Brauch eure hilfe. hab mir hier nexus geholt und das expamsion pack minimal hous, habs reingeladen und auch mit erfolg abgeschlossen doch wenn ich einen sound laden will schreibt er mir immer eine fehlermeldung hat jemand rad von euch
Hi,
ist ein Lizenzen Problem! Welche Version hast Du denn Installiert??? Bekommen Wir schon hin...Am Besten lädst Dir das 1.41blabla runter machst das Update. Dann ist in diesem File ein 2 Setup für die Expansions...... Dann sollte es gehen. Wenn das Update Down ist, meld Dich per PN
um was genau handelt es sich hierbei?? noch nie was von gehört
D16 ist bekannt, nehme ich an. D16 Group Audio Software - Beyond Perfection - Products
Vor paar tagen war im KVR ein thread wo jemand darauf hinwies, dass beim Betatest des neuen D16 Synths (eine Roland SH 101 Emulation) eine Version geleaked wurde.
Thread ist mittlerweile gelöscht worden, aber mit google konnte man den upload finden über umwege...wie ich gerade sehe ist der wohl mittlerweile auch weg. seufz. war eine VSTi Version, .dll gepackt mit 7zip.
ist ein Lizenzen Problem! Welche Version hast Du denn Installiert??? Bekommen Wir schon hin...Am Besten lädst Dir das 1.41blabla runter machst das Update. Dann ist in diesem File ein 2 Setup für die Expansions...... Dann sollte es gehen. Wenn das Update Down ist, meld Dich per PN
LG
Neotoxic
Ich hab das Problem auch, und hab auch eine Setup-Datei...
Allerdings ist die nicht für alle Expansions, ein paar fehlen da drin...
28 construction kits with all individual parts provided, allowing you to rebuild and rearrange the kits to your unique picture.
Each construction kit is at least one minute in length with rich complex textural design and contrast. Thousands of single accents,
hits and stings, evolving soundscapes and organic rhythms are grouped into logical themes such as: Concern", "Mysterious", "Pleasing"
or "Scary". The complete library is very user friendly and is categorized for easy and fast access.
The single loops / shots come in three main categories:
Accents - The Accents include 954 small hits for every cinematic situation. From "confused" to "disturbed"--"piercing" and "high" to
"worry and anxiety". Additionally there is a special folder with "Vocal Bits" in different styles.
Beds - The Beds concentrate on evolving and lively soundscapes. Each is about 30 sec to 1 min long and can be stretched or
shortened with Liquid without any artifacts! All in all about 2GB of material in this section, 198 different samples, separated
in 15 different folders.
Rhythms - The rhythms come with 362 files in 32 different folders. The complete loops can be time-shifted and pitched so it will
perfectly fit to your production. Plus, you can even pitch single hits out of one loop and create interesting new percussive sequences.
Or combine different sequences together and create new patterns.
With Score FX you can build and recall your own character presets to enhance your existing themes within projects. So whenever
the character enters the scene, you will be able to trigger that individuals Score FX instrument and play the needed textures for
that scenario. As your scenes evolve, Score FX can be used as the "shadow" of that character's theme available for blending.
Film Score / Composer / Soundtrack
Exhaustive inspiration for hectic workflows. Mix and match FX from the entire collection to build your own mood presets and environments.
Alter elements such as notes, pitch, rhythm and length of every sample loaded in the Keyboard. Add and Subtract emphasis
by simply triggering the sounds as desired.
Game Audio / Animation / Production
If your work calls for engine layers (such as in Racing games where speed triggers additional audio tracks), this a great
resource for ready to crossfade interactive, adaptable soundscapes to supplement existing layers. Motion / Impact / Transitions / Fades
are all covered in the Score FX collection.
Credits
Score FX is Produced by:
• Ilya Kaplan - Candian Composer and musical sound designer working in the field of TV / Film drama, animation and documentary.
Specs
Score FX sound collections have been encoded for use with Ueberschall's award winning Liquid Player to give complete flexibility.
Constraints such as pitch and tempo are a thing of the past. Liquid is an exclusive Virtual Instrument engine co-developed
by Celemony Melodyne Technology that works in all the popular DAWs.
All samples are recorded and programmed exclusively for Score FX and are 100% license free. No additional license permission required.
You can use these samples in trailers, music library work, scores, songs--anything except for making sample cds.
Hallo,
Suche verzweifelt Ebooks hauptsächlich über das Mischen aber auch über das Mastern von Audiospuren kann ruig etwas fortgeschrittener sein, aber bin zurzeit nicht wählerrich, ich such schon ewig lange welche auf Deutsch.
Bitte helft mir das board is schon so geil ich hab Ja glatt gedacht hier find ich was ich suche aber,,nöööö nur Photoshop und grafik zeuch.
Hollywood Edge Eerie Edition Sound FX 3CDs WAV
-875 MB INFO:
This 3 CD set is packed to the brim with effects, ambiences, strange vocals, disturbing music, twisted metal, dry ice on metal, original and fully orchestrated musical transitions and beds that will be just what you need for that tense, frightening, horrific moment!
This is the first time the Hollywood Edge is offering the most terrific, psychotic, frantic, horrible sounds ever captured - because those who have tried before haven’t made it back . . . alive.
Imagine yourself in a place so completely filled with ghoulish evil, surroundings so dark and devilish, that your entire body simply freezes from the fright.
Now listen . . . the sounds you might hear at that horror-filled haunt have been captured for The Hollywood Edge’s newest collection THE EERIE EDITION.
After almost three years focusing on research and development it's time to start sharing the story. This blog will discuss AudioMulch and the ideas behind it, as well as offering information to assist your music making. Over the next few posts I'll also be discussing new features of the forthcoming version 2.0 release – starting today...
AudioMulch is designed for performance, whether on stage or in the studio. For me that means the user interface must support creative flow, spontaneity and improvisation. The patcher has always been central to AudioMulch; you use it to connect contraptions together, routing audio from generators to filters, effects and mixers, and finally to the output of your soundcard. I've always considered that “patching” can be part of a performance – not just a programming task you do to prepare. Some AudioMulch users take live-patching to the extreme and give whole performances building a patch from nothing!
Even if you're not into extreme-live-patching, routing and re-patching audio signals is central to the AudioMulch workflow – it's a big part of being creative with the software. For some time I've wanted to make AudioMulch easier to use and better suited to live performance. Out of this desire, and lengthly discussions with fellow AudioMulch users, I developed a new patcher for AudioMulch 2.0.
With AudioMulch 1.0 every patch cord must be connected manually. Inserting a contraption in between two existing contraptions often involves deleting the connecting patch cords and then creating new ones. There are a few tricks, but overall patching in AudioMulch 1.0 can become a bit tedious.
The AudioMulch 2.0 patcher makes patching easier. To start with, AudioMulch 2.0 includes a side-bar contraptions palette. You can drag contraptions from the palette into the patcher to create them without the need to navigate the “New Contraption” right-click menu.
Erst das Update Installieren. Dann die Expansionen Installieren die man haben will. Dann das Setup reFX Nexus Expansion Packs ausführen....
XP Analog
XP Bass
XP Bigtone Signature
XP Crank
XP Dance Orchestra
XP Dance Vol1
XP Drum Loops
XP Drum Singles
XP Guitars
XP Hardstyle
XP House Vol1
XP Minimal House 1&2
XP Perpetual Motion
XP PS Total Piano
XP Psytrance
XP Store´n Forward
XP Statosphere
NOSTALGIA is a ZERO-G virtual instrument powered by Native Instruments, featuring over 1.3 gigabytes of sounds and more than 1,300 patches from four decades of electronic instruments. Programming wizard and all-round synth enthusiast STEVE HOWELL has used his 30+ years of experience and knowledge of these various instruments to create arguably the best and most accurate representations of some of the world's greatest synths, keyboards and beat boxes that he has either owned or used in a professional capacity as either a sound designer, sound engineer, player or composer in one way or another. Steve has also used his 16+ years of developing professional sample sound libraries to provide highly optimised and memory-efficient, seamlessly looped samples of a heritage of instruments that have paved the way for where we are today - over 40 years of innovation and (often naive) pioneering spirit encapsulated in one definitive collection of abject 'NOSTALGIA'!
Whatever your chosen musical genre there's a place for any of these sounds in your music. Whether it's old-skool lo-fi beatboxes, huge Gothic Tron sounds, smooth Prophet pads and strings, beefy Moog basses or leads, classic electric pianos, swirly string synths, cheezy toys, classic samplers, brittle digital synths, evolving S+S textures ... you name it - with over 5,000 samples and more than 1,300 patches, it's probably there in this huge Kompakt collection that has effectively been 40 years in the making.
The whole library is presented within NI's KOMPAKT INSTRUMENT sampler interface, which makes no compromises in the playing and performing of sample-based instruments. Powerful multi-mode filters, envelopes, and LFOs give this library enormous flexibility and a wealth of creative possibilities. The integrated high-quality reverb, chorus, and delay effects can give each sample life and depth.
You will find that the clean and intuitive KOMPAKT INSTRUMENT interface doesn't let technology get in the way of your creativity! All important instrument parameters can be immediately adjusted without the need to page, scroll, or fumble through a manual!
MAC INTEL USERS PLEASE NOTE:
The Nostalgia Kompakt-powered plugin version is not immediately compatible with Mac Intel-based computers. However, Mac Intel users can still access the sound library in full - SEE LINK ABOVE RIGHT in "Related Info" box for solutions with Mac Intel.
SUPPLiER..: TEAM DYNAMiCS DiSKS...: 1 DVD 59 x 50MB
PACKAGER..: TEAM DYNAMiCS DATE....: 02-26-2007
PROTECTION: Crypto/CustomLM RELEASE#: DYNAMiCS-404
CRACKER...: TEAM DYNAMiCS FORMAT..: VSTi/AU/HYBRID/UB
TEAM NGEN
true next gen
NEXUS is a next generation rom synthesizer of highest quality that
will make your dreams come true. Forget about the usual bread & butter
ROM synthesizers whose sounds are boring, stale and lacking punch.
NEXUS explores new territory and delivers complex, ultra-fat and
up-to-date soundstorms that could not sound any better from the most
expensive and best hardware - all at the tip of your fingers.
NEXUS provides you with everything you need to create the new hit. Do
you need the most powerful dance leadsounds to become famous in your
club or a Gregorian choir to create the atmosphere of the next trance
hit? Whatever you need, NEXUS will supply you with what you have
always been longing for.
Features like the freely programable arpeggiator, the versatile
trancegate or the factory-library optimized for the most popular
genres make this the best ROM synthesizer on the market.
Even though the sound is first rate, your CPU is spared. You can
expand NEXUS with new sounds by installing genre-specific expansion
packs or customize the look of the GUI with our themed skins.
Are you ready? You better be.
Feature Highlights
* Over 4 gigabyte of previously unreleased sample material
* Over 650 presets including all popular genres
* Expandable. Five expansions available. More already in production.
New samples and new presets
* Production quality built-in reverb (ArtsAcoustic)
* Skinable. Five skins to choose from
System Requirements
Pentium III 800 Mhz
512 MB RAM
Windows 2000/XP/Vista
VST 2.0 compliant host
PPC G4 800 Mhz or Intel 1.5 GHz
512 MB RAM
Mac OSX 10.4.6
VST or AU compliant host
NOTE: Special Thanks goes to TEAM NGEN for helping us with the PC side
of this release.
Unrar, Burn or mount the image
PC
Install first Nexus v1.0.0 Setup.exe
and than Nexus v1.0.9 Setup.exe
MAC
Install Nexus v1.0.9 Setup.dmg
Copy the folder "Nexus Content" to any location
on your hard drive, Start Nexus and locate it
Alchemy is the ultimate sample manipulation synthesizer. It's a synth powerhouse and yet is very easy to use thanks to its performance controls and remix pads. Just tweak the library of excellent presets from many of the world's top sound designers or dive in and analyse your own samples - it's up to you!
Alchemy blurs the boundaries between sampling and synthesis, and allows you to manipulate sounds in ways which are impossible with conventional samplers. It features additive, spectral and granular synthesis and resynthesis, sampling, and a very capable virtual analog engine with unison and PWM. You can morph or crossfade between sources. You can import your own samples from SFZ, WAV or AIFF files. A wide range of analog modelled filters are included, in addition to a flexible rack of effects which includes all those from CamelPhat and CamelSpace as well as many new effects such as a high quality reverb. The innovative modulation system is extremely flexible, yet easy to use. Alchemy also features a powerful arpeggiator with the ability to import the groove from any MIDI file for immediate synchronization to a beat.
Alchemy ships with over 2GB of samples and analysed content from in-house designers Tim Conrardy and Biomechanoid, as well as designers such as Ian Boddy, Robert Rich, Scott Solida and Nucleus SoundLab. A library of 450 excellent presets from many of the world's top sound designers is included, arranged into categories for rapid access to the sound you require. A variety of expansion sound banks are in development.
Alchemy was in development for over four years by a large team of talented developers and sound designers. You can find out all the details in the easy to read manual.
Mode is a bundle of plug-ins from the same stable as Pluggo, and comprises three instruments and two effects processors plus 18 further modules derived from these. The additional modules include 'light' versions of the plug-ins, effects spun off from the instrument plug-ins, and modulators for use as modulation waveform sources. Mode supports all the currently popular plug-in formats on the Mac platform (VST, AU and RTAS) and runs under OS X only, requiring version 10.2.8 or later. Authorisation is via a code available on-line when registering; until you register, the plug-ins will work in demo mode, where the audio is disrupted and replaced by a bleep every minute or so.
Many of the the plug-ins enhance an existing sound in some way through the use of arpeggiators, sequencers, delay, distortion, filtering, feedback and modulation — but not always in the most obvious way. There are also modulators that can be used just as they would be in a modular synth, by patching them to control parameters of a different plug-in. Unusually, the majority of parameters are accessed via knobs that have no numerical display, which is intended to encourage adjustment by ear, and nestling alongside familiar and predictable parameters are oddball creations added to inspire weirdness — which is no bad thing. Furthermore, parameters are often provided with a greater control range than would normally be considered useful, simply so that the user can experiment with excess. The full 'heavy' versions of the plug-ins include inbuilt effects, such as delay.
D16 Group Drumazon VSTi v1.1.8
D16.Group.Drumazon.VSTi.v1.1.8-peace-out
Size: 13mb Language: English OS: WinAll
Discription
Synthesis
Drumazon synthesis emulates all the sounds of the original 9O9. All the instruments are synthesized in exactly the same way as the original. All the nuances and detail of the original are captured perfectly. In addition, all Drumazon instruments have enhanced controls. This extra functionality allows the user to adjust the sounds further than on the original unit. This opens up a whole new world of sound creation. Listen to the audio demos or tweak it yourself with the demo version
Outputs
Drumazon has a flexible output configuration. Every instrument's audio signal can be routed to any of the 11 outputs. This allows users to further shape sounds individually or in groups via their favourite plug-ins.
Each individual output can be set to mono or stereo. Every instrument also has a Mute and Solo button. Mute will not just silence the sound, it will stop the sound being triggered. Solo will stop all other instruments from being triggered and only allow the selected sound(s) to play.
Control
Drumazon has extensive midi control. Midi notes can be used to trigger each individual sound. Alternatively, the internal sequencer can be used. This can be set to play using Drumazon's internal clock or set to synchronize perfectly to the host sequencer.
Most of Drumazon's parameters can be automated within the host and also controlled using MidiCC with an external controller. An easy-to-use Midi Learn function allows reassignment of any of the parameters.
D16 Group Nithonat VSTi v1.0.3
D16.Group.Nithonat.VSTi.v1.0.3.Incl.Keygen-AiR
Size: 8,5mb Language: English OS: WinAll
Discription
Nithonat is a fully synthesized drum machine based on the classic 606. The unique sound of this machine has been used by many artists over the years in the production of Electro, Hip-Hop and R n B.
The original 606 has been perfectly emulated. However, since Nithonat is software based, D16 were able to enhance the original with extra functionality.
Full control over the sound
On the original 606, the only editable sound parameter was volume. D16 have added to the original and as a result, Nithonat is equipped with extra controls which allow each sound to be shaped in ways which were not possible in the original machine.
A whole spectrum of sounds is now at you fingertips – rumbling kicks, rustling snares and completely synthesized and unnatural sounding toms and hi-hats.
For the first time since the 80s, it is now possible to hear what the analogue synthesis of the 606 is truly capable off!
One of a kind
Nithonat was designed completely from the ground up. Its synthesis is special – even when compared to Nepheton’s. It has very unique and characteristic hi-hat and cymbal sounds which are due to the emulated structure of the circuits in the original. The bass drum has unparalleled attack character and strong punch. The snare sounds sandy.
These unique attributes guarantee that our 606 is not a sub-standard 808 but is a great instrument with a unique timbre which will bring an old school feel to any track it is used on.
New dimension of creativity
Nithonat has a powerful built-in internal sequencer. The tracks can be edited in a very simple and intuitive way and modified with many useful functions. The clear GUI means that sequencer is very easy to use.
In addition to having many internal sequencer modes, Nithonat can also be used as a sound module. All sounds and functions within Nithonat can be controlled from a host sequencer.
Experimenting with Nithonat can give interesting and unexpected results. Operation of Nithonat is very similar to Drumazon and Nepheton – having knowledge of these will mean that using Nithonat will not require much manual reading!
Good choice
For a fraction of the price of Drumazon and Nepheton, Nithonat provides a drum machine which has as many editing tools as its more expensive siblings.
We believe that we have created a powerful drum machine at an affordable price which is quick to program and very easy to use.
D16 Group Toraverb VST v1.0.1
D16.Group.Toraverb.VST.v1.0.1-peace-out
Size: 9mb Language: English OS: WinAll
Discription
D16 Group Toraverb, ein Nachtrag zum ersten Teil unseres Hall Specials.
Auch flatschneu und gerade eben erst auf den Markt gekommen ist das algorithmisch arbeitende Toraverb von D16 Group, bei der Entwicklung wurde sehr viel Augenmerk auf die realistische Abbildung des Raumes gelegt, sehr interessant ist das sich die Leistung des Toraverbs von minimaler CPU Last bis auf „Ich habe einen Superrechner“ einstellen lässt.Das Design ist sehr Ansprechend und übersichtlich, alles glänzt irgendwie als ob es frisch poliert wäre, kommen wir zur Halleinstellung, hier haben wir die Möglichkeit sehr stark Einflux zu nehmen auf die frühen und die späten Reflexionen, die im Zusammenspiel mit der Hall
Verzögerung, (Pre Delay) die Illusion der Raumgrösse schaffen.Für das Toraverb wurden spezielle Difussion Algorithmen erstellt, die zum Beispiel das Flattern im Hall Effekt verhindern sollen, ein Neben Effekt des ganzen ist die Möglichkeit weitgehend in die Hall Generierung Eingriff zu nehmen, neben Equalizern finden wir hier auch noch Modulations Möglichkeiten die Einfluss auf den Reverb Sound nehmen können. Auch sehr abgefahrene in der
Natur nicht mögliche Reverb Effekte sind ohne weiteres machbar.
De La Mancha Scylla VST v1.0
De.La.Mancha.Scylla.VSTi.v1.0-peace-out
Size: 16mb Language: English OS: WinAll
Discription
Scylla is a VST instrument capable of sample-playback combined with subtractive synthesis to produce a wide variety of sonic possibilities ranging from lush pads to far-out soundscapes and effects via scorching leads and chunky bass. Scylla can be used for most any application and is only limited by the user’s imagination.
Scylla includes three different types of oscillators that can be modified to a wide variety of styles. Three built-in samplers can accommodate .wav audio samples, which can be played back in grain table, waveform, sample or single hit format. All the audio can be modified and modulated through LFO, volume and filter envelopes, Ring-Modulation, and Unison.
De La Mancha Thr33some VST v1.0
De.La.Mancha.Thr33some.VST.v1.0-peace-out
Size: 9,5mb Language: English OS: WinAll
Discription
de la Mancha has announced the release of thr33some, a new multi-band stereo tool to allow you to widen or narrow specific frequencies in your mix. Typical use would be to make bass sounds mono whilst progressively spreading higher frequencies, but abuse and experimentation will yield some interesting effects too.
thr33somethr33some has 2 methods of stereo spread and, with gain and pan per band, you have total control over all 3 bands. You can also make each band full spectrum to get 3 full layers and control in and out gain with metering to keep levels under control. There is also a multi-out version for individual processing of each band in your DAW.
Features:
* 3 band stereo widener/narrower.
* Split bands into 3 frequency ranges, or choose 3 full spectrum layers.
* Zero phasing band splits using inversion rather than crossover.
* Mid/Side processing per band.
* Delay based width control per band.
* Stereo balance and gain per band.
* Stereo out and multi-out (3x stereo) versions.
* In and out gain controls.
* Metering for in and out levels to allow balancing.
* All control parameters named and mapped to MIDI CC.
* Presets covering all functions and many configurations.
Originally developed in the early 1960s and built in Birmingham (England) the Mellotron is an electro-mechanical, polyphonic keyboard. It superseded the Chamberlin, which was the world's first sample-playback keyboard. The heart of the instrument is a bank of parallel linear magnetic audio tapes, which have approximately eight seconds of playing time each. Playback heads underneath each key enable the playing of pre-recorded sounds.
When importing old banks there will be a "205 parameters could not be loaded error message" . That is because I have done a big cleanup in the patch.mem. and deleted 205 parameters.
Most of them was not needed because of the new GUI keyboard system developed by Andy Medforth. It saves CPU and loading times.
New filter model for filter2. Both filters are now 64 bit. Less CPU. Overall CPU for the synth should be 5-6% faster than the 1.4 version. Cleaner filter sound. And filter2 has improved algorithm for controlling self-oscillation level.
Filter2: 6 new modes for FM (audio rate modulation). 3 chain modes and 3 ladder modes. Filter modelling means better distortion and +/- 5% variations in all vital components.
Midi learn by right clicking any controls. Stored in patches/banks.
Dual core problem solved.
New glide system. Works like the original.
New GUI keyboard. When you click on the "memorymoon" sign, vertical mouse movements are modulation , while horisontal mouse movements are bend.
LCD now shows patch name, and you can click on the name and select patches from a list. And there are arrows to select patch up/down.
LCD letters has more red colour.
Clicks when changing presets improved. For perfect patch change use the red arrows. And incoming program change from MIDI should work perfect now.
Reduced note stealing clicks. 3 hidden voices makes note stealing less audible.
Voicecard drift: Independent pitch drift for osc1 and osc2. So the detuning between osc1 and osc2 will be different for each voicecard.
New soundfont player with high quality zinc conversion possible. ("CPU" button).
The main focus in the design of Messiah was low CPU. The audio part of the synth engine has only modules by Chris Kerry hand coded in Microsoft assembly language for low CPU (the effect section has modules by other developers). The design is inspired by Prophet5, but instead of saw, tri and pulse oscillators it has 3 innovative oscillators: Morph oscillator with 4 waveforms, unison oscillator with 7 voices (and you can put this oscillator into 5 voice unison for 35 voices), and flexi oscillator that consist of 2 seperate waves that can perform PWM, ring mod. and phase distortion with very low CPU. You can set the pitch of wave B with the "WaveB/env.offset" knob. The synth has a advanced gate with controls for cutoff and harmonics (overtones) for all 16 steps. Messiah is a VST-instrument. You install it by copying the messiah.dll file to your VST-plugin folder.
Linear-Darstellung
