comprehensive Modulation Matrix with two targets per source.
* Glide, Poly/ mono selections and Arpeggiator controls with 6 arp types and hold (latch) feature.
* Five different effects (Stereo delay, Stereo reverb, Chorus, Phaser and 4 band EQ with separate frequency and Q controls).
* Background color editor and colored patch by type allocations.
* Patch display editor by author, category and name.
* Separate LFO for global vibrato setting for mod wheel.
* 144 presets by Tim Conrardy, Boris K and David Haupt.
Atomic is a 16-step sequencer composing tool with a built in synth that also has the ability to control other soft synths or even hardware via its MIDI out function. The design is circular which allows a different approach to composing and sound design.
Inspired by circular step sequencers such as the Buchla Arbitrary Function Generator and Future Retro Revolution. Dedicated to Electronic Music pioneer Allen Strange (1943-2008).
Features
Sequencer:
* 16-step sequencer in a circular design with 3 rows: Seminotes, Velocity and Gate.
* BPM Rate with 5 modes including random.
* Separate rhythm grid
* Advanced arpeggiator with separate rate, 5 modes with gate and octave controls.
* Latch mode for continuous play as well as individual mute for each step.
* MIDI Out for use in modular hosts which also includes LFO's and step modulators to control external VSTs or hardware.
Synth:
* 2 Oscillators with 14 waveforms including additive partials.
* Separate phase controls, and detune and octave tune as well as harmonic tuning mode.
* VCF with 4 filter types with velocity control.
* 2 dedicated envelope generators, one for amp and one for filter.
* 2 LFOs, Sub Oscillator, Step Modulator, Random Generator, and Keyboard control with zone and mod wheel assign which includes sequencer controls for step, and rate.
* Comprehensive mod matrix.
Effects:
* X-Y delay with separate multimode filters which can be modulated via mod matrix.
* Spatial stereo reverb.
* Phaser with wide sweeping range.
Miscellaneous:
* Master section with volume, pan and tuning.
* CC map for hardware MIDI knob controllers.
* Presets by Tim Conrardy and Boris K.
AlgoMusic AMB ElectraBass v1.2
AlgoMusic.AMB.ElectraBass.v1.2.VSTi-AMPLiFY
Size: 8mb Language: Multilangual OS: WinAll
Discription
ElectraBass focuses on Bass and Leads with a futuristic sound. Along with 4 different effects, a unique 32 stage sequencer allows you to input your own bass and lead lines with ease.
Features:
* 2 Harmonic oscillators offering 11 waveforms each with phase modulation, ring modulation, sync and a noise oscillator.
* Complex filter with 13 types of filters and x-y grid for cutoff and resonance.
* 8 dedicated envelopes to selected targets with 7 types of velocity curves.
* 2 BPM synced LFOs with phase modulation.
* Portamento with re-triggering, pitch bend amount, MIDI channel select and master BPM.
* 3 different forms of distortion.
* Velocity sensitive controls with keyboard tracking of phase modulation and distortion with master volume and boost controls.
* Unique pull down 32 stage sequencer offering piano grid style editing and complex algorithmic arpeggiator along with volume and cutoff control for each stage.
* 4 different effects: Chorus, Phaser, Stereo delay, Digital reverb.
* Dedicated vibrato for modulation wheel.
* On board click and learn help system.
* Preset information display.
* Low CPU.
* 128 presets by Boris K, David Haupt, Dr. Ambient, and Tim Conrardy.
Linear-Darstellung
