Drums of War captures the magnitude and essence of a forgotten battle fought in a forgotten place. The trepidation that proceeds battle can be found in the depth of “Hell’s Deep.” “ Sub Boomz” echo the warmth of a call that inspired the timid long ago. “Ancient Torture Drum” brings to mind long-extinct trees and the skins of beasts that haven’t been seen on the earth in millennia. “War Ensemble” is reminiscent of grand, prehistoric armies that stormed across a rugged landscape, terrorizing all in their wake. “Titan Ensemble” can help to evoke the courage of battle-weary soldiers or the fear of the death knell’s call.
* Pristine 24/96k Recordings at the legendary Manhattan Center Studios
* Unprocessed natural cinematic sonic quality
* 100% Natural Reverberation
* Live Ensemble Playing**
* Extensive 5 Dynamic Layer Patches each using Level based Round Robin programming
* Truly Random Round Robin Scripting*
* Quick EQ GUI using pre-selected frequencies for quick and accurate equalization*
* Alternate Takes Included (Up to RR X13)
Patch List Formats
01 War Ensemble
02 Titan Ensemble
03 Sacrificial Offering
04 Hells Deep
05 Earth Mover
06 Barbarian Siege
07 Ceremonial Skull Hammer
08 Combat Drum
09 Battle Drum
10 Ancient Torture Drum
11 Army of Doom
12 This is Spartaaa
13 Sub Boomz
14 Mammoth Calls
bin ich blind oder wieso find ich keine links zu cinesamples drums of war ? o.O
und is das auch für mac oder gibs nur eine exe?
ansonsten bin ich echt gespannt
Wenn ich vG in cubase starten meldet cubase please reload plug in. Und es kann den content ordner nicht finden. Wo muss ich die cd 2 und 3 rein packen? Die bei dem release dabei sind?
Bei "Sonart Audio - Club KIKI Elektro" sagt WinRAR bei den bnt-saek.rar, r00 usw. Archiven "Unexpected end of Archive" hat das noch jemand außer mir?
Also das "äußere" Archiv ist in Ordnung, das innere aber nicht.
Geändert von Ande321 (28.12.09 um 20:40 Uhr).
Grund: Schreibfehler
* VST2.4, AU and RTAS (Mac only) plug-in synthesizer for PC (Xp/Vista 32/Vista 64) and Mac OS-X 10.4 > (IntelMac / Leopard)
* Sound Presets consist of 4 separate Layers for rich, complex sound synthesis.
* Unlimited sound programs, Sound Browser
* +2100 Rob Papen presets and more
* 4 oscillators per Layer, 4 types. Oscillator modules include Analog-type, Digital-type, Noise-type and Audio Input-type. FM modulation and AM modulation. Oscillator Sync in Analog Oscillator 2 and 4
* Stereo Filters, 4 types. Filter modules include Silk-type, Cream-type, Scream-type and Comb-type. 3 multimode filters (Silk, Cream and Scream), each with a different basic design thus producing different sounding filters. Filters are stereo with panning and panning modulation options.
* Saturation knob precedes each filter to add overdrive to the sound before it enters the filter. Four types of Saturation are available.
* 8 envelopes, 2 types. ADSFR type and 5-stage envelope type with loop function. Each envelope stage has separate slope/curve settings. Each oscillator has its own volume envelope.
* 4 LFOs with various waveforms and midi-syncable. LFO Waves have adjustable start-phase and waveform-symmetry. LFOs can also be set to mono mode.
* Modulation Matrix which includes 16 routings with 27 sources and 36 destinations. Separate control section for Velocity to: AMP, Filter 1 and Filter 2.
* Arpeggiator with 32 step rhythm sequencer, step length, clock settings, various modes including modulation and chord, switchable keyboard retrigger, swing, velocity mix, save/load functionality.
* Spread function for each Oscillator for ultra fat detuned sounds.
* Chord memory mode (saved with the preset)
* 4 effects units per layer each containing 12 stereo effects including two Choruses, two Delays, Filter, Phaser, Reverb, Flanger, Gator, Wah Wah, Compressor and LoFi.
* Mono/Polyphonic Portamento/Glide featuring Fingered mode, switchable constant Time/constant Rate and Auto-Bend Modes
* Sound programs are stored directly on hard disk so providing a virtually unlimited number of storage locations. Sounds are sorted into style-maps for easy search. Integrated Sound Browser, MIDI program change and bank change supported.
* Adjustable Precision setting for recreating the warmth of true analog synthesizers
* Gen (randomize) function for experimentation and preset fun
* Microtonal support (Scala file import) for different scales (Indian, Arabic, etc.)
* Adjustable keyboard velocity response curve.
* 32-voice polyphony
* Adjustable voice limit (mono, 1...12, oo).
* MIDI activity display (also triggers a C3 when clicked)
* Several parameters are located on the "rear panel" so they are not changed accidentally during use.
Controller hardware (faderbox or synth) settings can be saved and restored.
Dial operation is switchable between circular and linear modes
Bei "Sonart Audio - Club KIKI Elektro" sagt WinRAR bei den bnt-saek.rar, r00 usw. Archiven "Unexpected end of Archive" hat das noch jemand außer mir?
Also das "äußere" Archiv ist in Ordnung, das innere aber nicht.
Native Instruments Traktor Pro v1.1.1 MAC
Native.Instruments.Traktor.Pro.v1.1.1.MAC.OSX-UNION
Size: 151mb Language: English OS: Mac (All)
Discription
Traktor Pro macht den Mac zum virtuellen DJ-Arbeitsplatz. Mit der Software mixt man digitale Audiodateien neu zusammen. Auf Wunsch steuert man das Programm mit der ebenfalls erhältlichen Traktor Scratch Hardware mit CD-Playern oder Plattenspielern an.
Traktor Pro hat sämtliche Werkzeuge eines herkömmlichen DJ-Mixers an Bord. Der Aufbau ist klassisch: Der DJ mixt vier unterschiedliche Tonquellen mit Schiebe- und Drehreglern zu einem individuellen Musikstück. Dazu stehen zwei separate Kanäle mit Effekten und Equalizer bereit.
Mit virtuellen Schaltern wie etwa PunchIn- und PunchOut versieht man Songs mit neuen Klangfarben. Traktor Pro hat eine Geschwindigkeitsanzeige an Bord uns passt die so genannten BPM-Zahlen einzelner Stücke bei Bedarf an. Dank der Medienbibliothek mit Playlist behält der Computer-DJ stets den Überblick.
Systemvoraussetzungen:
* Prozessor: PPC/Intel
* Arbeitsspeicher: 2 GB
* Mac OS X 10.4.8 oder höher
Discription
SINDO V3 is our next generation audio stereo image Expander (widener) / Narrower offering an even greater number of enhanced new features and quality while retaining extremely high level of mono compatibility with minimal side effects. The leading audio stereo image processor now includes an industry first Stereo image compression feature, this is not audio level compression however it is a proprietary stereo field width compression system developed by crysonic which is fully automated and working at zero latency allowing the user to attain maximum stereo width and retain mono compatibility with minimal side effects. Another important new and proprietary tool made available with Sindo V3 is the multi-band Stereo Dynamics section with smoothing which further adds better stereo presence and definition without coloring the sound. Low frequency stereo separation can now also be separately targeted with adjustable cut-off frequencies and width amounts together with the ability to preview. Last but not least Sindo V3 features a unique stereo field display showing information regarding stereo phase coherence/ correlation and compression amounts for both Left and Right Channels (when active). These and many other enhancements are now part of SINDO V3.
SINDO V3 offers a uniquely powerful stereo toolkit for digital editing, mastering and tracking for all stereo audio material. SINDO V3 allows to dramatically broaden and 'sweeten' the spaciousness of the stereo image whilst retaining mono compatibility and not affecting the tonal character of the original sound. The Global and individually adjustable frequency 'Rotations' can be used to Pan the center stereo image without altering the mix level balance.
Image Line Harmless VSTi v1
Image.Line.Harmless.VSTi.v1.0.0-peace-out
Size: 8mb Language: Multilangual OS: WinAll
Discription
For several reasons. To begin with, there are too many subtractive synthesizers already, often bragging about being virtual analog. This one is digital, and proud to be. Everything is fake, the tone generator, the filter & its resonance, the phaser, all performed on the harmonics, before partials are computed.
Now, how it's synthesized shouldn't matter after all, if the result sounds subtractive. But Harmless is more than a proof of concept, it allows fine control that wouldn't be possible through classic subtractive synthesis. Filtering and phasing can be assigned unusual shapes & slopes, something normally only possible through offline digital filters. Filter slopes can even be defined in Hz instead of octaves. Finally, you get control on each partial's frequency, creating timbres definitely impossible using common synthesis methods.
Discription
LiquidSonics' Reverberate is a highly efficient convolution audio processor offering true zero-latency operation for two separate, stereo impulse responses.
Reverberate seeks to provide a richer and more dynamic sounding reverb from impulse responses by optionally modulating an amalgamation of two, separately controllable true stereo IRs using an LFO. Further modulation is possible using the post-processing effects; an all-pass interpolator chorus provides a fuller sound and an over-sampled analogue prototype paragraphic equaliser is provided with dual LFOs. These features make for a livelier sound than typically associated with some convolution reverbs, at a very competitive price.
Features and Specifications:
* Stereo convolution reverb
* Dual true-stereo IR capability
* Zero latency (or select up to 8192 samples latency)
* Wav, Aiff and Flac support
* ADSHR envelopes
* 50%-150% stretch
* Double oversampled IR-EQ
* Pre-delay up to 500ms
* Linear-interpolation choruses for IR1, IR2 and post effects
* Post EQ with LFO modulation
Discription
Mildon Studios has announced the release of the Lemonstrum 3 Acoustic Guitar Strummer VST plug-in for Windows.
This acoustic guitar strummer acts as a chord sample player. Each of the 12 keys on the keyboard (A-G#) triggers the chord you assign to it. You can load up to three samples: different strokes of the same chord for each trigger, which Lemonstrum will then play alternately whenever you press the key. A light press will play a scratch effect.
It is pre-loaded with power chords or "fifths," which blend well with both major and minor chords. You can also mic your own guitar and record 3 down-strokes of the chord that you want and load them into Lemonstrum 3.
Discription
Zebra is a wireless modular synthesizer. It combines numerous synthesis techniques (subtractive, additive, fm, wavetable, etc.) with a powerful modulation engine that even smoothly integrates with the built-in effects section.
Unlike its analog predecessors Zebra has got an adaptive user interface that shows only what you can hear. You don't have to worry about complexity - but it's available when you need it!
A demo version (AU, VST Mac & Win, RTAS Mac) is available to musicians with fastidious sound requirements.
FabFilter Pro-Q is designed to help you achieve your sound in the quickest way possible. Via the large interactive EQ display, you can create bands where you need them and select and edit multiple bands at once. Try it yourself!. An equalizer is probably the tool you use most while mixing and mastering, so you need the best of the best! As you can expect from FabFilter, Pro-Q gets you the highest possible sound quality and a gorgeous interface with unrivalled ease of use.
Mixing and mastering features
Pro-Q offers everything that a demanding engineer could wish for: top quality linear phase operation in addition to zero latency mode, Mid/Side processing, variable stereo placement of EQ bands and a built-in spectrum analyzer.
FabFilter goodies
Finally, you get all the usual FabFilter goodies: perfectly tuned knobs, MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, extensive help with interactive help hints, AltiVec and SSE optimization, and much more!.
Key Features:
* Highest possible sound quality
* Gorgeous interface with large display for easy and precise editing
* Up to 24 EQ bands
* Operates either in zero latency mode, or in linear phase mode with adjustable latency
* Filter shapes: Bell, High/Low Shelf, High/Low Cut with 6, 12, 24 and 48 dB/oct slopes
* Each band can operate on the stereo signals or on the left or right channels independently for per-channel EQ-ing
* Mid/side mode where you can EQ the mid and side signals separately
* Built-in real-time frequency analyzer with Pre- and Post-EQ modes
* Double-click text entry of parameter values
* Different display ranges: 6 dB range for mastering use, 12 dB, and 30 dB for mixing
* Stereo and mono plug-ins available
* MIDI Learn
* Undo/redo and A/B comparison
* Smart Parameter Interpolation
* Sample-accurate automation of all parameters
* Extensive help file with interactive help hints
What's new in FabFilter Pro-Q 1.01?
* Fixed a bug that caused some loss of precision in calculations. This update drastically reduces the total harmonic distortion (THD).
* Fixed a bug in the mono and VST3 versions, that caused the plug-in to be unable to report latency changes to the host.
* Fixed a bug that could cause unwanted 'plops' when disabling and enabling EQ bands at lower frequencies.
* Added mouse wheel handling for Q changes in the interactive EQ display.
Ich tue mich schwer auf der Suche nach einem Keygen für die Ethnic Instruments-Collection RA von East West Quantum Leap.
Von einigen Firmen (Amplitube oder PSP z.B.) gibt es ja Multi-Keygens für alle Produkte. Gibt es sowas vielleicht auch für EWQL?
5 parts (107 nki´s)
4 x 95,7 Mb + 1x 92,2 Mb 475 Mb *rar. Archiv (470 Mb entpackt)
Der KONTAKT Sampler präsentiert sich in der vierten Generation so ausgereift und vielseitig wie nie. Die herausragende Sound-Engine und die hochmoderne modulare Architektur eröffnen unbegrenzte klangliche Möglichkeiten bei gleichzeitig einfachster Nutzbarkeit. Die riesige Sample-Library bietet unzählige erstklassige Instrumente, während die zukunftsweisende 'Authentic Expression Technology' (AET)® neue Maßstäbe für die super-realistische Reproduktion von Instrumenten setzt. KONTAKT 4 ist der Premium-Sampler für Musiker und Produzenten, egal welchen musikalischen Genres.
Native Instruments Traktor Pro v1.23 for Windows | 138.8 MB
Native Instruments has announced an upcoming expansion to its Traktor DJ software, Traktor Pro. Pro utilizes an updated interface with four decks, specifically improved for live performers; the layout is said to be high-contrast and scalable, with cue and looping controls altered to be easier to use on the fly. Native has likewise added the Crate Flick feature, which lets DJs browse music files as if they were in a typical record crate. Supporting the interface changes is a new performance effects section, divided into two multi-effect units with a combined total of over 20 effect types such as Iceverb and Reverse Grain. To create more original sounds, DJs can chain together up to six effects. The MIDI component of the program has been enhanced with a "MIDI modifier" function, which permits dynamic and/or multi-layered assignments to knobs and faders. Changes to MIDI sync should meanwhile enable integrated use of add-ons, like drum machines or sequencing software.
Traktor Pro introduces a new graphical user interface that features a new efficient workflow. The concise, completely scalable screen layout with clear, high-contrast elements results in an interface that is highly convenient to work with under all conditions. All crucial performance functions like cueing and looping have been revised and refined in Traktor Pro for fast and intuitive handling in a performance situation, while extensive cover artwork support including the innovative "Crate Flick” feature allows DJs to visually browse their music library in a new and especially efficient way.
Advanced syncing functions in Traktor Pro give DJs more time to focus on the creative aspects of their performance. Precise beat grids are now created automatically for all tracks, and the "Sync Lock” function makes sure that even multiple decks and tempo-synced effects never drift out of sync. New "quantized navigation” also allows DJs to seamlessly jump between loops, cue points or any other part of a track without missing a beat, offering huge potential for the spontaneous rearranging of entire tracks, beatjuggling and similar techniques.
New features:
- Redesigned user interface
- Stunning effects section
- Sync reloaded
- Cover artwork and Crate Flick
- Industry standart workflows
Features:
- Professional DJ software, integrating industry-standard workflows into an intuitive and stylish interface
- Modular user interface featuring 4 playback decks with automatic beat-gridding of tracks, advanced beat detection and Sync Lock for perfect mixing
- 21 professional effects - tempo sync to any deck or route an external source through the industry-leading effects section
- Auto Loop makes it easy to create synchronized loops on the fly with precise control over loop In and Out points
- Fully featured 4-channel mixer, emulating the Xone: 92™ 4-band EQ and filters by Allen & Heath and three other high end equalizers
- Real-time track management with incremental search, Crate Flick artwork browsing, iPod™ and iTunes compatibility
- Play, cue, jog wheel control, hot cues, and loop setting / adjusting follow the same intuitive workflow as industry-standard hardware
- Automatic gain control based on perceived loudness; high-quality key correction
- Directly record your set to disk with the integrated recorder supporting internal and external audio input
- Supports multiple MIDI controllers and advanced MIDI assignments, as well as the sync'ing of external gear through MIDI clock functionality
DirectGuitar 2.1 is a 9Gb electric guitar sample library for NI Kontakt 2-3 direct recorded for use with an amp simulator. Pettinhouse tell us that that the electric guitar has been recorded directly to the sound card exactly like when you plug a real electric guitar into it. In this way you can add your favorite amp simulator and shape the sound as you wish.
Highlights:
* Each selector is 1.2 Gb and about 720 samples at 24Bit 96Khz, full sustain, natural decay (no loops), 3 velocity layers, round robin for alternate picking.
* Key switching: slides, palm mute, pinch harmonics, tapping, trills, octave chords, release notes, fret noises, hand noises, pick noises, strum noises, cable noises, finger noises.
* 12 articulations: Bridge, mid-bridge, mid, mid-neck, neck, jazz, strum, slap hand, arpeggio, chords, Mute M+N, mute M+B.
* Arpeggio: simulates the arpeggio with fingers typical of pop or rock music. It’s possible to mute it, to adjust the volume or even change the intonation of it.
* Strum noises: Strum noises, hand noises and cable noises very helpful for creating live reggae, funky and jazz parts.
* Strum articulation: With this articulation you can create real funky riffs. It has strum noises loops which is possible to adjust the tempo and intonation.
D16 Group Phoscyon wär auch nicht schlecht
