Plug-ins that combine classic synthesis and effects technique with state-of-the-art performance control.
Mode features user-friendly arpeggiators, integrated synth effects and simplified control of complex systems. As a result, Mode opens creative doors previously seen only in the best hardware devices.
Developed by the CreativeSynth team, the Mode plug-ins are unlike anything you've heard--deep basses, soaring lead lines and bizarre percussion, processed by synchronized effects and even a looper's paradise of delay lines.
Dive into the Mode plug-ins; when you resurface, you may not be able to look another plug-in in the eye.
* Read about the main five plug-ins
* Look at screen shots of the main five plug-ins
* Read about the modules
* Download Mode
* Read the system requirements
* Pricing and Purchasing
* Learn More
The "Big Five" Plug-ins
MODE, built using Pluggo technology, based on five primary plug-ins:
POLY: A polyphonic synthesizer featuring a classic digital/analog hybrid synthesis engine. This instrument comes complete with an integrated chorus and delay effects so that the presets (and your programming) are both compelling and inspiring. Add to that our unique poly-arpeggiator that combines ease-of-programming with a unique playback style. POLY is the perfect cure for stale background tracks.
MONO: A dual 2-op FM engine gives this synth a ripping sound. Include a full-featured arpeggiator, unique "you-draw-it" distortion curve and sweet stereo delay and you have a monosynth that delivers everything from jangling leads to sub-killing bass.
BANG: When you need the perfect percussion sound, Bang provides sample playback, FM and analog percussion voices with a mixer and built-in effects to boot. A complex triple-DADSR envelope system allows you to create mini sequences as well as single drum beats. Each voice includes interesting application-specific tweakable controls to take your percussion sounds into another dimension.
SPIN: Time-synchronized effects are a staple of modern production, but straight eighth notes can be a drag. Spin provides sync in 32nd note steps from 1/32 to 4 measures in length. If you want some effect to sync, try an analog modeled filter, auto-panner, digital delay and our unique volume sequencer. Toss in an overdrive and bit-reduction effect, and you have an unsurpassed multi-effect with the convenience of host synchronization.
WASH: With WASH, you get to mix six digital delays, and 8x8 patch bay and a mixer into one plug-in with unrivaled performance control. Tap in a delay time or select on a per-channel basis, you get up to 10 seconds of delay time with each delay line. The delay channels can be "locked" for perpetual looping, and you can even do sound-on-sound recording with each line. Truly a looper's best friend...
The "Modules"
In addition to POLY, MONO, BANG, SPIN and WASH, the Mode package includes 18 plug-in "modules" culled from these devices. They include tasty filters, warm delays, harsh distortion effects and CPU-saving "mini" versions of the main plug-ins. The list includes:
BANG-ANA: A percussion instrument created from the analog emulation section of the BANG percussion synth. It uses very little CPU, and includes 80 pounding analog-style presets.
BANG-FM: The FM section of BANG split off as a stand-alone percussion synth. With 128 optimized presets and low CPU usage, this is a great collection of pinging and rattling percussion sounds.
BANG-SAMP: Tweaked sample percussion synthesis, with 128 usable presets and easy-to-adjust settings. Another low-CPU instrument that can fill a lot of space.
BANG-DELAY: A true stereo delay effect with cool modulation effects and an analog-style feedback system. BANG-DELAY is a great addition to your delay arsenal.
BANG-FILTDIST: Combining the gritty distortion and warm multi-state filter from BANG, as well as a volume and pan control, this effect can be used for everything from gain adjustment to outright mayhem.
MONO-ARP: Using the modulation mechanism made popular by the original Pluggo package, MONO-ARP allows you to control any Mode (or Pluggo) parameter with your keyboard. Add the MONO arpeggiator for time-sync'd performance, and you can find yourself flinging parameters with aplumb.
MONO-MINI: Remove the arpeggiator and effects from MONO, and you get an efficient but powerful FM monosynth with 64 optimized presets and a bright, screaming sound. Perfect for when you need to save a bit of CPU, or use other performance and effects processors.
MONO-DELAY: The stereo delay provided with MONO has a warm feedback filter that allows for high feedback settings with an analog-style roar. An excellent creative delay with ease-of-use at its core.
MONO-DISTFILT: Take the "draw-your-own" distortion/waveshaper, add the state-variable filter, and you have a sonic munger useful for almost any hard-edged music. Since the waveshaper bit-reduces everything to 8-bit, you can make almost any "smooth" sound harsher and brighter.
POLY-MINI: By removing the PolyArp and effects from the main POLY instrument, POLY-MINI reduces the CPU load on your host system while still providing 64 "best-of" presets from POLY.
POLY-CHORUS: The chorus effect in POLY is particularly warm, and has been provided as a standalone chorus effect with simple controls and that just-right sound.
POLY-LFO: Another "modulator" effect, POLY-LFO uses POLY's natural LFO-Designer to modulate any Mode (or Pluggo) parameter. Tired of "same-old" triangle LFO shapes? Use the 6-step sequencer and smoothing controls to get a wealth of interesting but musical waveform moving your faders.
SPIN-DELAY: Using SPIN's 32nd-note clock, SPIN-DELAY allows you to clock a simple but effective delay to any note value from 1/32nd to 4 measures. Brutally effective for interweaving lead lines and keyboard comps.
SPIN-DIST: One overdrive circuit + one bit-reduction effect = a wide variety of distorting effects. Only two sliders, but a killer distortion tool.
SPIN-FILTER: Combining SPIN's effective clocking system with a smooth state-variable filter gives you everything from warbling tremolo to faux phasing effects. Especially effective when combined with SPIN-DELAY (clocked at a different step-length), you can use these tools to create your custom Vortex of Doom.
SPIN-PAN: A simple auto-panner clocked with SPIN's clocking mechanism, SPIN-PAN can add life to almost any track.
SPIN-SEQ: When is a gapper more than a gapper? When each step is a volume control rather than an on/off switch. You can use SPIN-SEQ to do everything from re-accenting drum loops to pulsing pads in sync with your song. Incredibly versatile, and a lot of fun.
WASH-1CHAN: Sometimes WASH might be a bit much for what you need. In that case, WASH-1CHAN gives you a single delay line with feedback locking, sound-on-sound recording and a tap tempo delay setup for any delay time between 1 ms and 10 seconds.
By allowing you to mix-and-match instrument engines and effects from the various Mode plug-ins, you have unrivaled flexibility in creating your sound in your way.
System Requirements
Mode for Windows requires
* A Windows machine equipped with a 1 Ghz P3 or better (a 2.0 Ghz P4 or equivalent is recommended). An ASIO-compatible sound card is recommended for optimium audio performance.
* A sequencer application that hosts VST or RTAS plug-ins.
* Windows XP (Home or Pro)
* At least 256 MB of memory, although the exact amount depends on the system version and the host sequencer you're using.
* At least 50MB of hard disk space
Mode for the Macintosh requires
* A Macintosh equipped with a G3 processor running at 500 Mhz or faster is recommended.
* A sequencer application that hosts VST, RTAS, or Audio Units plug-ins.
* Mac OS X 10.2 or later
* At least 256 MB of memory, although the exact amount depends on the system version and the host sequencer you're using.
* At least 55MB of hard disk space
The number of plug-ins that you can use simultaneously depends on the processor, its speed, and your available memory. Specifications and system requirements subject to change without notice.
Mode Copyright 2004-2006 Cycling '74. Pluggo Copyright 1999-2006. Cycling '74--All rights reserved. VST plug-in technology by Steinberg. Pro Tools and RTAS are registered trademarks of Avid Technology, Inc. and its subsidiaries and divisions.
Thanks to many hours of research in the Sugar Bytes Sound
Laboratory, we are proud to present a Vocoder that provides
Sounds you could not produce with virtual gear so far.
Speech response is incredible, the sound is crisp and clear,
here is our new favorite.
Robotronic can vocode stereo signals with the internal
synthesizer, Samples can be processed, a signal can even be
processed with its own with shifted formants!
Each of the audio inputs has a complete channelstrip
with Gate, Compressor and gain stage.
On the outputs you´ve got a 3 Band EQ, Compressor and a
multi effects unit with four lovely signal-pimpers.This unit
brings you the desired vocoding sound which no other software
vocoder is capable of.
- Features:
Carrier:
Stereo Input oder Mono R/L
Gate, Compressor, 12db Gain
Stereo Sampler (wav, aiff)
Sugar Bytes Artillery ist das erste VST-Effekt-Keyboard der Welt und schafft Inspiration durch neue Konzepte.
Es wird Ihnen mit diesem Plugin möglich, Dramaturgien zu schaffen, wie sie mit bisheriger Technologie nur schwer erreichbar waren.
Eine Vielzahl von Effekten steht Ihnen da zur Verfügung, wo sie wirklich gebraucht werden.
Definiert gesetzt und intelligent moduliert wird Sounddesign zum Kinderspiel.
vielen vielen vielen dank!!!
für all die uploads,
den geilen programmen
und all deine mühen Flubber4D
und auch den anderen!
Machen wir doch gerne!
jetzt habe ich jedoch mal ne frage: wie is n das - ich bin immernoch riesen fan von so synthieläufen, wie man sie mit dem dafür prädestinierten rebirth hinbekommt, doch leider bin ich nach all den jahren musikmachen, nie wirklich warm geworden mit dem programm und muss immer die synthieläufe rausexportieren und dann ins cubase oder ähnlichen programmen ziehen und dann das sample natürlich eeeewig anpassen.
gibt es da nicht plugins, die genau das gleiche wie rebirth machen und so einfach zu handhaben sind, wie zum bleistift das audio realism bassline mit dem man schnell, sehr geile grooves hinbekommt?!
Ja eines hast du gerade schon genannt. Mir fiele da noch von D16 - Phoscyon ein. Ist ne gute alte Silverbox und steht Klanglich über allem, war ich bisher von "303-alikes" gehört habe. DerZonk hat hier vor kurzem ne aktuelle Version gepostet.
Eine weitere Idee wäre natürlich den ReBirth per ReWire zum Cubaseknecht zu machen. Dann kannst du all deine bisher existenten Themen einfach, schnell und sauber zum Cubase bringen. Zudem hast du geilerweise noch gleich dazu die volle Kontrolle über alle Controller... Dafür brauchst du allerdings die aktuellste Version vom ReBirth. PropellerHeads geilste Idee war es jedoch, nach dem Einstellen der weiteren Entwicklung, das Programm zu entkommerzialisieren (gibt's das Wort eigentlich? *g*) Jedenfalls kann man es hier kostenlos und völlig LEGAL saugen.
QuadraSID offers far more than a simple emulation of the SID
chip. Enriched with many new functions e.g. an arpeggiator,
four LFOs, wavetables and a eight fold oversampling, this
software instrument offers unlimited sonic possibilities, and
surprises even the most experienced SID professional by its
flexibility.
Each instance QuadraSID loaded emulates four SID chips at the
same time - of course with four separate stereo outputs and
controllable by MIDI-controllers.
reFX lets the legend live on: QuadraSID produces the timeless
and immortal sound of the SID chip for the eternity!
128 Presets by Chris Hülsbeck, the C-64 SID guru.
- Four SID-chips emulated
- Filter, volume and pan per oscillator
- Arpeggiator per oscillator
- One wavetable per oscillator
- Four LFOs per oscillator
- Four envelopes per oscillator
- Eight combiners per oscillator
- 128 ready-to-use presets included
* 16 parts multitimbral sound module with layerable parts.
* New mix view and full mix parameters control.
* 3 synth engines: new STRETCH? and Pitch-shift/Time-stretch plus traditional Resampling.
* New enhanced instrument browsing.
* New total sound editing with full access to 50 Synth-Sampler engine controls.
* New Portamento feature for added realism.
* New Loop Sync feature for precision and flexibility.
* New Zone feature for single sample accurate editing.
* Now with 32 built-in DSP effects.
* EQ/Comp.
* Reverb, Spring Reverb, Ambience, Reverb Delay, Delay.
* Filter, Envelope Filter, Multi Filter, Wah-Wah.
* Chorus, Multi Chorus, Phaser, AM Modulation, FM Modulation, Flanger, Envelope Flanger.
* Auto Pan, Tremolo, Rotary Speaker.
* Lo-Fi, Distortion, Phonograph, Crusher, Overdrive.
* Pre Amp, Tone Control, Cabinet.
* Parametric EQ, Channel Strip, Compressor, Limiter.
* Slicer.
* Now capable of 5 effects per voice.
* Easy to use full MIDI control.
* Now responds to MIDI Program change.
* Now imports WAV, AIFF, SDII, AKAI S-1000/3000 and SAMPLECELL directly from the plug-in.
* New user preset and module save features.
* Convenient back up function.
* Customizable keywords and sound search function with integrated sounds database.
* 256 notes polyphony.
* Customizable display colors.
* Available as VST, RTAS, DXi, AU, MAS.
The M-Tron is a software simulation of the classic instrument the Mellotron. The M-Tron is available for both Mac and PC platforms and contains 28 classic tape banks including Strings, Choirs, Flutes and Brass along with some of the most amazing rhythms you'll ever hear!
Melodyne is a programme that allows a completely new approach to the handling of audio material. It analyzes the pitch and time of monophonic audio files (from, for example, singers, wind or string instruments) and offers the opportunity to change whole melodies in a way only previously possible at MIDI-Level.
Melodyne is able to change the musical parameters of voices or instruments without any actual influence on the character of the recording. Melodyne extracts the pitch and the rhythm, and provides an area in which to play with the audio material. Any change in this material is interpreted by the software in a musically intelligent manner and the result will always sound natural. Working with Melodyne is as easy as editing notes with MIDI.
* Pitch shifting and formant correction by more than an octave are performed without affecting sound character and velocity.
* New melodies can be invented with a given material and unpleasant intonations can be corrected with a mouse click.
* A change in intonation is possible by an increase or decrease in phrasing or vibrato.
* A change in formant is produced by an amplification or diminution of the resonance volume, thus making a trombone out of a trumpet sound or a tenor out of a soprano voice.
* Flexible time-stretching allows the acceleration or deceleration of a single note or of a whole arrangement through the concept of local sound. There are no limits to deceleration, and a standing sound will be the ultimate result when velocity is zero.
* Melodyne recognizes the rhythm of music, as each given note "knows" its place within a beat. Notes can thus be quantified automatically, and they can also be synchronized to a reference melody with a mouse click.
* Via copy and paste, a new melody can be derived from single notes or a new arrangement can be created from single tracks. Differences in beat will be corrected automatically.
* Melodyne can handle up to 24 tracks in real time.
HighLife is a VSTi freezer and Sampler. It loads into your VST Host as a VSTi but it also allows you to load another VSTi into it and then "Freeze" the current preset and save this as its own preset. You can then unload the hosted VSTi to free up resources.
Overview
* Built-in VST host for 32bit sampling of VSTis (freezing).
* Built-in wave editor.
* 32-Bit floating point based wavetables.
* 128 Programs with unlimited zones.
* Up to 32 voices polyphony (Multi layered zone sampling engine).
* Selectable interpolation engines: Hermite, Sinc 64 and Sinc 512. Both sinc modes are not suitable for realtime purposes but bouncing to audio.
* Morphable scheme and automatable zone parameters (incl. cue and loop points).
* Syncable LFO with configurable Phase.
* Stepping-free modulation sends, pitch bend and modulation to morphing wheels.
Sampler Import formats
* Auto mapping when multiple files are opened at once.
* Samples: .wav (8 to 32 Bit), .mp3, .raw.
* Programs: proprietary .fxp/.fxb, .akp (Akai S5000/S6000), rgc:audio's SFZ.
* Unlimited zones.
* ADSR amplitude envelope.
* ADSR envelope filter and pitch assignable (both bipolar).
* -24dB/Oct filter modes: Lowpass/Hipass/Bandpass/Notch and disabled.
* Stepping-free Cutoff and Resonance.
* High quality Chorus, delay and reverb.
* Wow factor effects: Daft and rock da disco.
* Full mono/poly and legato operation.
Zones overview
* Independent envelope amplitude, modulation envelope, LFO and filter settings.
* Automatable zone parameters (including cue and loop points).
* Up to 128 MIDI triggerable cues, with different start/end and loop settings each.
* Automatable per-cue pos/end/loop points, supporting swapping of cue range/loop markers.
* 5 Loop types (one shoot, forward, bidirectional, backward, forward w/sustain).
* Group/Off by triggering settings.
* Amp Env, Mod Env and LFO (syncable), 24dB Filter (5 Types).
* Full MIDI Input triggering control.
* Chorus, delay and reverb sends.
* Glide with auto-switch control.
Sample editor overview
* Zoom up to 1:1 resolution.
* Clipboard: Cut, copy, paste and sample trim.
* Amplitude: Fade in/out, normalization and DC removal.
* Effects: Reverse, rectifier, sin/tahn drive and spectral mirroring.
* Cues and loops editing.
rtist Drums is a Native Instruments Kompakt based plugin instrument that features original drum kits from four of the worlds best drummers: Simon Philips (Toto, Jeff Back, Who, Pete Townshend), Dennis Chambers (Santana, Steely Dan, John Mc Laughlin), Kenny Aronoff (Joe Cocker, Ricky Martin, Mick Jagger) and Mel Gaynor (Simple Minds, Tina Turner, Robert Palmer, Gary Moore).
Drum kits and cymbals used:
* Tama Drum set Star Classic.
* Zildjian K-Series Cymbals.
* Custom made Pearl Drumset.
* Zildjian Custom Series Cymbals.
* Custom made Tama Drumset.
* Zildjian Cymbals.
* Yamaha Special Edition Drumset.
* Paiste Cymbals.
ich starte nochma einen letzten versuch etwas ganz individuelles zu finden...
ich suche, wenn davon überhaupt schonma jemand gehöt hat...
Drumsite (version 1.3, oder höher)
+ Absolute Drums (CD1+2)
also das sind aus meiner sicht die besten drumsamples die es gibt, und das einfachse programm womit man ganze drumspuren erstellen kann.
battery, groove agent und artists drums kann irgendwie vergessen weil man damit kein spuren erstellen kann, ich weiß nich in welcher software man diese programme nützlich als VST benutzen kann...
If you need heavy, natural drum sounds, DRUMKIT FROM HELL 2 will exceed your expectations. Combining the bleed between microphones provides you with unparallel realism that is equivalent to having one of the worlds best metal drummers live in your studio. The creative scope of this library is amazing. Step up to the next generation of creative studio tools and the next big thing when it comes to producing high quality drums.
(East West)
QUICK FACTS:
? Produced by AWARD-WINNING producers TOONTRACK MUSIC with Tomas Haake (Meshuggah) on a SONAR drumkit
? 2.4 Gigs and 3,200 files of unprocessed multiple mic ?interactive? drum sounds providing unparrelled realism
? 9 mono & 2 Stereo outputs with natural bleed through overhead, ambience & Snare bottom mics
? Easy instrument customization - snare, toms and kickdrums use left/right hands/feet
? 5 toms (3 racktoms, and 2 floortoms) 2 kickdrums (left and right) with changeable felt mallet or wood mallet beater, 3 rides, 1 ride china, 2 chinas, 1 spock, 5 crash cymbals and 2 splash cymbals, 3 snares: Sonor, Pearl Birch and Pearl Brass (one of the snares has removable bottom snares, and if that is chosen, the kickdrums and toms change sounds also for the ultimate realism), 2 hats: Sabian & Sabian Prototype, 1 special, 1 cowbell
? Includes special version of KOMPAKT SAMPLER from NATIVE INSTRUMENTS (plug-in or standalone) for MAC and PC
OVERVIEW
This is the sequel to "Drumkit From Hell", which was hailed by critics and fans all over the world as the best multi-sampled drumkit on the market. DFH was awarded SOS Magazine's FIVE STAR AWARD and EQ Magazine's EXCEPTIONAL QUALITY AWARD!
Afer a year of recording, editing, and programming - the next generation of Drumkit From Hell - DRUMKIT FROM HELL 2 has arrived, and once again it features Tomas Haake from Meshuggah on a Sonor drumkit. DRUMKIT FROM HELL 2 includes 2.4 Gigabytes and 3,200 soundfiles of unprocessed drum sounds powered by a special version of Native Instrument's KOMPAKT Sampler.
If you need heavy, natural drum sounds, DRUMKIT FROM HELL 2 will exceed your expectations. Combining the bleed between microphones provides you with unparrelled realism, that is equivalent to having one of the worlds best metal drummers live in your studio. The creative scope of this library is amazing. Step up to the next generation of creative studio tools and the next big thing when it comes to producing high quality drums.
THE NEXT GENERATION OF DRUM SOUNDS HAS FINALLY ARRIVED!!
NO SAMPLER REQUIRED!
REFER TO GRAPHIC ABOVE!
DRUMKIT FROM HELL 2 includes a special version of KOMPAKT Sample Player from NATIVE INSTRUMENTS (plug-in or standalone) with Direct-from-Disk streaming for MAC and PC.
The audio engine functions as a plug-in instrument, without the need for a sampler, in hosts such as Cubase VST, Digital Performer, Logic, Nuendo, Pro-Tools, Sonar etc. For the sonically adventureous, many sound shaping tools have been built in to the interface. Powerful multi-mode filters, envelopes, and LFOs give a wealth of creative possibilities. Integrated high-quality reverb, chorus, and delay effects are also provided. Direct from Disk playback easily handles large samples beyond available RAM (which is assignable). Professional sound quality with advanced 32-bit processing allow for lush arrangements. The clean and intuitive interface never lets the technology get in the way of your creativity. All important instrument parameters can be immediately adjusted without the need to page, scroll, or fumble through a manual.
Hat jemand MidiOverLan 3 CP Standard Edt.? Den Driver/Software bekommt man ja for free, nur nach 14 Tage dann alles vorbei und nur f. zwei Hosts zu testen.
Also: Hat´s jemand und wie siehts mit Seriennummern aus?
Das Modulare Klanglabor
REAKTOR 5 gibt dem Musiker und Produzenten nahezu grenzenlose Möglichkeiten für Klangsynthese, Sampling, Effekte und Sequencing. Das modulare Software-Studio vereint zwei Welten zu einem konkurrenzlos vielseitigen Klanglabor: Zum einen ist REAKTOR eine riesige Sammlung hochkarätiger Instrumente und Effekte für Studio und Bühne. Zum anderen erlaubt REAKTOR dank der modularen Architektur das Modifizieren von Instrumenten und sogar das Konstruieren ganz neuer Klangmaschinen.
Ein Universum voller Instrumente
REAKTOR 5 enthält eine neu gestaltete Library voller wegweisender Instrumente mit unzähligen Presets. Darin finden sich einzigartige Synthesizer und Effekte, Drum Machines und Spezial-Sampler, Instrumente mit integrierten Sequenzern und innovative Live-Performance-Tools.
Die Werkslibrary ist allerdings erst der Anfang: REAKTOR-Nutzer können in der User Library der NI-Webseite mehr als 2100 zusätzliche Instrumente herunterladen, die von anderen Usern konstruiert wurden. Ein faszinierendes und beständig wachsendes Universum voller Audio-Tools und Sounds!
Technologischer Vorsprung
REAKTOR macht mit Version 5 einen erheblichen Technologiesprung: Die brandneue REAKTOR Core Technology? ebnet den Weg zu völlig neuartigen Instrumenten und eröffnet neue Dimensionen in Sound und Flexibilität. Darüber hinaus sorgen unzählige neue Funktionen für erweiterte Möglichkeiten ? darunter die vielseitigen Sequenzer, flexiblen Hüllkurven mit Temporaster und Looping und vieles mehr. Gleichzeitig wurde die neu gestaltete Bedienoberfläche noch klarer und übersichtlicher, womit REAKTOR 5 jetzt auch für Newcomer sofort nutzbar ist.
Im Kern des Klangs
Wer tiefer einsteigen will, kann dank der modularen Architektur Instrumente individuell verändern und sogar komplett neu konstruieren. Auch die Bedienoberflächen sind mit Version 5 so flexibel formbar wie nie und können individuell gestaltet werden. Gleichzeitig sorgt die Reaktor Core Technology? für völlig neue Möglichkeiten, da sie das Programmieren eigener Bausteine auf der Modul-Ebene erlaubt, um z.B. eigene Filter und Oszillatoren zu entwerfen. Der integriert Run-Time-Compiler sorgt dabei für maximale Effizienz.
Von dieser Fülle an technischen Innovationen profitiert nicht nur der Instrumenten-Konstrukteur, sondern vor allem auch der Musiker und Produzent, der sich auf ganz neue Soundtools freuen kann, die es sonst nirgendwo gibt.
Top Features
* Modulares Instrumenten-Studio für Synthese, Sampling, Sequencing und Effekte
* Enthält 63 einzigartige Synthesizer, Sampler, Drum Machines und Effekte mit Tausenden Sounds
* Instrumente lassen sich modifizieren oder komplett neu gestalten
* Freier Zugang zur Online User Library zum Downloaden von mehr als 2100 (!) zusätzlichen Instrumenten
* Vollständige MIDI- und Host-Automation, Unterstützung von Open Sound Control
* Herausragende Klangqualität dank neuester Algorithmen
* Viele neu entwickelte Module
* REAKTOR Core Technology? zur Programmierung eigener Module
* Live-Sampling- und Effekt-Module mit Autonormalisierung und Temposync
* Integrierter Run-Time-Compiler für Echtzeit-Programmierung
Hat jemand MidiOverLan 3 CP Standard Edt.? Den Driver/Software bekommt man ja for free, nur nach 14 Tage dann alles vorbei und nur f. zwei Hosts zu testen.
Also: Hat´s jemand und wie siehts mit Seriennummern aus?
Waldorf.Waldorf.Edition.VSTi.v1.2.3.incl.KeyGen-BEAT containing:
Waldorf Attack Percussion Synthesizer
PPG Wave 2.V Classic Wavetable Synthesizer for VST
D-Pole Filter Plug-In for VST
Infos
Attack is a percussion synthesizer that integrates the sound of the 80's analog classics and the ambitious electronic club drums of the 90's into the software system of the 21st century. Attack generates all its sounds in real time, giving you the freedom to alter all parameters directly.
Attack has 24 sounds available per percussion set, spread over two octaves. The sound architecture is extremely flexible, as one would expect from a Waldorf synthesizer. Two oscillators, each with nine waveforms, represent the sources. In addition to well-known analog waveforms, Attack offers three samples to help create hi-hats or crash cymbals. Ring modulation and frequency modulation expand the sound spectrum with a metallic component and FX sounds. The integrated "Crack" module takes care of reproducing analog handclaps authentically.
Attack contains a filter section with 6 filter types, resonance up to self-oscillation, and an overdrive of up to +52dB. The two envelopes are used to alter oscillator pitches, FM amount, filter cutoff, and the output volume. Two modulation delays and eight outputs (2 stereo, 4 mono) connect Attack to the VST world. Seamless integration into the VST 2.0 interface means that all parameters may be addressed via MIDI controllers, allowing you to create powerful dynamic changes.
And as though this were not enough - twelve sounds in each drum set can be played melodically. With this feature you can create tom fills and conga or other percussive grooves in no time, and you can even play bass, melody or sequencer lines.
Features:
* Virtual analog sound synthesis.
* 31 sounds kits with over 700 sounds included.
* 24 percussion sounds per set, spread over two octaves.
* Per sound (editable):
o 2 oscillators with each 9 waveforms (triangle, sine, square, sawtooth, sample&hold, noise, hihat closed, hihat opened, crash).
o FM and Ring Modulation.
o 'Crack'-module for authentic analog hand claps.
o 6 filter types with resonance up to self oscillation and overdrive.
o 2 envelopes for Pitch, FM amount, Filter Cutoff and Loudness.
* All parameters addressable via MIDI controller.
* 8 audio outputs (2 stereo, 4 mono).
* Two integrated and synchronizable Modulation Delays for the stereo outs.
* Percussive Bass und Lead sounds - polyphonic playable.
PPG Wave 2.V is the reincarnation of a cult, which started back in 1982.
The Wave 2 series was the first digital wavetable synthesizer with analog filters, heralding a revolution in both sound and concept. The Wave's most interesting feature was its ability to sweep through 64 waveforms in what PPG called a wavetable.
Almost 2000 waveforms were available within the Wave's 32 internal wavetables. The result of this wavetable technology is that the PPG instrument has a much broader palette and more animated sound than typical analog synthesizers of the early 80's, which tended to have only a few static waveforms such as sawtooth, pulse, or triangle. The PPG sound was very unique and identifiable.
Features:
* 8 part multi-timbral.
* 32 wavetables with 64 different waveforms each.
* 2 oscillators per voice.
* Low-pass filter with Emphasis.
* 1 LFO.
* 3 envelopes (2 ADSR, 1 AD).
* Velocity and Aftertouch sensitivity.
* Graphical interface for envelope generators and Cutoff/Emphasis.
* Number of voices depending solely on CPU power.
* Real-time MIDI control and automation of all parameters.
D-Pole is a musically versatile filter plug-in.
Features:
* Filter Module
o Frequency 0Hz up to over 17000Hz.
o Resonance up to self-oscillation.
o 5 Filter types:
+ Low Pass.
+ Band Pass.
+ High Pass.
+ Notch.
+ Resonator.
o 12dB / 24dB Slope selectable.
* Amplifier Module
o Overdrive up to 52dB.
o Volume.
o Panning.
o Delay Mix.
* LFO Module
o LFO Speed up to over 7000Hz, syncable to tempo and audio.
o 3 LFO Shapes:
+ sinus
+ triangle
+ saw
o Positive or negative modulation of Filter Cutoff, Panning and Oscillator Pitch.
* Envelope Follower Module
o Adjustable Decay Rate.
o Positive or negative modulation of Filter Cutoff.
* Delay Module
o Delay Time up to 2000ms, syncable to tempo.
o Feedback up to 100%.
o Damping.
* Oscillator Module
o Ring Modulation.
o Frequency up to over 7000Hz.
o Shapes:
+ Sine.
+ Triangle.
+ Saw.
Phase Two is a digital recreation of the Mutron Bi-Phase, one of the most sought-after vintage phaser units, highly prized for its liquid and subtle stereo phasing abilities.
Phase Two features two separately controllable 6-stage phasers, and like the original unit, these two phasers can be routed in series or parallel, for everything from subtle stereo washes to full-blown alien attack. Using the extra CC feature, which takes the place of the "Opti-Pedal" in the original unit, you can manually sweep the phaser frequencies with a MIDI controller, such as a mod wheel or aftertouch.
The cel-shaded user interface of Phase Two matches the original unit in every respect, right down to the foot-switch, so anyone familiar with the vintage unit will feel right at home using the digital recreation. Every object on the interface has Audio Damage's standard MIDI Learn feature, so the unit can be fully controlled from external hardware controllers.
Features:
* Two separately controllable 6-stage phasers modeled on the Mutron Bi-Phase.
* Two dual-waveform LFOs.
* The same routing mechanism as the original hardware, for serial or parallel operation.
* Low CPU usage.
* Full MIDI learn mode, for MIDI CC control of every control (VST only; handled by host in AU version).
GFlux is a multi-filter plug-in with extensive modulation capabilities.
The core of GFlux is the concept of the 'flow'. Each flow represents a different filter layout, controlling which filters feed to others. The flows range from simple 8 pole filters right through to complex serial / parallel networks. These flows cover almost all the possibilities for routing and combined with the separate level control for each filter state you can create very complex filter responses.
Monofilter is designed to provide a comprehensive interface for narrowing a stereo signal towards (or to) mono below a specified frequency.
Useful for ensuring that sounds are suitable for mastering to vinyl and keeping a check on LF signals in general, especially where stereo effects processing has been applied. Can also be used in live Laptop applications to make sure you get the tightest bass.
Monofilter 3 now includes:
* Exact WYSIWYG graphical display including filter slopes.
* Phase Alignment (manual and auto).
* Level Trim (manual and auto).
* Listen Modes.
* Digital Full Scale level meter with peak hold.
* Left and Right Clip margin.
* Filter slope adjustment.
* L/R balance control.
* Cut-off frequency adjustment.
* High Quality mode, where filter performance is critical.
Visualizer is a comprehensive and flexible FFT audio analyser designed to allow access to a full range of audio analysis views via a single resizable interface, using a unique intelligent window system to manage the controls and screen layout.
The Oddity is modelled on the classic ARP Odyssey synthesizer which was manufactured between 1971 & 1976 and was used by artists as diverse as Gary Numan, Herbie Hancock, Kraftwerk and Portishead. Its place in synth folklore is assured and deserved but due to the small numbers produced, the chances of finding one in good working order for less than a king's ransom is slim.
The Oddity takes all that was unique and great about this instrument and thanks to a painstaking emulative process brings these qualities into the 21st century. Now you can finally have those famous Odyssey tones and the exclusive ARP operational method married to reliable tuning, non-breakable sliders and, something only dreamed about in the 1970's, memories.
In fact the Oddity takes the ability to store memories one step further and allows you to morph between any of the saved patches within a bank. Simply pick a start patch, a morphtime and a destination patch, and the Oddity will output some amazing and inspirational sounds. Additionally the Oddity has a unique Flying Slider feature whereby you can grab one or more sliders and throw them, recording their movements if desired.
Of course, because The Oddity was created by Odyssey aficionados as much of what gave the original instrument its character and functionality was built-in too. For example, the way the ring modulator and duophonic mode interact to create sublime aggressive tones was carefully modelled, as was the effect the Lag Generator has on a keyboard triggered LFO.
Features:
* Extremely realistic analog modeling of classic ARP Odyssey.
* Two syncable oscillators.
* Fully tunable across a 6-octave range.
* Sawtooth, sine, square and variable pulse-width waveforms and sync.
* White and pink noise.
* Monophonic or duophonic modes.
* Host syncable LFO.
* Ring modulator.
* Resonant 24dB/octave low-pass filter.
* High-pass filter.
* Sample and hold.
* Portamento.
* 2 envelope generators.
* Flexible modulation routing.
* Programmable including 384 presets.
* Timed morphing between presets.
* Flying Slider feature.
Auto-Tune is a multi-platform plug-in that corrects intonation problems in vocals or solo instruments, in real time, without distortion or artifacts, while preserving all of the expressive nuance of the original performance with audio quality so pristine that the only difference between what goes in and what comes out is the intonation. Over a typical pitch correction range, it is simply not possible to tell that a sound has been processed, except that it is perfectly in tune.
Automatic Mode
Most common pitch problems can be corrected by Auto-Tune 4's Automatic Mode. Automatic Mode instantaneously detects the pitch of the input, identifies the closest pitch in a user-specified scale (including minor, major, chromatic and 26 historical and microtonal scales), and corrects the input pitch to match the scale pitch. A Retune Speed control lets you match the retune rate to virtually any performance style.
Graphical Mode
For meticulous tweaking, the Graphical Mode displays the performance's detected pitch envelope and allows you to draw in the desired pitch using a variety of graphics tools. This mode gives complete control over the correction or modification of the most elaborate expressive gestures.
AVOX is a "Vocal Toolkit" consisting of five "state-of-the-art" vocal processors that give you the power to create stunning vocal tracks in any musical style as well as design unique vocal effects for audio post-production applications.
AVOX includes:
* THROAT Physical Modeling Vocal Designer - lets you process a vocal through a meticulously crafted physical model of the human vocal tract.
* DUO Vocal Modeling Auto-Doubler - using a simplified version of THROAT's vocal modeling, along with variations in pitch, timing and vibrato depth, DUO automatically generates a doubled vocal part from an existing vocal.
* CHOIR Vocal Multiplier - turns a single voice into up to 32 distinct individual unison voices, each with its own pitch, timing and vibrato variations.
* PUNCH Vocal Impact Enhancer - PUNCH gives your vocal more dynamic impact, allowing it to cut through a dense mix with clarity and power.
* SYBIL Variable Frequency De-Esser - tames vocal sibilance with a flexible compressor and a variable highpass frequency to match any vocal performance.
Taking the classic analogue sound of the legendary silver box into the future, PHOSCYON offers an unmatched sound together with advanced features such as a state of the art Distortion unit; fully user configurable BPM sync'd Arpeggiator and Randomizer; a unique 'Play Live' mode; vintage arrangement and pattern builder, full MIDI CC support and, to top it off, the most authentic 18db/oct low pass filter ever created!
Diehard fans of the original Bass Line will be blown away with PHOSCYON?s uncanny emulation of the classic, but will also marvel at the ease with which new sounds can be crafted; sounds which were not possible on the original. PHOSCYON gives you access authentic vintage sounds at a fraction of the cost of the real thing. With the familiar Bass Line interface coupled with the added sound generation tools, we at D16 Group feel that PHOSCYON is quite simply in a class of its own.
PHOSCYON's designers are also musicians who believe that in order for electronic music to stay relevant, it needs to evolve ? just like any other genre. Our approach is to give forward thinking musicians and producers the tools they need to craft the sounds they want. Whether it?s Techno, Acid, Triphop, IDM, D&B, Ambient, or any other kind of genre-bending music, PHOSCYON will take your sound further. Please visit our ONLINE SHOP to start making new music now with PHOSCYON!
Capabilities
Phoscyon is a vintage analogue modeled Bassline synthesizer with a unique low pass filter with an 18db/oct dumping and constant resonance amplitude throughout the entire frequency domain. The filter sounds phenomenal! Hear that squelch and you?ll swear its analogue! We?ve also equipped it with a fully customizable integrated arpeggiator (essential in electronic music) as well as an exhaustively analogue modeled distortion effect, crucial for those screaming acid bass lines!
Hear the sounds of for yourself in the Audio samples section and be prepared to be amazed!
Phoscyon is PC and Mac VSTi version, but AU is in development. Release date is not known at the moment.
Full Features
* 2 authentically emulated analog oscillators (saw/square)
* screaming 18db/oct low pass filter with absolutely no self oscillation
* filters equipped with transistor amplitude clipping
* perfectly scaled knob ranges
* additional synthesis controls expand the synthesizer's range
* built-in arpeggiator:
o 7 predefined chords and 1 user definable chord
o arpeggiator tempo multiplier (1, 1.5, 2, 3, 4, 6)
o arpeggiator repeat feature
o 4 arpeggiation patterns (Up, Down, Up-Down, Random)
o defined offsets of octaves to work with
* built-in distortion effect (equivalent to a transistor amplifier with equalization):
o tailored for the Acid Bassline sound!
o equipped with signal routing (Dist Eq)
* several Programming options:
o internal sequencer (128 patterns, each pattern up to 16 steps, each step defined with Note, Gate, Accent, and Slide values)
o external mode (compromise)
o play Live mode
* powerful randomizer:
o generates patterns from user defined range of notes, user defined chords or predefined chords (Major, Minor, 7th, m7th, M7, m7-5, DIM)
o generates random values for Note, Gate, Accent, and Slide attributes
o allows user to define attribute frequency
* fully controllable via MidiCC
* precise synchronization with host sequencer
Linear-Darstellung
