QUICK FACTS
o A massive virtual instrument with a huge and exclusive
trance sound archive that provides every constituent
you need to make the perfect trance track, including
just about every 4/4 percussion combination you can
imagine.
o Over 1 GB of diverse material including trance
drumloops, epic trance sequences and arpeggios (all
full of energy and vibe and easy to edit and make your
own), plus trance-friendly pads, pad loops, euphoric
synth lines and trance bass loops, effect stabs, trance
snare rolls, and a huge selection of vital trance
drumkit sounds.
o All loops are totally customizable to fit your own
track and preferred style.
o Sync each loop to your host sequencer at ANY TEMPO YOU
WANT with the included software!
o Includes a special version of INTAKT SAMPLER from
NATIVE INSTRUMENTS (plug-in or standalone) for MAC and
PC specifically designed for loop playback.
OVERVIEW
Although subtitled "Elements of Trance", the sounds in
this dance production factory will work in a variety of
classic dance genres. Many loops are also usable for
other genres like chemical, techno, house etc. The beauty
of the INTAKT interface is that you can alter the tempo
without getting time shift grungies, and you can pitch -
shift or apply filtering or FX to individual slices of
loops, which is great for making a synth bass line match
the tonality of an existing tune. Or you can rearrange or
randomize the order of the slices of synth lines. The
bulk of the loops are aggressive drum and percussion
loops. There are also plenty of kick-only patterns, and
other isolated percussion loops. A selection typical
dance piano and guitar loops are provided as well.
There's enough material in this category alone to keep
you busy for ages. As a bonus, there's also a very useful
selection of drumkits. The "grooveloops" collection
(leads, buzzers, basses, pads, ambiences etc) is a vast
and powerful collection designed to work with the
drumloops. You'll find it's a real party to mix, split
and process these sounds just the way you like them. A
lot of great sounding synths have been used here,
including some really fat analog bass loops and super
cool acid loops. There's plenty for the Ibiza house
producers too - the guitar and piano loops provide just
the right inspiration and will help you muster your last
ounce of euphoria. This is a good all-around dance
collection, and with almost 2000 samples, the variety of
the content is enormous - if yo u can't find what you're
looking for here, (or create/customize it with the INTAKT
interface) you probably won't find it anywhere else!
* Synthesis method: Subtractive hybrid.
* Each patch contain two 'scenes' which are separate instances of the entire synthesis engine (except effects) that can be used for layering or split patches.
* Category based patch-browser.
Oscillators:
* 3 oscillators/voice.
* 5 versatile oscillator algorithms: Classic, Sinus, Wavetable, S/H Noise and Audio-input.
* The classic oscillator is a morphable pulse/saw/dual-saw oscillator with a sub-oscillator and self-sync.
* Most algorithms (all except sinus and audio-input) offer up to 16-voice unison at the oscillator level.
* Oscillator FM/ring modulation.
* All oscillator algorithms are band-limited yet they still cover the entire audible spectrum.
* Noise generator with variable spectrum.
Filter block:
* Two filter-units (7 different configurations).
* Feedback loop.
* Available filter-algorithms: LP12, LP24, LP24L (ladder filter with 1-4 poles), HP12, HP24, BP, Notch, Comb+, Comb-.
* Waveshaper (5 shapes).
Modulation:
* 12 LFO-units available to each voice (6 are running on each voice and 6 are shared for the scene).
* DAHDSR envelope generators on every LFO-unit.
* 7 deformable LFO-waveforms + 1 drawable/step-sequencer waveform.
* Fast and flexible modulation routing. Almost every continuous parameter can be modulated.
Effects:
* 8 effect units arranged as 2 inserts/scene, 2 sends and 2 master effects.
* 9 algorithms: Delay, Reverb, Chorus, Phaser, EQ, Distortion, Conditioner (EQ, stereo-image control & limiter), Rotary speaker, Frequency shifter.
Scarbee Vintage Keyboard FX was conceived and produced with one goal in mind: To supply you with outstanding models of vintage analogue effects processors, especially suitable for keyboard sounds. Great care was taken in the selection of the modelled hardware, and a thorough alpha- and beta testing team was in constant communication with us, allowing for very detailed molding and tailoring of the sound.
With a choice of eight different effects - Preamp, Compressor, Wah, Phaser, Chorus, Overdrive, Delay and Amp, all with MIDI-syncable rates and times, the user is in charge of a very powerful array of sounds. We've even included the possibility to decide the order of effects, allowing you to experiment and greatly enhance the sonic potential of the plug-in.
But it doesn't end there! With the A-B Morph function, the user can make two completely different sets of settings, and morph between them with a slider. Naturally, all parameters are automatable, and each module is equipped with a separate bypass-switch, to conserve CPU resources. Great care in the programming stage was taken to ensure as low CPU consumption as possible, while still maintaining excellent sound quality.
* Sound Presets consist of 4 separate Layers for rich, complex sound synthesis.
* 32 note polyphonic (CPU dependent).
* Unlimited sound programs, Sound Browser.
* +2100 Rob Papen presets and more.
* 4 oscillators per Layer, 4 types. Oscillator modules include Analog-type, Digital-type, Noise-type and Audio Input-type. FM modulation and AM modulation. Oscillator Sync in Analog Oscillator 2 and 4.
* Stereo Filters, 4 types. Filter modules include Silk-type, Cream-type, Scream-type and Comb-type. 3 multimode filters (Silk, Cream and Scream), each with a different basic design thus producing different sounding filters. Filters are stereo with panning and panning modulation options.
* Saturation knob precedes each filter to add overdrive to the sound before it enters the filter. Four types of Saturation are available.
* 8 envelopes, 2 types. ADSFR type and 5-stage envelope type with loop function. Each envelope stage has separate slope/curve settings. Each oscillator has its own volume envelope.
* 4 LFOs with various waveforms and midi-syncable. LFO Waves have adjustable start-phase and waveform-symmetry. LFOs can also be set to mono mode.
* Modulation Matrix which includes 16 routings with 27 sources and 36 destinations. Separate control section for Velocity to: AMP, Filter 1 and Filter 2.
* Arpeggiator with 32 step rhythm sequencer, step length, clock settings, various modes including modulation and chord, switchable keyboard retrigger, swing, velocity mix, save/load functionality.
* Spread function for each Oscillator for ultra fat detuned sounds.
* Chord memory mode (saved with the preset).
* 4 effects units per layer each containing 12 stereo effects including two Choruses, two Delays, Filter, Phaser, Reverb, Flanger, Gator, Wah Wah, Compressor and LoFi.
* Mono/Polyphonic Portamento/Glide featuring Fingered mode, switchable constant Time/constant Rate and Auto-Bend Modes.
* Sound programs are stored directly on hard disk so providing a virtually unlimited number of storage locations. Sounds are sorted into style-maps for easy search. Integrated Sound Browser, MIDI program change and bank change supported.
* Adjustable Precision setting for recreating the warmth of true analog synthesizers
* Gen (randomize) function for experimentation and preset fun.
* Microtonal support (Scala file import) for different scales (Indian, Arabic, etc.).
* Adjustable keyboard velocity response curve.
* Adjustable voice limit (mono, 1...12, oo).
* MIDI activity display (also triggers a C3 when clicked).
* Several parameters are located on the "rear panel" so they are not changed accidentally during use.
* Controller hardware (faderbox or synth) settings can be saved and restored.
* Dial operation is switchable between circular and linear modes.
* 4 Oscillators, 13 Alias Free Waveforms each plus a Noise Generator per oscillator: Saw, Vintage Saw, Square, Vintage Square, Pulse 50%, Pulse 25%, Pulse 12%, Pulse 6%, Harmonics 5/2, Harmonics 3, Harmonics 4, Harmonics 5, Pure Sine.
4 User Loadable waveforms, in two modes: Simple shot and Full range.
* 64 voice polyphonic (CPU dependant) with polyphony limiter and Intelligent Voice Allocation (no clicks when maximum polyphony is exceeded).
* Full Legato mode for monophonic operation.
* Monophonic/Polyphonic portamento with Fixed or Variable per-key Time.
* Individual adjustment of Level, Waveform, Mode, Phase, Fine, Octave, Coarse tune, LFO sensitivity and Pitch Eg Intensity for each oscillator.
* Key Sync, Inverted, Free Running or Fixed Frequency mode selection for each oscillator.
* Dedicated Pitch Envelope Generator, with Start Level, Attack Time, Attack Level, Decay Time, Release Level, Release Time with fully bandlimited operation.
* Random Pitch control, with individual generators per oscillator.
* 4 Operation modes: Add (normal), Ring Modulation, Hard Sync and Frequency Modulation. Every group of two oscillators can select any operation mode.
* Pulse Width Modulation (PWM) with adjustable depth for every oscillator and phase shift control.
* 2 Superb resonant multimode filters (Low Pass, High Pass, Band Pass, Notch) with individual adjustment for Type, Cutoff, Resonance, Attack, Sustain, Decay, Release, Envelope, Velocity, Keyboard Scaling, Aftertouch, Breath controller, Modulation.
Positive or Negative envelope modes.
* Link mode for the two filters.
* 2 Amplifier dedicated Envelope Generators with Attack Time, Hold Time, Decay Time, Sustain Level, Release Time, Keyboard tracking and Velocity control.
* Linear/Exponential selectable envelopes.
* Dedicated LFO's, for Pitch, Filter and Amplifier, 13 waveforms each: Sine, Square, Pulse 50%, Pulse 25%, Pulse 12%, Saw Up, Saw Down, Triangle, Step 1, Step 2, Random 1, Random 2, Sample and Hold.
Variable offset of all waveforms, Delay, Fade, Speed Depth, Aftertouch, Breath and Modulation controls.
All LFO's are individually syncable to Host Tempo.
* Loadable LFO waveforms.
* 5 Pitch Bend modes: Normal, Asymmetric, High Note, Low Note, Hold Notes. Pitch Bend range adjustable up to +12 semitones.
*
Built-in effects section:
2 filter level effects:
Drive control with Tone adjustment
Amp/Cabinet Simulator with 19 different simulations.
AutoPan
Stereo Spread
Stereo Delay
Two Band Equaliser with adjustable frequency and ?12dB range.
All effects can be disabled to save CPU
* 4 outputs: Main stereo pair (with effects), 2 auxiliary mono outputs (dry).
* Master volume control for the whole instrument (all presets)
* Extensive MIDI implementation: Velocity, Pitch Bend, Aftertouch, Modulation, Breath, Sustain Sw.
* MIDI Learn mode: Any knob can be assigned to any parameter just shift-clicking on it and sending a MIDI CC. Multiple knobs (in any number) can be assigned to any controller with selectable polarity and MIN/MAX value.
MIDI Settings are remembered.
* 768 programs in 6 banks (a-f), 300 top quality factory presets selectable by right click.
Copy/Paste/Init functions to arrange presets.
* Reduced CPU utilisation
* Sound Preview feature with MIDI transmit.
* Easy programming layout
* Two phase-morph oscillators with FM.
* Built in FX-unit with ten effects.
* 128 ready-to-go presets including 40 presets by Hubertus Maass.
* Very easy to use.
The Orange Vocoder features one all-in-one plug in including functions such as:
* Realtime Vocoder effect usable in either the Master or Track Effect Racks, uses either any input source/audio track or the built in oscillator as carrier signal, and any audio track as modulator.
* Integrated 8-voice virtual analog synthesizer with 2 oscillators per voice featuring 10 basic waveforms and 7 sampled sounds, voice detune, pitch LFO, 4-pole Lowpass filter with cutoff and resonance, oscillator hard sync and ring modulator.
* Fully customizable Freeform EQ with max. 12 nodes, ranging from 20Hz to 20kHz and resolving from +30 to -30 dB FS.
* Input Channel flip to instantly exchange carrier and modulator signals without re-routing tracks.
* post-Vocoder Filterbank Reverb Effect with Mix, Decay and Density.
* Full MIDI controllable (version 2 of the plug in required).
Mobilohm is a very powerful multi-phaser, using 4 oscillators, that sounds unique. This plugin is a must have among your sound sculpting effects. It will really satisfy the hunger of musicians tired of filters, looking for a cool tool to animate their sounds in a new way, from the gentlest caress to full-on swirling waves of sound.
Mobilohm is definitely not just another "one phaser" effect. Like the OhmBoyz, it comes with a shock of LFOs that extend its capacities far beyond a simple effect. And you'll enjoy the power of preset morphing and ultra-smooth controls.
Mobilohm is available in two forms: The Classic Skin for musicians who enjoy the traditional style of a rack-like plugin (See above), and The Funky Skin which is for those of you whose tastes are a bit more...exotic (See their site).
Sometimes, you really need to break the harmonic content of a tune. Better than a ring modulator, Hematohm is a frequency shifter. Behind this easy but gloomy user interface, you'll find a machine that will allow you to triturate the sound more than in your most pervert dreams. This tool of torture is delivered with a vicious envelope follower, a strong LFO, and a delay coming from forgotten depths.
* High quality Frequency Shifter.
* LFO with 10 waveforms, including 3 randomised shapes, in order to create an unlimited number of sound modulation patterns.
* An envelope follower very useful to add some colour to your rhythmic sounds.
* A Delay containing the main effect inside its loop, which helps to get the sound more and more changed across the repetitions. The effect location can be set in the direct forward path or in the delay feedback path only.
* MIDI automation for VST, DirectX and WinAmp version (restricted to Expert and Pro Pack licenses only).
* With MIDI feature, it's also possible to adjust the LFO phase to get accurate tempo synchronization and to obtain very musical and rhythmic effects.
* Very fine MIDI control. All RPN and NRPN data sent or recorded by Hematohm are 14-bit accurate.
* Easy MIDI configuration with Auto-Bind feature.
* Fast configuration : Save MIDI configurations into files and reload them to avoid to repeat the same operations each time you fire the plug-in.
* Move several buttons in one move, with group selection and side-click.
* Instant result : with many sequencers (cubase, Orion...), Hematohm adjusts itself to the right tempo and follows any occurring change.
* Useful presets, loadable on-the-fly, that can be applied instantly or with long or very long transitions where all the parameters switch from the old value to the new one in a ballet you won't forget!
* Two unique sample based SyncGrain synthesis (Polyphonic or mono timbral, depending on preference). Create a morphing oscillator out of any sample, and even use multi samples to create drumkits!
* Adaptable sub oscillator brightness based on SyncGrain spectral content, a stereo noise generator, a ring modulator per voice. Also features inter-voice ring modulation.
* Dynamic routing of the signal into the Quad Frohmage filter bank (with loads of filter types, distortion, band delay and everything else you would expect).
* Extensive modulation options (one LFO + one xADSR per parameter + MIDI) for almost every parameter.
* Output signal limiter.
* Approachable, straightforward user interface: large integrated file browser with easy file management facilities, a thousand parameters instantly accessible across just two panels, and the usual Ohm Force selection system, flying faders and velocity simulation on the graphic keyboard.
* Over 30 Meta Patches included, each of them with its own complex MIDI behaviour, 12 patches to morph with and the designer's comments to help you learn how to use them to their full potential. First major Meta Patches release as a free bonus.
* Useful presets instant variable transitions where all the parameters switch from the old value to the new one in a ballet you won't forget!
* MIDI automation with Auto-Bind.
* Fast configuration (Save MIDI configurations).
* Tempo synchronization.
* High quality DSP algorithm.
* Sampling rate up to 384 kHz.
* Revolutionary graphic user interface.
* Move several buttons at once, with group selection and side-click.
Rock Amp Legends by Jimmy Crespo is a collaboration between Nomad Factory and guitarist Jimmy Crespo to custom-build the definitive guitar amp simulator plug-in.
Features:
* Amp Simulator (impulse response of various British and American Rock Amp Models).
* Input (with Low and High level).
* Stage Tube Emulation (with X1 and X2).
* Tremolo (with Rate and Depth).
* Auto-Pan (with Rate and Depth).
* Stereo Imager (spatializer).
* Chorus (with LFO Speed, Depth, and Mix).
* Phaser (with LFO Speed, Depth, and Mix).
* Delay (with Time, Feedback, Width and Mix controls).
* Compressor (with, Attack, Release, Threshold, Ratio, Pre/Post insert and Makeup Gain).
* Noise Gate (with, Attack, Release, Threshold, Hold Pre/Post insert and Range).
* EQ (Presence, Treble, Middle and Bass).
* Reverb.
* Master Volume.
* Parametric Equalizer (3 band).
* Drive (Overdrive).
* 44.1/48Khz.
* Low CPU requirements.
* Authorize Disk (Receiving an authorization License file).
* Pace iLok support (Authorizing an iLok key) Sold separately.
Octopus is a "Dual-Matrix" synthesizer containing one Matrix for Oscillator/Filter frequency modulation synthesis and another Matrix for general modulation.
Octopus features 8 additive Oscillators, a Sampler and a powerful approach to modulation - 32 complex multi-purpose envelopes with a wide range of modulation destinations. The key component for building a sound is the instrument's 8 oscillators, Sampler, 2 filters and 32 envelopes. These components allow you to create anything from classic "old school" FM timbres to complex sounds far beyond those possible with conventional FM synthesis. All controls are located on a single panel which is always on view, so you can see at a glance any synth parameter.
Features:
* Hybrid Frequency Modulation and Sampling synthesis.
* 10 modulation sources and 8 modulation destinations.
* 550 presets in a wide range of styles made by Nico Herz, Pro-Sounds, Summa, Tim Conrardy and The Outsiderz.
* Full cross-modulation, adjustable feedback for every oscillator.
* 8 additive oscillators using sample-based or user defined waveforms.
* Two independent multimode filters, are available as FM sources.
* Up to 32 envelopes with multiple, syncable segments, free-run, loop and adjustable slopes.
* Graphical envelope editor with sophisticated editing functions.
* Envelopes can be used to modulate a wide range of parameters including amplitude, mix, panning, pitch, frequency, phase, cutoff and resonance of filters.
* Stereo effects section with 4 effects (Parametric EQ, Chorus, Delay and Reverb).
* Two step sequencers each with up to 32 steps each.
LinPlug.CronoX.VSTi.v3.0.4-PLZ + Factory Presets + Some Extra Presets
Infos
Features:
* Free Filter with new, continuously adjustable, modulatable filter-type.
* Loop Sampler Generator with individually modulatable loop-points and start-point.
* Versatile architecture with 4 generator modules that are mixed into two filters.
* Easy-Edit panel allowing preset browsing and quick access to main parameters.
* Powerful, editable arpeggiator with up to 32 steps.
* Stereo and 5.1 support (2 generators, both filters and 3 of the effects units can be mixed in 5.1 format. Settings are stored as part of the preset).
* Analogue-modeled Oscillator Generator for real-time analog-style synthesis.
* Time-Sampler with independent real-time time-stretching and pitch-shifting.
* Wavetable (Schrader) Generator that offers wavetable-like operation using any sample.
* Capable of loading up to 64 samples per loop sampler.
* Sampler Generators support audio formats incl. WAV and AIFF up to 24bit/96kHz.
* 2 analog-style multimode stereo filters with modulatable cutoff frequency and resonance.
* 7 ADSFR-type envelopes for controlling output amplitudes and cutoff frequencies, as well as two freely assignable Modulation Envelopes.
* 4 independent LFOs with various waveforms and midi-sync capabilities.
* LFO Waves have adjustable delay, attack and decay time and waveform-symmetry.
* Modulation Matrix with 10 routings for connecting 30 sources and 56 destinations.
* Fully recognizes Velocity, Aftertouch, Pitchbend, Modwheel and various other MIDI controllers, and includes a MIDI Learn function for easy controller assignment.
* 6 simultaneously available effects units, including various Delays, Chorus, Phaser, Filter, Flanger, Gator, Stereo Enhancer, Parametric EQ and Crusher.
* Mono/Polyphonic Portamento/Glide featuring "Fingered" mode and Auto-Bend Modes.
* Full microtonal capabilities (TUN/Scala support).
* 32-voice polyphony (CPU dependent).
Sytrus is a powerful and versatile synthesizer featuring 6 customizable operators for FM and RM synthesis, plucked strings synthesis, 3 SVF (filter) & distortion modules, effects module with chorus effects and 3 delay lines & unique programmable unison mode.
The rich implementation characteristics of Sytrus allow for an extremely wide range of sounds, including bass lines, bells, pads, drums, pianos, strings, organs and even entire drum and synth loops (in a single patch/note), made possible by the completely customizable envelopes supported by each module.
Features:
* 6 FM Operators.
* FM / RM Matrix.
* Up to 64x Oversampling.
* EQ.
* 3 filter units, 12x5 filter types, 3 waveshapers.
* Powerful multipoint envelope / LFO editing with arpeggiating.
* XY Controller.
* Built-in equalizer and effects (chorus / flanger, 3 delay units, 1 reverb unit).
GreenMachine Amp II is a Guitar Amplifier VST effect plugin.
Specification:
* Clearly arranged user interface.
* Preamp model: american and british style.
* Amp model: Tube 50, Tube100 and SolidState.
* 3 different Tone Stacks.
* 5 Band graphic Eq with changeable range, bandwidth and output level.
* 3 Band parametric post Eq.
* Speaker simulation: open/closed cabinet, backward reflection and Speaker simulation mix control.
* Wah wah, Delay, Chorus, Reverb, Rotary/Vibrato effect.
* 5 different VU Meter to check the most important values inside.
* MIDI control for most functions.
* Input source selector: Guitar, Bass and Bypass e.g. for synth?s or vocals.
* Noise reduction filter.
* About 80 ?ready to go? presets.
Dash.Signature.EVE2.VSTi.v2.00.05.Incl.Keygen-Amplify
FULL
Infos
* 3 wave player sections. Each one with:
o ADSR envelope.
o Velocity sens.
o Double KeyTrack scaling.
o LP filter.
o 3 band EQ.
o Pitch, Amp and Pan LFOs.
o Pitch envelope enable.
o Semitone transpose.
o Fine pitch.
o Send to FX 1, send to FX 2.
o Volume.
o Mute switch.
o VU meter.
o Velocity Zone: min and max.
o Key Zone : high and low.
o MIDI channel.
* 3 modes for each LFO : Free, Sync, Inv.
* Master controls: glide, mono mode, LFO masters, fine tuning, Velocity sens.
* 2 Effects: Echo (true stereo vintage tape delay emulation), Modulator (Leslie, Chorus, Flanger, Phaser).
* MIDI Learn: More than 100 parameters remotely controllable by Midi Control Changes.
Eight Plug-ins for Creative Sound Design with Pro Tools
For sound designers and musicians who work in post production for film or television, create jingles or special effects, or compose and perform electronic music. GRM Tools Classic TDM is a unique prize-winning bundle of eight plug-ins for real-time digital audio processing and creating cutting edge sounds. Use these TDM plug-ins on Pro Tools|HD and MIX systems. Maximum sample rate supported is 48 on Mac OS X and the price is $549.
Also available is GRM Tools Classic RTAS, a bundle of eight plug-ins that provide superb tools for sound enhancement and design. Use these plug-ins with Pro Tools LE and TDM systems as RTAS, AudioSuite, or HTDM plug-ins. Maximum sample rate supported is 192 on Mac OS X and the price is $399.
Please note that the below compatibility grid represents compatibility for both the GRM Tools Classic TDM and GRM Tools Classic RTAS bundles.
Features
* Unique freeze, layering, and scrub functions
* Audio fragmentation and shuffling
* Dual transposers with delays and modulations
* Five in-parallel comb filters
* Unique Doppler technology
* High-Q band-pass or band-reject filter
* Spectral resonance technology (RTAS only)
* Performable equalizer (TDM only)
* Multiple variable delay lines
* Innovative performable interface controls
* High-level preset interpolation
Pluggo consists of over 100 instrument & effect plugins (VST/MAS/AU/RTAS formats) including:
* A six-voice sampler
* A sample-based drum module
* An analogue modeling synth with three oscillators, two LFO's, a multi-mode filter, and modulation matrix
* An analogue modeling bass synth
* A Theremin emulation
* An FM bell
* A granular synthesis module
* A seven-instrument analogue modeling drum synth
* A sequenced wavetable synth
* An additive synth
* A virtual tonewheel organ
* A patchable FM synth
Cameleon 5000 is an additive synthesizer with morphing and resynthesis capabilities. Resynthesis allows you to import WAV/AIFF files and then manipulate them in ways which are impossible with a conventional sampler. The morphing capabilities offer a new approach to sound design; allowing you to pick different characteristics from a palette of sounds. The morph timeline also allows you to create evolving soundscapes, pads and leads.
Features:
* Import and morph any WAV/AIFF file.
* Import any BMP image.
* One-click 'morphing square', to warp between four sounds at a time.
* Pick amplitude envelope, harmonics and noise from different sounds, for an incredibly intuitive approach to sound design.
* Easy-to-use and powerful graphical editing of additive data.
* 500+ presets featuring completely fresh and original sounds, as well as a comprehensive library of pre-analysed acoustic instruments and synthesisers.
* Parameter modulation by velocity, LFO, envelope or midi controller.
* Real-time, high quality 'stretch' for increased expression.
* High-quality portamento allows for realistic note bending.
* Resonant filter and tube distortion (based on 'CamelPhat' design).
* Built-in chorus, delay and reverb effects.
* 64 detunable partials.
* 128 band noise generator.
* 128 band formant filter.
Deverb is a dark digital reverberator. It features twin filters for extreme shaping of the reverb tail, and unique MIDI controls allowing rhythmic "playing" of the effect. Described as "a reverb built specifically for electronic music".
DubStation is a delay plug-in modeled on the "bucket-brigade" style of vintage delay units.
Features:
* 4ms to 2000ms delay time.
* Accurate delay model that changes the pitch of the signal when the time is changed.
* Sync-to-host capable.
* Full MIDI learn mode, for MIDI CC control of every control (VST only; handled by host in AU version).
* Loop and reverse features.
* Low-cut filter controllable for extra dubby feedback.
Discord is a model of the first mass-produced pitch-shifter, which was a studio standard found in control rooms the world over. Discord has all the features you know and love from the original, along with added controls to take advantage of the modern DAW environment and is suitable for everything from subtle vocal doubling and "stereo-izing" to extreme sound effects.
* Polyphonic modular synthesizer and sound design environment.
* Entirely based on physical modeling for outstanding sound quality.
* Huge synth and effect library - more than 50 synths and 1000 presets.
* Modules library for customizing or creating synths - effects, envelopes, filters, generators, inputs, outputs, MIDI, logic, mixers, resonators, selectors and sequencers.
* Generators and resonators include acoustical objects - flute, mallets, organ, plectrum, beams, marimbas, membranes, plates, strings and tubes.
* User expandable module library - reuse, organize and simplify patch building.
* Unlimited modules per patch.
* Internal audio recorder to capture performances on the fly.
* Integrated browser, browser filters and locate function for easy navigation and organization of Tassman elements.
* Triggered playback and record for perfect loops.
* Import/Export functions for easy sharing of synths and effects.
* Unlimited Undo/Redo capability.
* Drag and Drop capability between Tassman elements.
* Audio bit-depth and sample rates up to 24bit/192kHz.
* 32bit floating point internal processing.
* Real time calculation of sound - no samples.
* Simultaneous operation of multiple MIDI ports and user defined MIDI maps.
* MIDI automation and program change support.
* Supports all standard plugin formats.
* Full audio and MIDI hardware support.
* Standalone operation - no host application required.
Microphone Modeler uses Antares' "Spectral Shaping Tool" technology to create digital models of a wide variety of microphones, from historical classics to modern exotics, as well as a selection of industry-standard workhorses. Simply tell the Microphone Modeler what microphone you are actually using and what microphone you'd like it to sound like.
Features:
* Proprietary DSP-based acoustic modeling allows any reasonable quality microphone to sound like any of a wide variety of high-end studio mics.
* Models reproduce the effects of windscreens, low-cut filters, pattern-dependent frequency response and proximity effects.
* Create hybrid mics that combine the bass response of one mic with the treble response of another.
* Add a model of classic tube saturation distortion.
* Use during mixdown to change the mic on an already recorded track.
* Simple to use - select the mic you're using and the mic you want it to sound like.
* Includes an extensive collection of digital models of historical classics, modern exotics, and industry-standard workhorses.
* Additional models can be downloaded from the Antares web site.
