* Load and slice any WAV or AIFF on the fly (Like Recycle)
* Support ACIDized WAV's
* Preview in time (i.e tempo synched sample preview)
* Per-slice editing:
- Reverse in place
- Replace slices withother samples
- Individual slice Amplitude envelope
- Process individual slices with VST FX destructively
GURU is a beatbox plug-in that offers advanced step sequencing, groove manipulation, sample editing, and beat slicing.
Features:
* Advanced Step Sequencer - 128 steps, 16 channels, 24 memories per engine, full graphical automation, MIDI remote control, independent tempo multipliers, real-time and step recording with undo.
* Automated sample slicing, classification and pad mapping (kick, snare, hat, percussion) with manual slice-tuning capability.
* Can load audio loops (WAV/AIFF/REX), MIDI loops, single-hits, complete kits, pattern banks.
* 8 Engines, each comprising:
o 16 MIDI-triggered Sample Pads.
o Powerful step-sequencer with up to 128 steps.
o 24 MIDI-triggered Patterns.
o Three Aux effects units.
o Master effects unit.
* Intuitive mixer view offering a convenient overview of all 8 engines.
* Flexible groove/shuffle control for patterns - take the groove of one MIDI file and apply it in real-time to another.
* Comprehensive Pad Editor offering individual control of the following for each pad:
o Gain, pan, coarse/fine tune.
o Resonant filter blend between LP/BP/HP.
o 3 Aux sends and an Insert effect slot.
o Start/end point adjust.
o Amp/FX envelope.
o 8 velocity cross-fade layers.
o Cut groups (choke groups).
* Includes library of over 2GB of sample content, featuring material by Yellow Tools, Wizoo, Gearshift and others.
* Eight stereo outputs, flexible routing.
* Built in MIDI mapping allows you to quickly setup GURU to work with your hardware groove box / drum triggers.
Note: Introduced more host compatibility with this repack, ie: now works
in FL Studio The acuma plugs have also been made more compatible
(DSR & FinalMix) so there are no more GUI redraw exceptions.
These are the VST Plugins included with Mackie Traktion v2, however,
they have been unlocked so they are usable in any VST compatible host.
Normally these plugins are only usable by Mackie Traktion users.
The following plugins are included:
Final Mix
Final Mix enables you to master your sessions like a pro,
printing directly to hard disk or DAT, without having to
rely on expensive mastering houses or outboard gear.
Final Mix can dramatically elevate the quality of your
mixes and help you to create your own professional
masters.
DSR-1
The DSR-1 is a highly accurate, frequency controlled,
3-band dynamics processor. It enables you to quickly
isolate and correct unwanted sibilance in vocal recordings
of singers and speakers.
Mono Compressor
A high-quality plug-in for compressing and limiting mono
tracks like bass guitar and kick drum.
Mono Sidechain Compressor
The Sidechain allows the compressor to takes its cue from
a separate mono input, and apply its action to another.
For example, a vocal track can drop the level of a music
track (ducking), such as when an announcement is made over
background music.
Stereo Compressor
A great-sounding plug-in for compressing and limiting
stereo tracks including keyboards and overhead mics.
Stereo Sidechain Compressor
The Sidechain allows the compressor to takes its cue from
a separate stereo input, and apply its action to another.
For example, a vocal track can drop the level of a music
track (ducking), such as when an announcement is made over
background music.
Stereo 3-Band Compressor
This handy plug-in lets you compress three different
frequency-controlled bands independently for maximum
control and flexibility on recorded material that requires
transparent and unobtrusive compression. It's great for
accentuating a specific EQ range in a drum loop.
"Oh give me a clone
Of my own flesh and bone
With the Y-chromosome changed to X
And when it is grown
Then my own little clone
Will be of the opposite sex..."
There is strength in numbers
Whatever line you play or sing, Clone Ensemble will generate a room full of up to 32 of you in unison or octaves. For vocals, you can change the sex of some or all of the voices. You can dial up a classical choir, a tight jazz chorus or an incredibly realistic ADT effect.
Listen
Listen to this MP3 of of Clone Ensemble in action (202k).
In the first phrase, you'll hear a solo vocal, in the second I've added Clone Ensemble. For the final phrase I sang four harmony parts and applied Clone Ensemble separately to each. I sang the bass part an octave high, and let Clone Ensemble transpose and deepen it.
A massive 128-voice mixed (male & female) choir from four solo vocal tracks.
See the Music page for more examples.
Download
Download the DirectX version of Clone Ensemble now (1255k).
Download the VST (Windows) version of Clone Ensemble now (1135k).
(Cubase users: use this Mono->Stereo version if you want it to appear in the send effects list for mono tracks.)
The freeware versions are restricted so that you cannot adjust any of the settings, so you are hardwired to a single preset. A special exception to this is the Sex Machine control - you can audition all of the sex change options.
Are you a registered V3 user and need to download the earlier version? Find it here.
Learn more
More info: Clone Ensemble User Notes.
Will it run under your audio host? Check out Compatibility Notes,
Need help installing? Check out Installation Notes
Screen-reader friendly version for blind users available on request.
Register
Register your copy of Clone Ensemble here,
using the secure Share-It service. As soon as your payment of $25 is processed, you'll receive an email with your registration code. Then you can start twiddling the dials.
Both the DirectX and VST versions use the same registration method - if you register one, you've automatically registered the other.
PayPal also accepted - my paypal account is the same as my email address, which you can discover by clicking here. When I recieve notification (mentioning which plugin you want to register), I will generate your unlock code and email it. By contrast this happens automatically with the Shareit system.
NB: When entering your registration
* Use Copy/Paste, don't try to type it
* Please include the "Curly brace" {} characters around the code.
NB: Please download, install and test Clone Ensemble before registering!
Some unsolicited user testimonials:
*
I own a digital recording studio in NC. I have been using Clone Ensemble for about four months and it really has provided me with a new production tool. Used with a Digitech vocal harmonizer, it by far produces the best vocal processing that I have been able to come up with, without over processing the vocals. Keeping it clean but giving the vocals a rich, full, fat sound. King Jaymze, YRH, producer.
*
You rock dude! Excellent job! Danny Danzi, signed artist, www.dannydanzi.com
*
Excellent ADT effect, the closest to real ADT as I've yet heard. Really smoothed out as a result of both the rate and depth being randomised. The large ensemble effects seem subjectively much creamier and smoother too. Nick Magnus, Genesis-alumni collaborator, www.magnus-music.com
Stop press: Nick has used Clone Ensemble extensively in his latest album, Hexameron.
Listen an extract from the track "Power of Reason": lo-fi WMA version (257k), or hi-fi MP3 version (974k)
*
First of all I really like this plug-in. I knew I had to register it the first time I tried the unregistered version. opiadream, producer, opia.lunarpages.com
*
What a great plug-in! Ukelele Al, musician.
*
Great job, Trevor. Sounds very convincing. Peter Robinson, producer, www.thebeachbuddies.com
*
I just wanted to let you know I bought the Clone Ensemble and it is FANTASTIC. We use it on almost every track now and the results are amazing. It is one of the best plug ins I now have for vocals! Keep up the good work! Scott McCarthy, composer & producer
*
CloneEnsemble is the only VST I have ever purchased, and it is fantastic!
Here's something I've done with it: To Morning.mp3
Brent Carson, composer www.freewebtown.com/brewt
*
Trevor, I just wanted to say thank you for writing clone ensemble. I bought it about 6 months ago and I use it on EVERY track. We use it mainly to "thicken" up vocals. It makes such a difference. I have never heard any plug in that sounds this good! Thank you for writing this and please - keep on writing plug ins!
MC Celtic, DJ & hip hop producer.
Stop press: MC Celtic uses Clone Ensemble for hip hop - about the farthest thing away from a classical choir you can get!
Check out his rhymes 'n' beats at www.garageband.com/mcceltic
*
The most refreshing effect i bought on the web. Remco Hogendoorn, composer & producer.
*
I purchased Clone Ensemble a while back, liked it but never found a use for it. When tweaking today I got a brilliant female harmony, more convincing than anything I have achieved with anything over the last 20 years!! Many thanks, Richard Izzard, UK
Change history:
24 April 2006: Version 4.2
* New skin
* Slightly lower memory useage
14 April 2005: Version 4.1a - Fix problem of "unison formant shift" applied to "dry" signal.
18 December 2004: Version 4.1 released:
* Added Varying Dynamics feature (uneven/varying volumes for each clone)
* Added formant shifting for "unison" (untransposed) clones
* Added a Gain control for output
2 March 2004: Version 4.0!
* Added Sex Machine octave/formants transpose feature
* Added Visual Display Diagram to make it easy to see how settings affect the sound
* Added a controllable delay to the dry signal so it fits in better with the clones
5 May 2003: Version 3.1b - streamlined some issues with behaviour when registering
16 March 2003: Version 3.1a - fixed problems with VST versions under WaveLab and Logic
11 March 2003: Version 3.1
* Fixed problems in VST version with presets not updating display controls
* Fixed problems in DirectX version under Sound Forge
10 February 2002: Version 3.0b - another minor cosmetic fix for Windows XP
27 October 2002: Version 3.0a - minor cosmetic fix for Windows XP
25 September 2002: Version 3.0 released:
* Vibrato speed control
* Random vibrato feature
* Number of clones can go down to one
18 May 2002: Version 2.3 released:
* Better CPU behaviour processing silence
* Clearing "tail" when processing stops, so you don't hear it next time you start.
17 November 2001: Version 2.2 released:
* Added the Mix control, after much pleading from many users
* Removed the Multitimbre control.
* Made it louder. (Penalty: may cause clipping on loud square wave synth tracks.)
16 October 2001: Version 2.1 released, cleaner sound on Multitimbre setting.
4 October 2001: Version 2.0!
* More features for multi-part harmony processing
* Cleaner sound
* Runs under more host platforms
8 September 2001: VST versions: fix problems running under WaveLab
(possibly other Steinberg platforms also, possibly introduced in previous Logic bug fix).
30 August 2001: VST versions: fix problems running under Logic.
26 August 2001: VST versions: added Mono->Stereo version for Cubase convenience.
25 August 2001: VST versions: partial fix for problems under Logic.
20 July 2001: Version 1.2 released, fixed W2K bug
July 2001: Version 1.1 released, improved graphics, DirectX / VST
April 2001: Version 1.0 released, VST only
Home
All content, software and soundware Copyright 2005 Trevor Magnusson
Cubase and VST are registered trademarks of Steinberg Media Technologies AG: www.steinberg.n
East West StormDrum VSTi DXi Kontakt + Intakt Edition DVDR
KeyGen incl.
Infos
What would happen if you gave Godzilla drumsticks? Stormdrum includes 4.5 Gigabytes of loops and multi-samples recorded by 4 world-class percussionists and 1 lunatic producer with enough taiko drums to fill an 18-wheeler truck. 1000's of completely original, evolving drum beds, featuring some of the largest and most impressive drums on the planet (2.5 Gigs).
(Quantum Leap / East West)
QUANTUM LEAP STORMDRUM
WHAT WOULD HAPPEN IF YOU GAVE GODZILLA DRUMSTICKS?
QUICK FACTS
# Produced by award-winning QUANTUM LEAP producer NICK PHOENIX.
# 6 Gigabytes of Loops and Multi-Samples from 3 world-class percussionists and 1 lunatic producer with enough taiko drums to fill an 18 wheeler!
# 1000's of completely original, evolving drum beds, featuring some of the largest and most impressive drums on the planet.
# Multi-sampled drum kits and percussion with up to 20-way velocity-switching, organic tech percussion, metal shop, big hits.
# Recorded at the Record Plant, Studio A.
# Includes special versions of KOMPAKT (with Direct-from-Disk* streaming) and INTAKT Samplers from NATIVE INSTRUMENTS (plug-in or standalone) for MAC and PC.
STORMDRUM began when producer NICK PHOENIX went to the Record Plant Studios in Los Angeles to record some big film grooves for movie trailers he was working on. He hired some the best percussionists in the world (Tal Bergman, Richie Garcia, Michito Sanchez), and filled up Studio A with hundreds of drums. The Record Plant said they had never seen anything like it! After a complex setup, they were ready to roll. Everything was recorded through Neuman mics into an SSL Console to 2 inch analog tape and later transfered to 24 bit, 88.2 digital.
Now, after years of recording, editing, and programming, STORMDRUM has arrived!
Actually you get 2 libraries when you purchase STORMDRUM. The INTAKT loops and the KOMPAKT multi-samples. There are 2 seperate interfaces, so that each category includes all of the features needed -
KOMPAKT has disk streaming and multi-timbral capability, as well as a host of other multi-sample parameters like auto sample alternation. This is the perfect interface for the multi-sampled kits and percussion.
INTAKT is the ultimate loop manipulation tool, and syncs the loops to the tempo of your sequencer. It has real-time time compression, cool lo-fi effects, and lots of other amazing features like legato looping.
The beats in STORMDRUM are the result of a desire to get a big film score sound, but not be derivitive. There are many different kinds of grooves with many variations. It would be a mistake to judge the sound of the library without listening to the many different loops. All of the more break-like grooves are based on live grooves and manipulated to sound more electronic. You will find many uses for these beats, but the intention was for them to be useful in film scoring.
The drum-kits and percussion multi-samples in STORMDRUM are really amazing! Everything has 10-24 way velocity switching with left and right hand samples. The sound is BIG and sometimes AMBIENT when neccesary. There are 32 GM drumkits with automatic alternation of left and right hand samples built into each kit (snare, hats and toms). To access the full drum library, users can load up all the individual elements and make up their own 88 key kits. No combination of kicks, snares, hats, toms and cymbals ever overlaps. Load one of each, using 5 of the 8 multi-timbral parts and set the 5 programs to the same midi channel. Instant custom 88 key drumkit! The 88 Key drum setups don?t utilize automatic alternation of samples, but rather give users direct control. The electronic samples are all derived from the acoustic samples in the library. As a result, they are very original sounding, but also quite familiar. There is even an organic velocity switching tech kit and other goodies like metal shop and prepared piano.
The percussion is really nice and extensively multi-sampled. There are some really useful and unusual gems in there. There is a big emphasis on big sounding drums. The 7 man Thunder Ensemble is a first in commercial sample libraries.
STORMDRUM is a NICK PHOENIX/QUANTUM LEAP production.
Auf Grund von einigen Anfragen und der etwas komplexeren Natur des Benutzen eines Keygens für das NI-Authentification-Tool habe ich mal ein kleines Video-Tutorial gemacht was am Beispiel "Drumkit from Hell 2" alle Fragen erklären sollte.
Und keine blöden Kommentare bitte! Was dem einen schon in Fleisch und Blut übergegangen ist, das ist für andere Neu-Land, und wenn dann noch ein Sprachhindernis existiert wird es fast unmöglich, manch eine Aufgabe zu lösen
* 6 operators, each with its own ADS envelope generator.
* ADSR amplitude EG.
* Resonant LP/HP filter with LFO and ADS envelope.
* 3 effects: chorus, echo and 6-band EQ.
* 450 presets.
Alien Solo is a fully-featured monophonic synth that is controlled by your voice. Sing, hum or doo-wop the lead or bassline and then dial up the synth patch you want. You can also process other monophonic sources, but the pitch tracking function is optimised for the human vocal range.
Features:
*
Stable, accurate pitch and envelope tracking algorithm
*
Auto-tune feature to keep you right on the note
*
Dual analogue-stye oscillators with 5-octave transpose range
*
Mix, FM & ring mod modes
*
Vocoder-like morphing filter to apply your voice's characteristics to the synth sound
*
Analogue-stye 2/4/6-pole filters with envelope follow and pitch tracking control
Why "Alien Solo"? Picture those aliens blowing into weird instruments in the seedy bar in Star Wars IV...
Listen
Listen to this MP3 of of Alien Solo in action (162k).
You'll the original vocal phrase, followed by several examples of that same phrase processed through Alien Solo.
Download
Download the DirectX version of Alien Solo now (1213k).
Download the VST (Windows) version of Alien Solo now (1097k).
(If your host app does not support mono effecst, use this VST Stereo version.)
The freeware versions let you audition the 8 factory presets, with the rest of the controls disabled.
Learn more
More info: Alien Solo User Notes.
Need help installing? Check out Installation Notes.
Will it run under your audio host? Check out Compatibility Notes.
Screed-reader friendly version for blind users available on request.
Register
Register your copy of Alien Solo here,
using the secure Share-It service. As soon as your payment of $25 is processed, you'll receive an email with your registration code. Then you can start twiddling the dials.
Both the DirectX and VST versions use the same registration method - if you register one, you've automatically registered the other.
PayPal also accepted - my paypal account is the same as my email address, which you can discover by clicking here. When I recieve notification (mentioning which plugin you want to register), I will generate your unlock code and email it. By contrast this happens automatically with the Shareit system.
NB: When entering your registration
* Use Copy/Paste, don't try to type it
* Please include the "Curly brace" {} characters around the code.
NB: Please download, install and test Alien Solo before registering!
Some unsolicited user testimonials:
*
I just read about Alien Solo on the kvr-vst forum. I tried it immediately after reading about it -- and bought it !!! I like it *very* much! I hope you will keep putting energy into this one because I think it could be a big hit. :-) James Althoff, songwriter.
*
I just found out about Alien Solo, and I'm knocked out. Scot Solida, synthesist & sound designer, www.theelectronicgarden.com
*
I tried your aliensolo plugin , and its pitchtracking is REALLY AMAZING (I think better than Kantos). Andreas Kozmann, producer
*
Your plugin is just amazing. I recorded this demo (172K) with your demo version. Bulgarian guitar-wiz Dimitar (dimitar.audioshot.net). Note that Dimitar is using Alien Solo as a guitar synth!
*
It isn't a poor man's Kantos, Kantos doesn't make as fluid sounds as your VST. Charles Vald, producer of hypnosis & relaxation CDs, www.hypnosishealthcare.com
Change history:
24 April 2006: Version 2.2
* New skin
* Bug fix - presets not working in demo mode
* Bug fix - autotune not restoring settings from user presets
* Bug fix - stability issue with formant filter (access violation on shutdown)
* Slightly lower memory useage
13 January 2006: Version 2.1 - fixed bug recalling settings, caused by preset one overwriting recalled values
* NB: existing users will require a new unlock code - contact me for details
6 March 2005: Version 2.0a - fixed bug accepting registration code on some machines
5 March 2005: Version 2.0:
* Choice of FFT corellation & zero-crossing pitch-tracking algorithm
* Mix, FM & Ring mod mode for combining oscillators
* Gain control to reduce or increase soft-clipping
* Bug in envelope-follower fixed - smoother envelope tracking
18 December 2004: price dropped to $25
2 March 2004: Version 1.1c - fix potential problem with stereo-only version
5 May 2003: Version 1.1b - streamlined some issues with behaviour when registering
16 March 2003: Version 1.1a - fixed problems with VST versions under WaveLab and Logic
11 March 2003: Version 1.1
* Fixed problems in VST version with presets not updating display controls
* Fixed problems in DirectX version under Sound Forge
23 February 2003: Version 1.0 released
8 February 2003: Beta Version (pre-1.0) released
Paax 2 Pro is a powerful VST sampler that matches many of the features
of expensive samplers
Features
128 simultaneous voices (Freeware version is limited to 64 voice
polyphony).
Plays 8/16/24/32bit, mono/stereo wav files.
Access to advanced control panel for each split-layer-channel.
Access to sample editor controls for setting and tweaking the
MicroGranular pitch-shifting option. Transpose sounds without affecting
their duration/timbre!
Ability to fully edit SoundFonts and convert them into .pax banks.
Up to 4 stereo VST outputs with individual attenuation and pan
controls. Different splits can be routed to separate outputs!
Up to 8 configurable stereo effect units (4 pairs, one per VST output).
* Up to 128 presets per bank.
* Up to 84 splits per preset and 8 dual velocity-layers (16 samples) per split.
* 64 simultaneous voices.
* This version can load 8/16 bit mono/stereo wav files, but it can play native banks with 24/32 bit wavs (or embedded samples).
* Low CPU consumption.
* RAM save scheme (only active presets samples are loaded at one time).
* Low aliasing resampling technology, 32 bit audio engine.
* 3 envelope controls (DAHDSR) per preset: amplitude, pitch and filter cutoff.
* 3 configurable LFOs per preset: tremolo, vibrato and filter cutoff with optional delay.
* All envelopes and oscillators can be synchronized to MIDI tempo.
* New bank format offers choice for embedded or referenced samples.
* Capable of importing SoundFonts (.sf2) and AKAI S5000/6000 programs (.akp)
* Fully automatable.
* VST 2.3 compatible.
Inspired by the classic tube amps that defined the sound of rock, the
GXStack VST is a custom-crafted tube amp collection for your digital
audio workstation. From the gritty blues of late 50s "Tweed" era amps,
to the high gain sustain of modern classics, GXStack contains 6
stunning amp models designed to deliver the most sought after amp
sounds of all time. Painstakingly recreated by Polarity tone boffins,
GXStack exploits our acclaimed physical modelling technology - real
tubes and circuits!
Our rich sounding, dynamic amp models are joined in the GXStack by
super-smooth reverb, warm stereo chorus and sparkling delay. All of
this great tone from a rig that's as easy to use as your existing amp
and stompboxes - no confusing parameters or baffling arrays of
controls.
GXStack VST audio processing plugins are eminently suitable for
real-time, live use on Windows-based digital audio software platforms
such as Cubase, Sonar, Tracktion, and FL Studio. Zero-Latency - and it
won't hog your CPU resources. Get the GXStack VST now at an
introductory price of US$39.99, or download the trial version to test
drive the tones right now (we'll ask you for an email address once you
click on the button - remember that Polarity has a strict privacy
policy).
Features
--------
Six stunningly authentic amp models with high-definition delay and
chorus effects. Upcoming amp models and effects will be available for
purchase for registered users. Click on the speaker icon to hear a
short MP3 clip. Sound clips were recorded using single coil pickups,
an M-Audio Delta 66 soundcard and Tracktion. No other software or
hardware effects were used in the production of these clips. Windows
VST right now, other platforms to follow.
Tweed Boy: when Muddy Waters invented electricity , this was the
reason. A couple of 'classic 50s' Tweed amps collide in this model,
designed to give you perfect 'boxy' tones for roots rock and dirty
Texas blues. Grit, grind - glorious.
Deluxe 30: from sweet cleans to warm blues , the Deluxe 30 is based on
a couple of Black Panel beauties we happened to have lying around . We
paid special attention to the amount of gain available so you can
move from lush cleans to those sought after 'just-on-the-edge' tones.
CrunchTone: no amp collection would be complete without our tip of
the hat to the great British amps of the mid to late 60 s. Inspiration
for this one was a 45w gem , and a handful of classic vinyl!
Overdrive Custom: time to burn. For fat , warm overdriven leads and
crunchy riffs, this distinctly US -flavoured model is a custom
creating based on some of our favourite rock players . For maximum
effect you'll need Lycra pants and a can of hairspray.
Bulldog 100: meet our fat, nasty , snarling Bulldog. We were trying to
capture a monster Brit rock sound - and were rather pleased with the
results. A pure Brit thoroughbred , but we suspect steroids may have
been involved...
VT MetalHead : all out bombastic rock and metal tones are the preserve
of the rectofried VT MetalHead.
Und keine blöden Kommentare bitte! Was dem einen schon in Fleisch und Blut übergegangen ist, das ist für andere Neu-Land, und wenn dann noch ein Sprachhindernis existiert wird es fast unmöglich, manch eine Aufgabe zu lösen
Das ist mal etwas, das gesagt werden mußte. Schade, dass es nicht in allen Threads hier im Board beherzigt wird.
Danke!
PS: Für VST-Interessierte sollte dieser Link sehr nützlich sein: http://www.magesy.com/category/...usic_apps/
Beachtet die verschiedenen Kategorien:
|EDITORS ||VSTi PlugIns ||VST PlugIns ||Music Producing ||Sound Libraries |
Vorwiegend Rapidshare-Links.
__________________________________________________ ______________
Betrifft Mastering - Leider nur in Englisch, fand ich aber sehr nützlich: http://www.soundonsound.com/sos/jun0...sician0601.asp
__________________________________________________ ______________
WormHole is a VST/AU plug-in to send audio streams over a local network. It is now possible to transmit audio between Macs and PCs over TCP/IP!
Features:
* Transmits 32 Bit audio over TCP/IP.
* Low Latency on a LAN.
* One 44 kHz Mono Channel requires 175 kByte/sec.
* Works with any Network Interface (Ethernet, Firewire, Airport).
* Works with any Audio Units/VST host.
* Can be used on a single machine to send audio between applications or to send audio between multiple computers.
Stereo Room is one of the reverbs from the legendary Eventide SP2016. It processes two input channels and creates a pair of diffuse reverberant outputs. It offers parameters for pre-delay, decay time, diffusion, EQ, and a unique position control. The position control simulates placing the listener anywhere within the simulated room allowing the reverb to "sit" in the mix without cluttering it up.
Features:
* Level Displays and Digital Clip LED indicate the input level to the reverb.
* Input Level control to attenuate the input to the reverb so as not to overdrive the reverb and produce distortion.
* Mix control to control the mix between the unprocessed input and the reverberated output.
* Kill button to quickly remove the input from the reverberator so that you can listen to the tail (reflections) caused by your input.
* Predelay introduces a delay before the reverb effect.
* Decay (RT60) sets the time (in seconds) for a full amplitude signal to decay by 60 dB.
* Position control simulates placing the listener anywhere within the simulated room allowing the reverb to "sit" in the mix without cluttering it up.
* Diffusion alters the character of your space ? from the sharp reflections of flat, hard surfaces (Low) to the diffused reflections from rough, irregular ones (High).
* EQ Block with HIGH and LOW gain and frequency controls.
RaySpace uses real-time ray-tracing techniques to analyze hand drawn spaces created by the user. Essentially, you just move the source and listener locations around, draw walls to make enclosures, and listen as the surround impulse responses are made on the fly!
Rayspace uses up to 512 different ray-traced sound directions, each one continuously collecting information from the enclosures. Taking into account air absorbency and the effect of each wall reflection and filtering made en route to the listener.
RaySpace does not use any smearing filters, or any convolution algorithms. It simply bounces the rays around the scene and returns a clean but complex effect back to the listener.
Features:
* Draw your own rooms at 1 metre resolution.
* Real-time response update.
* Wall dampening and absorbency controls.
* 4 channel output for surround sound reverb.
* Automated positions and controls.
PPMulator is a cross-platform VST plug-in meter which exactly mimics the look and feel of a professional broadcast Peak Programme Meter (PPM). By adding PPMulator to the master output of your audio editing program, you can record, edit, mix and export your audio within a precisely-calibrated workspace - something which is often impossible to do when working in a non-studio environment.
PPMulator is designed to closely follow the ballistics of mono, stereo and mid-side (MS) PPM meters conforming to IEC 268-10/DIN 45406 and has a number of built-in additional features, including various display options and a highly-useful Peak Logging process which logs all peaks/overloads against the timecode in the host application where they occurred.
PPMulator - Initial Feature Set:
* Configurable as a Type I/Type II PPM, or set your own custom reference levels, ballistics and settings.
* Both 'box-and-needle' PPM or plasma bargraph graphical display options.
* Unique Peak Logging feature - create lists of 'overs' logged against timecode for unattended mixes/laybacks.
* Mono/Stereo or Mid-Side (MS) metering options, with overload LED.
* Fully-resizable single or dual meter display.
* Monitor both input level when recording and output level when mixing.
* Mono gain trim to M3 (-3dB) or M6 (-6dB) standards.
* Phase-error warning light for maximum mono compatibility.
* Built-in reference tone generator for meter alignment and calibration.
Supported Metering Standards:
* IEC 269-10 Type I : Nordic N9
* IEC 269-10 Type I / DIN 45406
* IEC 269-10 Type IIa : BBC scale
* IEC 269-10 Type IIb : EBU scale
System 1200 is a "light" version of Refined Audiometrics Laboratory's Systems 2000 and 5000, suitable for use on personal computers as a VST plugin. It restores lost hearing for musical listening for those who have blown their ears or otherwise lost some (or a lot of) hearing acuity. Corrections are handled in stereo at 44.1 kHz sample rates, with 50 overlapping Bark bands and 4-fold temporal overlap processing, to push inter-modulation distortion products more than 80 dB below the signal levels. Corrections are updated at approximately 1 KHz rate.
A sophisticated physics and hearing physiology model computes the corrections needed at every instant and in every Bark band so that the listener regains "Golden Ear" abilities. Hearing corrections can be dialed in from standard audiology measurements, or by using the proprietary single-slider VTuning, which suffices for most listeners.
The product is intended for use in a VST host program where this plugin will be the last processing step before reaching the headphones or speakers. A headphone crossover is included as a switchable option that simulates cross-channel head-shadowing and transit delay to relieve the headphone listener of excessive stereo separation from mixes intended for playback on speaker systems.
* Linear phase mastering EQ plug-in
* Supports sampling rates up to 192 kHz
* Spectrum Matching
* Automation support (using States)
* Work with each channel individually
* Four channel linking modes:
Lock - edit the left and right together
Weak - edits to one channel cause a similar change on other
Strong - edits to one channel cause identical change on other
None - no relationship between channels
Reverse - edits to one channel cause a reverse effect on the other (used with Weak or Strong)
* Dynamically change the width of an EQ curve
* Output peak hold meters with clip indicators
* Output trim fader with +/- 18 dB boost/cut
* Altivec/Velocity engine optimizations
* Multi-processor compatible
Interface
* Built-in spectrum analyzer (with pause)
* States overview display
* Draw EQ curve freehand or by dragging one of fifty control points
* Large, customizable frequency response display:
show input/output, both or neither; turn control points off/on; show/hide inactive channel
* Control coupling display to visualize and select how changes to one control point will affect nearby points
* History slider to easily browse and compare prior EQs
* Curve smooth slider
* Curve scale slider
* Shift entire EQ curve in frequency or gain
* Curve invert
* Clear/zero an EQ
* Zoom in to +/- 6dB
*
General
* Integrated SAVE and LOAD
* Two workspaces
* Copy settings to other workspace or completely clear them
* Plug-In formats supported:
Mac OS X: VST, Audio Unit (AU), RTAS
Windows: VST, RTAS
Note: Mac OS 9 VST, 1.1 version remains available for download with purchase. Version 1.1 does not include all features of version 2.0 (e.g. automation support).
A new approach to analysis
Inspector XL (IXL) was designed to fulfill a number of familiar analysis tasks with professionalism, style, and finesse. Available as a series of interactive modules, Inspector XL includes six individual, thoughtfully designed plug-ins for: FFT, Spectagram and Third Octave Spectral analysis, flexible level metering, plus phase and correlation, balance, stereo imaging, and statistical clipping with overload analysis. From top to bottom, Inspector XL provides a comprehensive, flexible, and easy-to-use approach.
"I wish I had better meters ... I wish I had better meters ..."
How many times have you wished for larger meters? Change the color of your meters? More flexible meters? Or more standard meters than those available in your host DAW? Inspector XL's meters answer all of these needs and more. Amazingly configurable, infinitely usable meters you should not be without. Horizontal and vertical layout with customizable color, range, ballistics, zero reference, and so on. And still supporting standard level meter formats including K-System and IEC Digital PPM. Inspector XL has got you covered with professional meters you can use anywhere and everywhere.
Choices, choices, and more choices
If you like choices , Inspector XL offers you plenty. Each module provides a range of color and configuration choices. Use the integrated, easy-to-use color picker to customize the color of your spectral analysis, phase scope or level meter data. Select from FFT, Spectagram, or ISO Third Octave spectral analysis to match your needs. Display all spectral data you need to see: Peak, Peak Hold, Average (or any combination) and choose the default Third Octave analysis data type. View phase in traditional XY or Vector modes or utilize Roger Nichols Digital?s intuitive Polar mode - each individually configurable, of course. Use standard meters if you want or stretch out and customize your Dow integrated or separate peak/RMS; customizable caution and warning zones; plus selectable primary meter type (peak/RMS) are just a few of the available options.
But, wait - there's more
Inspector XL isn't just a pretty face, it was designed with the features you need to make everyday use a joy. Save and Load function means you can save task-specific settings for future reference. Inspector XL's innovative "Import" function allows you to extract color settings, saved spectral snapshots and other selected data from a settings file without over-writing all of your current parameters. And if you're familiar with RND's concept of alarms, you'll appreciate Inspector XL's approach. Extensive alarm functions include warnings for correlation and max band level to over and clipping statistics. Inspector XL even allows you to define a clip in your own terms for statistical analysis relevant to your sessions. Alarm groups and alarm severities let you further customize alarm behavior. Inspector XL has so much to offer...
Professional, flexible, fully customizable, easy-to-use. What more could you want from an analyzer?
Decrackler features an advanced filtering function that will remove most of the scratches and crackles that may be present on recordings made from old, worn out, vinyl records.
DP5's algorithm and controls allow for the full spectrum of clean, crisp delays with non-distorting modulation, to pulsing and groovy feedback delays following musical beat patterns perfectly synced to your VST host.
Features:
* 1 ms to 5 seconds.
* Tempo division and BPM time modes.
* Flanging, chorusing and acoustics emulation.
* Tape delay simulation.
* CPU friendly.
* Use on guitars, vocals, soloing, beat making and for frippertronical purposes.
DQ7 Digital Dual 7-Band Equalizer is designed to provide a set of "great-sounding" high-precision digital filters along with a large realistic display and a direct manipulation interface.
Features:
* 2x7 high precision digital filters.
* Stereo and dual mono modes.
* Large and detailed interactive graphical display.
* The display, and the component groups building the image, may be brightness-adjusted to your personal taste.
* Built for recording, mastering, mixing, restoration and audio post production.
* CPU friendly.
* 96db to +24db input and output gains.
Rapture is described as "the ultimate wavetable synthesizer for igniting the sounds of today's pop, dance, and electronic music". It combines an advanced modulation system with an non-aliasing wavetable resampling engine.
Feature Highlights:
* Wavetable synthesizer with "cutting edge" sound manipulation capabilities, well suited for electronica-related music styles.
* Non-aliasing resampling engine.
* Over 500 sound programs.
* Six fully-programmable, stereo sound-generating Elements.
* Multi-waveform Oscillators with ring modulation.
* Two 16-mode filters per oscillator with LoFi and Drive.
* Over 40 Envelope Generators, LFOs, and Step Generators.
* Comprehensive MIDI Modulation Matrix.
* Mix and modulate all Elements through global FX and dynamic Step Generator.
* Graphical envelope generators and LFOs for ease of use.
* Expandable with native support for SFZ sample formats.
Rapture offers comprehensive sound design capabilities with patches that blend up to six different Elements. Out of the box you get a collection of over 500 programs including Basses, Leads, Pads, Arpeggios, Textures, Electronic Percussion and Sequences.
At the heart of Rapture's six-part sound engine are powerful, multi-mode wavetable oscillators. These wavetables provide a virtually endless array of sonic possibilities, plus you can multiply each oscillator up to 9 times across the stereo field with controlled detuning. Rapture's high resolution anti-aliasing rendering engine ensures that every note of every voice will be pure and vibrant.
Rapture offers over 40 Envelope Generators, LFOs, and Step Generators per patch. These Step Generators breathe life into your sound, allowing for dramatic trance gate effects and percussive rhythms. With graphical step sequencing of sound parameters, Rapture provides a modern extension to traditional envelopes and LFOs, allowing you creative control of Pitch, Filters Amplitude, and other parameters.
Rapture's global and per-Element FX stages provide the finishing touches to your sounds. In the Global FX Stage Rapture offers 3 multi effect units with 9 Delay and 3 Chorus types, 3 Parametric EQs, and a dynamic Step Generator for volume with independent L/R control. The per-Element FX stages offer the multi-effect units and EQs mentioned above, plus two 16-mode filters per oscillator with LoFi and a 5-mode Overdrive section for additional control.
A comprehensive MIDI Control Matrix provides for extensive MIDI controllers mapping of all of Rapture's functions, with the added sensitivity over modulation depth and smoothness control. An X-Y pad lets you assign multiple Rapture parameters to X and Y axes, allowing you to intuitively glide between various parameter levels with ease.
ELEKTRONIC INSTRUMENTS 2 ist ab sofort nur noch in der erweiterten XT-Version verfügbar, welche sowohl die REAKTOR-Ensembles als auch unabhängig lauffähige Versionen enthält.
Instrumentendesign auf höchstem Niveau
REAKTOR Electronic Instruments 2 setzen neue Maßstäbe im Instrumentendesign für REAKTOR 4, REAKTOR 5 und REAKTOR SESSION. Diese Instrumenten-Sammlung enthält acht atemberaubende Synthesizer, Drum Machines und Effekte, die weit über die Möglichkeiten anderer Instrumente hinausgehen.
In Zusammenarbeit mit den erfahrensten Entwicklern von REAKTOR-Ensembles und vielen namhaften Künstlern und Sounddesignern entstanden acht Ausnahme-Instrumente für die Musikproduktion von morgen. Das Spektrum reicht von zwei bahnbrechenden Drum Machines über ein mächtiges Synthesizer-Flaggschiff, einen einzigartigen "Soundscaper" und einen außergewöhnlichen "Sequenced Chord Generator" bis hin zu drei ungewöhnlichen Effekt-Einheiten.
Presets designed von: Photek, BT, Junkie XL, Speedy J, Richard Devine, Machinehead, Richard Davis, Jam El Mar, Telefon Tel Aviv, Jam & Spoon, Exile und vielen anderen.
Photone ist das neue Synthesizer-Flaggschiff für REAKTOR: Als ausgereifte und besonders umfangreiche Synthese-Workstation kann Photone ein nahezu grenzenloses Spektrum an modernen Synthesizer-Sounds erzeugen - von Flächen, Bässen, Leads, Pads, Stacks, Strings, Keys und Chords über Drums und Percussion bis hin zu ungewöhnlichen Effektsounds, Rhythmen und sogar "akustisch" anmutenden Instrumentalklängen.
Auf der ersten Blick verfügt Photone über eine überschaubare, "subtraktive" Architektur mit einer Bank von Oszillatoren, zwei Filtern und mehreren Effekt-Prozessoren. Auf den zweiten Blick werden Sie allerdings viele Features entdecken, dank derer Photone weit über die Möglichkeiten anderer Synthesizer hinausgeht.
Neben einer herausragenden Klangqualität bietet dieser Ausnahme-Synthesizer individuell anpassbare Oszillator-Typen, eine flexible Kontrolle über das Filter-Routing, die Emulation von "Vintage Analog Drift" und "Detuning" sowie fortschrittliche Modulations-Funktionen.
In aller Kürze: Photone definiert den neuen Maßstab für REAKTOR-Synthesizer!
Die bahnbrechende Drum Machine
Dieses Meisterstück ist wahrscheinlich die beeindruckendste und fortschrittlichste Drum- Machine und der raffinierteste Beat- Composer, der jemals kreiert wurde! Mit einer Kombination aus Step- Sequencer plus riesiger Drumsample-Bank, einer trickreichen Effekt-Sektion und vielen einzigartigen Remixing- und Klangformungs- Features treibt Limelite das Beatbox- Konzept in ungeahnte Höhen.
Limelite kann Tausende moderne Grooves erzeugen - von subtil bis gnadenlos.
Die Architektur von Limelite präsentiert sich umfangreich und komplex, was Ihnen maximalen Freiraum zur Erzeugung unterschiedlichster Rhythmen gewährt. Trotz der Fülle an Features lässt sich Limelite schnell und unkompliziert bedienen.
Sequencing und Remixing
Der 7-Kanal Step-Sequenzer dient dem Erzeugen der Grooves, und integriert neben einem flexibel zuweisbaren Modulations-Sequenzer auch einen Pattern-Sequenzer, um automatisch von Pattern zu Pattern zu wechseln. Über "Copy and Paste" können Sie jeden Groove einfach und unkompliziert auf ein anderes Pattern kopieren.
Dank der integrierten und besonders trickreichen Remix-Funktionen lassen sich Groove-Variationen auf Basis von 128 Variations-Algorithmen im Handumdrehen alle 2 bis 16 Takte realisieren, ohne manuell neue Patterns erzeugen zu müssen.
Die Drum-Sampler
Das Herz von Limelite ist die Sampler-Sektion mit 5 spezialisierten Drum-Samplern und rund 640 Drum- und Effekt-Samples, die sich individuell kombinieren lassen. Jeder Sampler verfügt über flexible Soundshaping- und Modulations-Funktionen für detailliertes Sounddesign. So können Sie z.B. mittels des Modulationssequenzers zwischen verschiedenen Samples hin- und herwechseln, oder - je nach Modul - Tonhöhe, Attac, Decay, Filtercutoff und einiges mehr modulieren. Auf diese Weise lassen sich sogar Melodiefolgen wie z.B. Bass-Linien erzeugen.
Drum-optimierte Effekte
Die umfassende Effekt-Sektion liefert exzellente Werkzeuge, um Ihre Grooves sanft oder radikal bis zur völligen Entstellung zu transformieren. Sie bietet eine Delay-Einheit, Equalizer, Filter, einen einzigartigen "Pulp"-Effektprozessor sowie einen Multieffekt mit 22 (!) verschiedenen Effekttypen. Das dazugehörige XY-Pad kontrolliert zwei Effektparameter gleichzeitig. Die Mausbewegungen auf dem XY-Pad lassen sich sogar aufnehmen und wiedergeben - perfekt für rasante und lebendige Effektverfäufe!
Am Ende der Kette sorgt schließlich die innovative "Magic"-Sektion für granulares Sample-Twisting und extreme Filter-Effekte.
Und um dem ganzen die Krone aufzusetzen: Sie können sogar externe Signale (Drumloops, Audiospuren) durch Limelite routen und extrem bearbeiten!
Klänge aus einer anderen Welt
Dieses ungewöhnliche Sounddesign-Tool ist weit mehr als nur "ein weiterer" Synthesizer: Es eröffnet ein atemberaubendes audio-visuelles Gesamterlebnis! Auch bei Metaphysical Function wurden die grenzenlosen Möglichkeiten von REAKTOR zum Erzeugen einzigartiger Instrumente maximal ausgereizt: Das Ergebnis sind atmosphärische Klänge aus einer anderen Welt - von beruhigenden Flächen über brillant schillernde Soundtexturen bis hin zu betörenden Klangskulpturen von vollendeter Schönheit.
Metaphysical Function erzeugt einen konstanten, nie endenden Klangstrom. Das Herz des Instruments bilden zwei unabhängige Sektionen aus Signal-Generatoren mit mehreren Oszillatoren und Wellenformen, Granular-Sampler, Filter, Ringmodulation, EQ und einem Kreisel-Effekt.
Fader in Bewegung
Der Schlüssel zum einzigartigen Sound von Metaphysical Function liegt in den 30 animierten, d.h. automatisierbaren Fadern, die eine Vielzahl an Klangparametern konstant verändern. Jede Fader- Bewegung lässt sich einfach und unkompliziert direkt aufzeichnen und wiedergeben, wodurch Klänge von verblüffender Lebendigkeit und Tiefe entstehen.
Metaphysical Function stand-alone Demoversion:
Um sich einen Eindruck von dem enormen Klangpotenzial dieses Ausnahme-Tools machen zu können, bieten wir allen registrierten NI-Usern nachfolgend eine kostenlose stand-alone Trialversion von Metaphysical Function an (wurde bereits Ende 2003 als Weihnachts-Special angeboten). Diese Version läuft als eigenständige Applikation ohne REAKTOR, bietet allerdings keine Eingriffsmöglichkeiten in den Sound der 32 Presets.
Die neue Version auf Electronic Instruments 2 verfügt dagegen über viele weitere Funktionen, unzählige Presets, ermöglicht vollen Zugriff auf alle Klangparameter, und lässt sich mit REAKTOR stand-alone und als PlugIn verwenden.
Granulare Grooves
KRYPT ist eine unvergleichbare Drummachine. Im Prinzip besteht sie aus einem Granular-Sampler und 6-Kanal-Sequenzer mit intelligenten Pattern-Generatoren. Die fortschrittliche Granular-Architekur mit unabhängiger Kontrolle über eine Vielzahl modulierbarer Klangparameter ermöglicht das Erzeugen ziemlich ungewöhnlicher Granular-Rhythmen.
Krypt besteht aus fünf verschiedenen Bereichen:
Der anschlagdynamische 6-Kanal-Step-Sequenzer erzeugt Rhythmen mit einer Länge von 16 bis 64 Steps, die sich wahlweise durch raffinierte Zufalls-Generatoren erzeugen lassen.
Der sechsstimmige Granular-Sampler verfügt über zwei Betriebsarten - eine für Einzelsounds, die andere für komplette Drumloops mit integriertem, automatischem Beat-Slicing. Die trickreichen Funktionen, um bis zu acht Soundparameter individuell zu verändern und durch LFOs und Velocity zu modulieren, sind das eigentliche Geheimnis des herausragenden Krypt-Sounds.
Die ausgereifte Snapshopt-Sektion dient dem schnellen Zugriff auf die Sequenzer- und Sampler-Presets, während der "Song"-Bereich einen flexiblen Pattern-Sequenzer darstellt, der sich besonders für den Live-Einsatz eignet: Einfach die Abfolge der Groovemuster auswählen, abfahren und in Echtzeit eingreifen...
Pulsierende Harmonien
Akkord ist ein hybrider Synthesizer (additiv/FM) mit integriertem Akkord-Sequenzer. Seine überragenden Stärken liegen im Erzeugen lebendiger Akkordfolgen, Apreggios, bewegten Flächen, tiefen Bass-Lines, subtilen harmonischen Rhythmen, Ambient-Strukturen und sogar von Drum-Grooves.
Ein perfektes Instrument, um Ihre Groove-Tracks mit harmonischen Strukturen anzureichern!
Akkord verfügt über eine Klangerzeugung mit 3 Oszillatoren, Akkord-Generator und flexible Waveshaping-Funktionen. Sein facettenreicher und markanter Sound wird zusätzlich durch mehrere integrierte Effekte, zwei Feedback-Hüllkurven und tempo-synchrone LFOs geprägt.
Akkord-Sequenzer
Der integrierte 32-Step-Sequenzer zum Erzeugen von Akkordfolgen ermöglicht das Einzeichnen von harmonischen Veränderungen und Synthesizer-Linien. Eine Auswahl-Liste von 50 Akkordtypen macht es dabei ganz einfach, nahezu jeden nur denkbaren Akkord von einfachem Moll bis hin zu raffinierterem "7sus4" oder "13-9+11" zu erzeugen, ohne ein tieferes Verständnis der Akkordstrukturen haben zu müssen.
Akkord lässt sich darüber hinaus auch wie ein "normaler" Synthesizer ohne Akkord-Sequenzer über MIDI spielen.
Resochord ist eine neuartige Effekt-Einheit, die dem Eingangsignal harmonische Strukturen aufprägt, selbst wenn es sich nur um Rauschen oder Drumloops handeln sollte. Jedes Eingangssignal wird dadurch über MIDI (Keyboard, Sequenzer-Spur etc.) harmonisch spielbar!
Resochord besteht aus sechs Rückkopplungseinheiten, die man sich im Prinzip wie gedrückte Gitarrenseiten vorstellen kann, die vom Eingangsignal in Schwingung versetzt werden.
Jede "Seite" schwingt mit eigener Frequenz, wodurch bis zu sechstimmige Akkorde entstehen können. Drumloops oder Geräusche werden auf diese Weise melodisch und harmonisch spielbar. Verschiedene Controller-Modi machen es dabei möglich, den Klang entweder über ein externes MIDI-Gerät (oder Sequenzer-Track) oder den integrierten, programmierbaren Akkord-Speicher zu spielen.
Temposynchrone Live-Effekte
FAST FX ist die ultimative Effekt-Maschine für den Live-Einsatz, macht aber auch als Effekt-PlugIn im Sequenzer eine gute Figur. Dieses Tool besticht durch sechs temposynchrone Spezial- Effekte: Freeze, zZZzZ, Slicemanipulator, Gate, Delay und Filter. Diese lassen sich in verschiedenen Reihenfolgen verbinden, um unterschiedlichste Effektsounds zu erzeugen, die zum Song/Looptempo synchron sind. Besonders zuhause fühlt sich FAST FX im Live-Betrieb, da man über das raffinierte Snapshot-Memory-System auf bis zu 256 "Effekt-Szenarien" zugreifen kann.
Die sechs Spezial-Effekte:
Der Freeze-Effekt erzeugt geloopte / "eingefrorene" Soundausschnitte, während zZZzZ für granulare Transformationen sorgt, indem er das in kleinste Bestandteile (Grains) zerlegte Signal verstimmt.
Slicemanipulator zerteilt das Eingangsignal in kleine "Beat-Slices" und ändert deren Reihenfolge und Abspielrichtung.
Gate dient dem Erzeugen rhythmischer Gater-Effekte, die durch den integrierten 16-Step-Sequenzer gesteuert werden.
Die Delay-Sektion repräsentiert ein Stereo-Delay mit moduliertem Feedback- und Filterweg, während das Filter ebenfalls einen 16 Step-Sequenzer integriert, um z.B. rhythmisches Filterpulsieren zu generieren.
Live-Einsatz:
Eine Spezialität von Fast FX ist der Live-Einsatz: Das trickreiche Snapshot-System ermöglicht es, bis zu 256 vorbereitete Effekt-Szenarien live über einfache Tastaturkommandos abzurufen - perfekt um während einer Live-Performance Klänge radikal zu transformieren!
Fast FX bearbeitet wahlweise Klänge am Sound-Eingang, oder die Sounds des integrierten Sampler-Moduls, das Loops automatisch an das gewählte Tempo anpasst.
Ähnlich einem klassischen Chorus-Effekt nutzt Cyan eine Bank modulierter Delay-Einheiten, um dem Eingangsignal mehr Tiefe und Volumen zu verleihen.
Dank der besonders ausgereiften Architektur erzeugt Cyan diese klassischen Chorus-Effekte in einer berauschenden Klang-Qualität. Doch Cyan ist weit mehr als "nur" ein hochkarätiger Chorus-Effekt. Aufgrund der fortschrittlichen Funktonen wie Tempo-Synchronisierung und erweiterter Modulationsmöglichkeiten des Delays eröffnet Cyan ungeahnte Dimensionen für tiefgreifendes Sounddesign.
[b}Künstler über Electronic Instruments 2 XL[/b]
Speedy J:
"Electronic Instruments 2 contains eight of the most mature and finest sounding Reaktor instruments I have seen so far. A true Reaktor classic." www.speedyj.com
Junkie XL:
"Electronic Instruments 2 is a great collection of instruments. There's a lot in there ranging from synths and drummachines to out of this world FX. I was especially surprised with the Photone synth and its vast sonic possibilities." www.radiojxl.com
Photek:
"From hip hop to techno to drum and bass, Photone is an invaluable tool for any studio. It can really capture the essence of the classic Photek Sound. Again, Native Instruments is ahead of the curve." www.photekproductions.com
Richard Devine:
"Electronic Instruments 2 is an exciting set of instruments that are rich and totally engaging in every aspect. They provoke new ideas and are some of the freshest new tools I have been using lately." www.richard-devine.com
Jam El Mar, Jam&Spoon:
"I will use the Electronic Instruments 2 collection in all my upcoming projects whenever possible. The instruments are unique and extremely inspiring." www.jamandspoon.com
Telefon Tel Aviv:
"This new collection of instruments is the zenith of what has been accomplished with native processing and synth design to date. These instruments are how we can bring the future to the here and now." www.telefontelaviv.com
Deepsky:
"Electronic Instruments 2 features eight revolutionary instruments, unique in both sound and design. It has been a long time since I've been so inspired by a batch of instruments. NI have proven once again that Reaktor is the undisputed king of the virtual studio!" www.deepsky.net
The acuma plugs have also been made more compatible
