IK Multimedia SampleMoog v1.0 VSTi RTAS AU MAC OSX UB Incl KeyGen-DYNAMiCS
Moog Module
Infos
Software: SampleMoog
Developer: IK Multimedia
Primary Type: Moog Module
Cost: ?249/$299
Copy Protection: Challenge / Response
Instrument Format(s): VSTAudio Unit
SampleMoog, the "Moog Synth Anthology Virtual Instrument", is a cooperation between IK Multimedia, Moog Music and Sonic Reality. It includes the sounds of all the most sought-after Moog synthesizers spanning the entire Moog history, in an easy-to-use, sample-based virtual instrument "powered by SampleTank". SampleMoog offers over 1,700 basses, leads, pads and effects' sounds from the very first Moog Modular systems to a variety of different Minimoogs to Taurus Bass Pedals, Polymoogs, Memorymoogs and more.
Software features: SampleMoog is based on the SampleTank engine, offering unique proprietary features like one-click sound browsing, multiple synth-engines including real-time harmonic manipulation of the waves, built-in vintage multi-effects and fast loading samples for studio or playing live. SampleMoog not only brings you the classic analog sound of Moog but also goes far beyond by combining it with the modern technology of the SampleTank engine, which includes physical modeling effects and IK's exclusive STRETCH.
* 16 part multi-timbral sample-based synth.
* Stand-alone and plug-in for VST, AU, RTAS on Mac/PC.
* 2 synth engines (Resampling and STRETCH).
* Built-in multi-effects with 4 effects per part selectable on 32 high-quality DSP effects, with BPM sync.
* Over 50 synth controls with Mono/Poly/Legato modes with selectable Legato, 2 LFOs, 2 Envelopes, syncable LBF/BPF/HPF Filters, Velocity, Range and Macro controls.
* Sounds can also be read by SampleTank 2.5 and up.
Sound features: 16 Moog synthesizers have been meticulously sampled and programmed by IK and Sonic Reality's sound designers. There are over 600 multi-sampled sounds with over 1,000 preset patches totaling more than 4GB of samples in SampleMoog, from the rarest vintage models to the most modern top of the range Moog synthesizers, including:
SampleMoog includes the sounds of all the most sought-after vintage
and modern MoogÖ synthesizers spanning the entire Moog history, in an
easy to use, sample-based virtual instrument ôpowered by SampleTankö
available as a plug-in for the most popular DAWs and a standalone
application for Mac and PC.
? One of the most complete collections of Moog sounds ever released in
one product, done in cooperation with Moog Music? and Sonic Reality.
? Over 1,700 sounds from 16 rare, collectable Moog synths, spanning
the entire Moog history, accurately sampled and fully produced with 32
built-in effects.
? 16 part multitimbral sample-based synth, allows extremely complex
synth layering and advanced manipulation possibilities with STRETCHÖ
engine.
? Sounds can be read by SampleTank and can be used to expand its world
of sounds.
SampleMoog offers over 1,700 basses, leads, pads and effects sounds
from the very first Moog Modular systems to rare Minimoogs to TaurusÖ
Bass Pedals, Polymoogs, Memorymoogs and more. Whether you want a lead
sound or a phat R&B synth bass or swirling fx, this is the ultimate
source for everything Moog! Load up monster Moog Modular patches, pull
up the powerful rumbling sound of Moog Taurus 1 Bass pedals and shake
the house! The SampleMoog takes you back in time to the days of analog
and honors one of the founding fathers of synthesis, Bob Moog. An
homage to the incredible range of instruments from the first
Etherwave? Theremin to the latest Minimoog? Voyager?, this virtual
instrument is a must-have for any fan of the ôMoog Soundö as well as
an analog synth powerhouse for any music style.
Software Features
SampleMoog is based on the SampleTank engine, offering unique
proprietary features like one-click sound browsing, multiple
synth-engines including real-time harmonic manipulation of the waves,
built-in vintage multi-effects and fast loading samples for studio or
playing live. SampleMoog not only brings you the classic analog sound
of Moog but also goes far beyond by combining it with the modern
technology of the SampleTank engine which includes analog modeled
effects, DSP and IK?s exclusive STRETCHÖ.
? 16 part multitimbral sample-based synth
? Stand-alone and plug-in for VST, AU, RTAS on Mac/PC
? 2 synth engines (Resampling and STRETCHÖ)
? Built-in multi-effects with 4 effects per part selectable on 32
high-quality DSP effects, with BPM sync
? Over 50 synth controls with Mono/Poly/Legato modes with selectable
Legato, 2 LFOs, 2 Envelopes, syncable LBF/BPF/HPF Filters, Velocity,
Range and Macro controls
? Sounds can be read by SampleTank
? Easy to use full MIDI control
? 256 notes polyphony
Sound Features
16 highly acclaimed Moog synthesizers have been meticulously sampled
and expertly programmed by IK and Sonic Reality?s sound designers.
There are over 600 multi-sampled sounds with over 1,000 preset patches
totaling more than 4GB of samples in SampleMoog, from the rarest
vintage models to the most modern top of the range Moog synthesizers.
Click here to see descriptions and pictures of all the sampled Moog
synthesizers.
Power PC based Macintosh?
Minimal: 866 MHz G4 processor, 512 MB of RAM, Mac OS X 10.4 or later.
Suggested: dual 1.25 GHz G4 or G5 processor, 1 GB of RAM, Mac OS X
10.4 or later.
Supported Plug-in formats: AU, VST, RTAS.
Intel based Macintosh?
Minimal: 1.5 GHz Intel Core Solo processor, 512 MB of RAM, Mac OS X
10.4.4 or later.
Suggested: 1.66 GHz Intel Core Duo processor, 1 GB of RAM, Mac OS X
10.4.4 or later.
Supported Plug-in formats: AU, VST, RTAS.
NOTE: Special Thanks goes to TEAM BEAT that created the KeyGen for
this release.
a complete standalone application designed for audio restoration
suppress broadband and tonal noise without the harsh artifacts of other solutions
remove intermittent noises, corrupted intervals and gaps with Spectral Repair re-synthesis
eliminate overload distortion by automatically rebuilding clipped sections of audio
clean up hum and buzz caused by poor wiring and other electrical problems
remove impulse noises like clicks, crackles and pops, digital artifacts and more
see more detail with innovative metering and the most advanced spectrogram display available
select by time and frequency to isolate and repair noise with surgical precision
save time by processing multiple settings in parallel, and revert to earlier settings with an undo history view
Audio Restoration Redefined
iZotope RX? is the most complete audio restoration product on the market, a unique standalone application designed from the ground up to combat a range of audio problems. In addition to unique workflow features designed to help you get the best results, RX's powerful tools can do processing that plug-in based restoration products simply cannot do. This paired with completely new processing technology results in cleaner, more natural sounding noise reduction and audio repair.
RX is ideal for audio restoration and archiving, recording and mastering, broadcasting and podcasting, video production, forensics, and any application that demands spotless results and a truly complete range of restoration tools.
Next Generation Technology
iZotope has spent the last four years developing novel methods for revitalizing noisy and damaged audio, and iZotope RX represents a new milestone in restoration technology.
RX's Denoiser uses techniques adapted from digital imaging to reduce artifacts introduced by noise suppression, leading to more natural results with fewer distracting artifacts.
RX's Spectral Repair module can intelligently re-synthesize corrupted or missing audio with striking results, even recreating details like the vibrato on a singer's voice or changes in pitch.
Many of RX's modules, like the Declipper, use advanced multi-band and multiresolution processing techniques to achieve impressive results.
iZotope RXÖ is the most complete audio restoration product on the
market, a unique standalone application designed from the ground up to
combat a range of audio problems. In addition to unique workflow
features designed to help you get the best results, RX's powerful
tools can do processing that plug-in based restoration products simply
cannot do. This paired with completely new processing technology
results in cleaner, more natural sounding noise reduction and audio
repair.
RX is ideal for audio restoration and archiving, recording and
mastering, broadcasting and podcasting, video production, forensics,
and any application that demands spotless results and a truly complete
range of restoration tools.
key features
* a complete standalone application designed for audio restoration
* suppress broadband and tonal noise without the harsh artifacts of
other solutions
* remove intermittent noises, corrupted intervals and gaps with
Spectral Repair re-synthesis
* eliminate overload distortion by automatically rebuilding clipped
sections of audio
* clean up hum and buzz caused by poor wiring and other electrical
problems
* remove impulse noises like clicks, crackles and pops, digital
artifacts and more
* see more detail with innovative metering and the most advanced
spectrogram display available
* select by time and frequency to isolate and repair noise with
surgical precision
* save time by processing multiple settings in parallel, and revert to
earlier settings with an undo history view
Additional RX Advanced Features
* iZotope MBIT+Ö dithering panel with full control over dithering
options
* iZotope 64-bit SRCÖ resampling panel with a full range of control
* Advanced manual declicking
* Multi-resolution declipping
* Multi-resolution spectral repair modes
* Advanced denoiser parameters
applications
* Broadcasting & Podcasting - Clean up location recordings, phone
interviews, studio background noise and more
* Recording & Music Production - Eliminate hum, hiss and environmental
noise from studio and live recordings
* Restoration & Archiving - Remove clicks and crackles, mechanical
noise and hum, even repair gaps in damaged audio
* Video Production - Perfect for cleaning up dialog, removing unwanted
background noises
* Forensics - Advanced noise reduction for superior voice
intelligibility, multiresolution spectrogram shows more detail for
improved visual analysis
compatibility
* Standalone application
* Mac OS X 10.3.9 or later (Universal Binary)
NOTE: Special Thanks goes to TEAM BEAT that created the KeyGen for this
release.
* 16 parts multitimbral sound module with layerable parts.
* New mix view and full mix parameters control.
* 3 synth engines: new STRETCH? and Pitch-shift/Time-stretch plus traditional Resampling.
* New enhanced instrument browsing.
* New total sound editing with full access to 50 Synth-Sampler engine controls.
* New Portamento feature for added realism.
* New Loop Sync feature for precision and flexibility.
* New Zone feature for single sample accurate editing.
* Now with 32 built-in DSP effects.
* EQ/Comp.
* Reverb, Spring Reverb, Ambience, Reverb Delay, Delay.
* Filter, Envelope Filter, Multi Filter, Wah-Wah.
* Chorus, Multi Chorus, Phaser, AM Modulation, FM Modulation, Flanger, Envelope Flanger.
* Auto Pan, Tremolo, Rotary Speaker.
* Lo-Fi, Distortion, Phonograph, Crusher, Overdrive.
* Pre Amp, Tone Control, Cabinet.
* Parametric EQ, Channel Strip, Compressor, Limiter.
* Slicer.
* Now capable of 5 effects per voice.
* Easy to use full MIDI control.
* Now responds to MIDI Program change.
* Now imports WAV, AIFF, SDII, AKAI S-1000/3000 and SAMPLECELL directly from the plug-in.
* New user preset and module save features.
* Convenient back up function.
* Customizable keywords and sound search function with integrated sounds database.
* 256 notes polyphony.
* Customizable display colors.
* Available as VST, RTAS, DXi, AU, MAS.
Sample-Workstation with top-class multisampled sounds.
Ultimate Sample Experience, Unlimited World of Sounds.
SampleTank 2 XL includes all the sounds you'll need to create
professional music tracks:
* 16 parts multitimbral plugin sound workstation with layerable parts.
* 3 synth engines: new STRETCH, Pitch-shift/Time-stretch, Resampling.
* 32 built-in DSP effects, 5 effects per part.
* Loop sync and time/ pitch manipulation.
* Import WAV, AIFF, SDII, AKAI, SampleCell plus native sounds.
Ultimate Sample Experience
SampleTank 2 is the ultimate sample workstation. For the first time in
a sample-based instrument, 3 synth engines can be switched on the fly
to provide more sound flexibility than ever before: traditional
Resampling (the conventional method of playback most samplers use),
Pitch-Shift/Time-Stretch and our all new STRETCH engine.
STRETCH (Sampletank Time REsynthesis TeCHnology) gives complete sonic
control over the tempo, pitch and harmonics of samples. No more
"chipmunk sounding" transposition, no more loops and phrases out of
sync, no more limitations in musical expression.
Multisamples like you?ve never heard before!
Multisampled instruments with STRETCH deliver amazing realism and
expression. Your performances come to life with true glide, bending,
staccato and vibrato with an incredibly rich, vibrant and natural
quality. Plus, pushing STRETCH to the limit can take you to a whole
new world of unheard sonic territories.
Loops become playable instruments!
The Pitch-Shift/Time-Stretch allows to sync any loop to the sequencer
tempo and sync various loops together with a single click! Slow loop
tempos close to zero without affecting the pitch or have your loop
tuned or singing by changing its picth in real time without changing
its tempo. Play loop phrases with chords in sync and run them through
filters and effects for the first time in a virtual instrument. Only
SampleTank 2 allows you to use loops as an instrument with unlimited
expression.
Easy for every musician to use
All of this power is packed in a musician friendly interface and
everything you need right in front of you. SampleTank 2 makes it easy
to access more than 50 new synth-engine parameters including
multi-mode filters, envelopes, LFOs and more for your own patch
creation.
Instantly compatible with every platform!
SampleTank 2 is available for MacOS9, MacOSX and Windows, VSTi, DXi,
RTAS, MAS and Audio Units all from the same box.
An effects powerhouse!
SampleTank 2 is the only sample-based virtual instrument to have over
30 high quality DSP effects built-in to the module. With 5 effects per
instrument channel, the ability to sound like a produced album
instantly sets Sampletank 2 apart from all other virtual instruments.
Included are effects from our award winning AmpliTube and T-Racks
plug-ins, plus 12 stage phasers, flangers, chorus, delay, reverb,
rotary, tremolo... all saved with the sound for instant recall!
Fully expandable
SampleTank 2 allows you to import WAV, AIFF, SDII samples, AKAI
S1000-3000 and SampleCell instruments directly from the plug-in. Plus
there are currently more than 5,000 native Sampletank sounds available
from select world-class sound designers including Sonic Reality, AMG
and Masterbits.
16 layerable multitimbral parts
A stream-lined interface complete with light-speed control over
SampleTank's 16 multitimbral parts. Instant access to MIDI channel,
Solo, Mute, Polyphony, Volume and Pan.
Save and exchange song data using the same sounds
With SampleTank 2 you can save every setting for making you own
exclusive patches and presets. You can also exchange sounds and
SampleTank 2 sessions in any sequencer, Mac or PC, giving you the
ability collaborate with musicians on any system.
You want MIDI control?
Every parameter in SampleTank 2 is MIDI controllable for optimal
interactive performance. From MIDI program change to full automation
and total recall, SampleTank 2 delivers the performance features
musicians need the most.
System Requirements
Power PC based Macintosh
Minimal: 866 MHz G4 processor, 512 MB of RAM, Mac OS X 10.4 or later.
Suggested: dual 1.25 GHz G4 or G5 processor, 1 GB of RAM, Mac OS X
10.4 or later.
Supported Plug-in formats: AU, VST, RTAS.
SampleTank 2 RTAS requires ProTools 7.0 or later.
Intel based Macintosh
Minimal: 1.5 GHz Intel Core Solo processor, 512 MB of RAM, Mac OS X
10.4.4 or later.
Suggested: 1.66 GHz Intel Core Duo processor, 1 GB of RAM, Mac OS X
10.4.4 or later.
Supported Plug-in formats: AU, VST, RTAS.
NOTE: Special Thanks goes to TEAM BEAT that created the KeyGen for
this release.
* Sampler designed for drum sounds, but also good for pitched sounds
* Internal 32-bit resolution and sample-accurate timing
* Reads samples in the formats AKAI S-1000, SF2, REAKTOR Map, LM4, AIFF and WAV, from 8 to 32 bits
* More than 20 high-quality soundsets included
* 54 instruments, each with 128 velocity layers, tuning, volume envelope, pitch envelope, bit reduction, shaper and FX Loop for innovative effects
* Six modulation inputs per instrument with many drum-oriented presets
* Real-time wave display
* Runs stand-alone with MME, Direct Sound, Sound Manager, MAS, DirectConnect and ASIO or as a VST 2-Plugin
* Dynamic resource allocation for optimal performance
* Can be played and modulated via MIDI, with complete VST automation
BATTERY 3 is the professional standard for drums and percussion. The
latest version of the acclaimed drum sampler fuses an extensive
library with functionality and simplicity. A powerful new engine and a
host of sound shaping options deliver tight, punchy drums while the
user-friendly interface guarantees instant access and complete
control. Whether electronic or acoustic, BATTERY 3 will have your
drums rolling in no time.
Drummer's Delight
BATTERY 3 is armed with an extensive sample library. Over 100
professional kits cover an incredibly broad spectrum of musical
styles. From authentic acoustic kits to contemporary electronic
collections and ethnic percussion from all over the globe, every genre
is represented. Compatibility with most standard sample formats allows
seamless integration of virtually any third party libraries. BATTERY 3
is the definition of drums.
Adaptive Interface
At the heart of BATTERY 3 lies the cell matrix, bigger and more
versatile than ever before. With up to 128 sample cells, it is now
fully customizable - define the number of cells, rows and columns to
fit your exact needs. Color-code or select multiple cells for quick
and easy management. Step through all your drums of a particular type
and pre-listen samples within the current kit. BATTERY 3's flexible
nature ensures the perfect setup for any situation.
Precision Performance
BATTERY 3 offers a wide range of sound shaping features, both for
individual cells and on a global level. Adjustable articulations, such
as flam, humanize and roll, add a natural feel to your rhythms. The
time stretching feature allows samples to be sculpted and loops to be
adjusted to the correct tempo. BATTERY 3 infuses all your percussive
elements with an unmistakeable flavour.
Top Features
* Comprehensive and powerful drum sampler based on a next generation
sample engine
* Improved workflow and usability, fast and intuitive access to all
parameters. 8 step-by-step video tutorials included
* Fully customizable cell matrix: freely definable rows and columns
with up to a total of 128 sample cells
* Improved cell effects and a new master effects section
* Performance articulations: roll, flam, buzz, right hand, etc.
* Beat synchronisation with loop import for Apple Loops, REX, Acid
Wave and Beat Creator
* Time stretching feature per cell for creative sample manipulation
* Graphical waveform now allows samples to be edited on-the-fly
* Sample Purge keeps RAM load to a minimum
System Requirements
Mac OSX 10.4.x, G4 1.4 GHz or Intel Core Duo 1.66 GHz, 512 MB RAM
* Fashioned after the vintage cult synths of the 80's.
* 2 oscillators per voice.
* Choice of pulse, triangle and saw-tooth waveforms.
* Oscillator detune and synchronization.
* 24dB low-pass filter with resonance and self oscillation, additional high-pass filter mode.
* ADSR envelopes for amplitude and filter, invertible filter envelope.
* Low Frequency Oscillator with numerous modulation options, LFO-envelope retrigger function.
* Theoretically unlimited number of voices (depending on CPU power).
* 512 freely programmable preset memory slots.
* 576 selected classic and modern analog sounds preprogrammed, 64 sounds by vintage-synth legend John Bowen, and 64 newly programmed presets.
* Velocity sensitivity (optional).
* Real-time MIDI control and automation of all parameters, MIDI learn.
* Two operating modes: analog warmth or digital accuracy.
* Amount of analog inaccuracies freely adjustable.
* Effects unit for chorus, flanging and echo, MIDI-syncable.
* Input for external audio signals.
* Fully compatible with Prophet?-5 MIDI-SysEx program data.
The PRO-53 carries on the tradition from the legendary days of vintage
cult synthesizers. This virtual instrument, fashioned after the
Sequential CircuitsÖ ProphetÖ-5, provides the sonic properties of the
unique originals while meeting the practical requirements of the
present day.
Inspired by the immortal sound of the synthesizer giants of the
eighties, Native Instruments created the PRO-53 to cast in software
those qualities that have been such a major influence on popular music
in the past twenty years: brilliance, power, warmth and beauty.
Through Native Instruments' creative development philosophy, these
timeless aesthetics have now reached the next step in their evolution.
The result is the manifest re-definition of an original that was
regarded as unrivalled until now.
PRO-53 - The New Version
With the PRO-53, the third generation of the virtual analog classic is
now available. The synthesizer emulation has been vastly improved by a
new oscillator technology that offers an even warmer and more
brilliant sound. In addition the sonic possibilities have been
expanded even further with new features like a high-pass filter mode
and an invertible filter envelope. The control surface was also
reworked and now shines in a whole new light.
Using Native Instruments' highly advanced NSP-Technology (Native
Signal Processing) it is possible to generate a software synthesizer
that rivals its legendary hardware predecessors. The Native
Instruments PRO-53 sets new standards without denying its origins.
What's new: no fixed limit to the number of voices, many more savable
preset slots, velocity sensitivity, MIDI automation of all available
parameters, an additional effects section, a high-pass filter mode,
invertible filter envelope, audio input, LFO-envelope retrigger, and
the option to run several PRO-53s in parallel.
The PRO-53 is able to import Prophet-5 SysEx sound data, which means
it can read and accurately reproduce all the existing sound libraries
made for the original. The subtle deviations from perfect behaviour,
which are typical of analog circuits and crucial to the sound, can now
be fine-tuned.
The huge sound library gives the PRO-53 plenty of material for all
kinds of musical styles: 512 selected classic and modern analog sounds
cover any possibility.
64 of these sounds have already been programmed for the previous
version by synthesizer legend John Bowen, one of the creators of the
Prophet-5 synthesizer. In addition, PRO-53 comes with 64 new sound
presets, which were specially designed to take advantage of PRO-53's
new features.
512 preset memory slots are available where you can store your own
sound creations. The PRO-53 displays a name for each of the presets,
unlike the original which only displayed the preset number.
Effects
A built-in effects unit adds multi-echo and ultra-fat chorus and
flanging effects. This makes the sound of the PRO-53 'complete' for
both live performance and studio production. The included preset
sounds make extensive use of the effects. The PRO-53 also has an audio
input for processing external audio signals through its filters and
effects.
Integration
The Native Instruments PRO-53 integrates perfectly into any computer
based virtual studio by supporting the interfaces VST, Audio Units,
DXi and RTAS. It can be used as a sequencer plug-in or as a
stand-alone synthesizer. It is possible to run several PRO-53 plug-in
instances in parallel.
Top Features
* Authenthic emulation of the legendary Prophet-5 analog synthesizer
* 576 selected classic and modern analog sounds included
* 2 oscillators per voice, choice of pulse, triangle and saw-tooth
waveforms
* Oscillator detune and synchronization
* 24dB low-pass filter with resonance and self oscillation, additional
high-pass filter mode
* ADSR envelopes for amplitude and filter, invertible filter envelope
* Low Frequency Oscillator with numerous modulation options, LFO-
envelope retrigger function
* Fully compatible with Prophet-5 MIDI-SysEx program data
* Input for external audio signals
* Effects unit for chorus, flanging and echo, MIDI-syncable
The much-requested World Collection contains many exotic instruments from all over the globe - uniting some of the world's most different musical cultures.
Flutes and reed instruments, bagpipes, plucked instruments and percussions generate a global l of unusual sounds, offering unequaled creative opportunities for the producer.
Glass Viper is a synthesizer with unique waveform shaping, that has a deep and natural sense of movement. Going beyond analogue simulation, into a truly organic sound, from simple old synths to grungy filthy basses, or delicate pianos to strange unnatural film effects. Instead of taking a sample or oscillator and applying just filters and FX techniques, Glass Viper bends the actual shape of its waveforms through a series of moving control points. Up to four of these swirling and changing sounds can be layered together to create a huge range of instruments.
From the start, Glass Viper's goal was to make sound creation visual, and distance itself from mathematics. Making something with a unique sound was also a priority, and in a world full of synthesizers, this had to mean a fundamental difference. Without the complexity of many changeable modules, Glass Viper encourages play and experimentation. Most of the presets available were born from experimentation, rather than setting out to make a particular sound.
Glass Viper's moving waveform is the fundamental to its sound. When a note is held, the sound can move in a natural and pleasing way, without repetition. Like RaySpace, the visual aspect is also a major part of Glass Viper, guiding the user to a more experimental and less mathematical route to sound creation. The main display will change depending on which panel you are selecting. On the Voice panel the four waveforms of the currently playing note are directly displayed. On the Global panel the actual whole output waveform is plotted. And on the Waveshaper panel, you can edit the waveforms in real-time so you can really get the feel of the sound creation process. There is an extensive copy and paste algorithm, which enables you to copy either each panel, voice or whole (4 voices) instruments - this speeds up the sound creation process enormously, and also allows the user to use parts of different presets to make new ones.
Features:
* 4 voices per instrument.
* Unique waveform mouse editing - listen while you tweak.
* 4 LFOs for voice basics, moving any waveform control point.
* Line, cosine or cubic interpolation for waveforms.
* 3 LFO per voice with 2 envelopes controlling speed and gain independently.
* 4 syncable delay lines per voice.
* Six filter types.
* Comprehensive Copy & Paste algorithms for easy Panel, Voice, and Instrument copying.
* Plate reverb effects modelled from RaySpace technology.
* Stereo chorus.
* Additional wave-shaper.
* 6 controllers.
* Comes with 128 presets (included in evaluation copy).
* Unique and organic synthesis.
* Wave shaping with 16 LFO's.
* Continuously changing waveform.
* Easy to edit, basic interface.
* 4 Voices per instrument.
* LFO Envelopes with speed and gain slopes.
* 4 Delay lines per instrument.
* Reverb and chorus effects.
* Comprehansive copy and paste features.
What is it?
Glass Viper is a synthesizer with unique waveform shaping, that has a
deep and natural sense of movement. Going beyond analogue simulation,
into a truly organic sound, from simple old synths to grungy filthy
basses, or delicate pianos to strange unnatural film effects.
Instead of taking a sample or oscillator and applying just filters and
FX techniques, Glass Viper bends the actual shape of its waveforms
through a series of moving control points. Up to four of these swirling
and changing sounds can be layered together to create a huge range of
instruments. Glass Viper allows you to really shake things up with a
deep, natural sense of movement.
Philosophy
From the start, Glass Viper's goal was to make sound creation visual,
and distance itself from mathematics. Making something with a unique
sound was also a priority, and in a world full of synthesizers, this
had to mean a fundamental difference. Without the complexity of many
changeable modules, Glass Viper encourages play and experimentation.
Most of the presets available were born from experimentation, rather
than setting out to make a particular sound.
More details
Glass Viper's moving waveform is the fundamental to its sound. When a
note is held, the sound can move in a natural and pleasing way, without
repetition.
Like RaySpace, the visual aspect is also a major part of Glass Viper,
guiding the user to a more experimental and less mathematical route to
sound creation. The main display will change depending on which panel
you are selecting. On the Voice panel the four waveforms of the
currently playing note are directly displayed. On the Global panel the
actual whole output waveform is plotted. And on the Waveshaper panel,
you can edit the waveforms in real-time so you can really get the feel
of the sound creation process. There is an extensive copy and paste
algorithm, which enables you to copy either each panel, voice or whole
(4 voices) instruments - this speeds up the sound creation process
enormously, and also allows the user to use parts of different presets
to make new ones.
General features
* 4 voices per instrument.
* Unique waveform mouse editing - listen while you tweak.
* 4 LFO's for voice basics, moving any waveform control point.
* Line, cosine or cubic interpolation for waveforms.
* 3 LFO per voice with 2 envelopes controlling speed and gain
independantly.
* 4 syncable delay lines per voice.
* Six filter types.
* Comprehensive Copy & Paste algorithms for easy Panel, Voice, and
Instrument copying.
* Plate reverb effects modelled from RaySpace technology.
* Stereo chorus.
* Additional wave-shaper.
* 6 controllers.
* Comes with 128 presets (included in evaluation copy).
22nd November '07 update:
Glass Viper version 1.03 for Mac and PC
* Audio Unit and VST Universal Binaries.
* DC offset correction for program changes.
* Removed clicks on voice selections.
* OSX Leopard compatible.
7th November '07 update:
Glass Viper version 1.02 for PC - bug fixes.
* Sonar 7 crash fix.
* Live sample rate change fix.
* Registration 'not sticking' corrected.
28th October '07 update:
Glass Viper version 1.01
* Fixed envelope drawing issues in some hosts.
* Fixed stereo output names.
* Now compatible with older processors.
* Fixed registration issues for non GUI startups.
* Delay time nudge dial fixed at linear mode.
* Reduced clicks for program changes.
22nd October '07 update:
Glass Viper version 1.00
* Available for PC VST.
* Introductory price.
* Mac AU/VST coming soon
│ INSTALL NOTES
└───────────────────────────────────────────────── ──────────────────────┐
│
1) Extract Glass_Viper_1_03_VST_WIN.zip to Your Vstplugins dir.
2) Load plug and use KeyGen.exe to generate personal regkey.
│ AT LAST
└───────────────────────────────────────────────── ──────────────────────┐
govegangovegangovegangovegangovegangovegangovegang ovegangovegangovegango│
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Glass Viper is a synthesizer with unique waveform shaping, that has a deep and natural sense of movement. Going beyond analogue simulation, into a truly organic sound, from simple old synths to grungy filthy basses, or delicate pianos to strange unnatural film effects. Instead of taking a sample or oscillator and applying just filters and FX techniques, Glass Viper bends the actual shape of its waveforms through a series of moving control points. Up to four of these swirling and changing sounds can be layered together to create a huge range of instruments.
From the start, Glass Viper's goal was to make sound creation visual, and distance itself from mathematics. Making something with a unique sound was also a priority, and in a world full of synthesizers, this had to mean a fundamental difference. Without the complexity of many changeable modules, Glass Viper encourages play and experimentation. Most of the presets available were born from experimentation, rather than setting out to make a particular sound.
Glass Viper's moving waveform is the fundamental to its sound. When a note is held, the sound can move in a natural and pleasing way, without repetition. Like RaySpace, the visual aspect is also a major part of Glass Viper, guiding the user to a more experimental and less mathematical route to sound creation. The main display will change depending on which panel you are selecting. On the Voice panel the four waveforms of the currently playing note are directly displayed. On the Global panel the actual whole output waveform is plotted. And on the Waveshaper panel, you can edit the waveforms in real-time so you can really get the feel of the sound creation process. There is an extensive copy and paste algorithm, which enables you to copy either each panel, voice or whole (4 voices) instruments - this speeds up the sound creation process enormously, and also allows the user to use parts of different presets to make new ones.
Features:
* 4 voices per instrument.
* Unique waveform mouse editing - listen while you tweak.
* 4 LFOs for voice basics, moving any waveform control point.
* Line, cosine or cubic interpolation for waveforms.
* 3 LFO per voice with 2 envelopes controlling speed and gain independently.
* 4 syncable delay lines per voice.
* Six filter types.
* Comprehensive Copy & Paste algorithms for easy Panel, Voice, and Instrument copying.
* Plate reverb effects modelled from RaySpace technology.
* Stereo chorus.
* Additional wave-shaper.
* 6 controllers.
* Comes with 128 presets (included in evaluation copy).
* Unique and organic synthesis.
* Wave shaping with 16 LFO's.
* Continuously changing waveform.
* Easy to edit, basic interface.
* 4 Voices per instrument.
* LFO Envelopes with speed and gain slopes.
* 4 Delay lines per instrument.
* Reverb and chorus effects.
* Comprehansive copy and paste features.
What is it?
Glass Viper is a synthesizer with unique waveform shaping, that has a
deep and natural sense of movement. Going beyond analogue simulation,
into a truly organic sound, from simple old synths to grungy filthy
basses, or delicate pianos to strange unnatural film effects.
Instead of taking a sample or oscillator and applying just filters and
FX techniques, Glass Viper bends the actual shape of its waveforms
through a series of moving control points. Up to four of these swirling
and changing sounds can be layered together to create a huge range of
instruments. Glass Viper allows you to really shake things up with a
deep, natural sense of movement.
Philosophy
From the start, Glass Viper's goal was to make sound creation visual,
and distance itself from mathematics. Making something with a unique
sound was also a priority, and in a world full of synthesizers, this
had to mean a fundamental difference. Without the complexity of many
changeable modules, Glass Viper encourages play and experimentation.
Most of the presets available were born from experimentation, rather
than setting out to make a particular sound.
More details
Glass Viper's moving waveform is the fundamental to its sound. When a
note is held, the sound can move in a natural and pleasing way, without
repetition.
Like RaySpace, the visual aspect is also a major part of Glass Viper,
guiding the user to a more experimental and less mathematical route to
sound creation. The main display will change depending on which panel
you are selecting. On the Voice panel the four waveforms of the
currently playing note are directly displayed. On the Global panel the
actual whole output waveform is plotted. And on the Waveshaper panel,
you can edit the waveforms in real-time so you can really get the feel
of the sound creation process. There is an extensive copy and paste
algorithm, which enables you to copy either each panel, voice or whole
(4 voices) instruments - this speeds up the sound creation process
enormously, and also allows the user to use parts of different presets
to make new ones.
General features
* 4 voices per instrument.
* Unique waveform mouse editing - listen while you tweak.
* 4 LFO's for voice basics, moving any waveform control point.
* Line, cosine or cubic interpolation for waveforms.
* 3 LFO per voice with 2 envelopes controlling speed and gain
independantly.
* 4 syncable delay lines per voice.
* Six filter types.
* Comprehensive Copy & Paste algorithms for easy Panel, Voice, and
Instrument copying.
* Plate reverb effects modelled from RaySpace technology.
* Stereo chorus.
* Additional wave-shaper.
* 6 controllers.
* Comes with 128 presets (included in evaluation copy).
22nd November '07 update:
Glass Viper version 1.03 for Mac and PC
* Audio Unit and VST Universal Binaries.
* DC offset correction for program changes.
* Removed clicks on voice selections.
* OSX Leopard compatible.
7th November '07 update:
Glass Viper version 1.02 for PC - bug fixes.
* Sonar 7 crash fix.
* Live sample rate change fix.
* Registration 'not sticking' corrected.
28th October '07 update:
Glass Viper version 1.01
* Fixed envelope drawing issues in some hosts.
* Fixed stereo output names.
* Now compatible with older processors.
* Fixed registration issues for non GUI startups.
* Delay time nudge dial fixed at linear mode.
* Reduced clicks for program changes.
22nd October '07 update:
Glass Viper version 1.00
* Available for PC VST.
* Introductory price.
* Mac AU/VST coming soon
NOTE:
Ooops, we did it again...
Seems like we forgot to check the Universal Build box and put out the
Intel only version of our KeyGen for Mac users. We're so sorry for
this.
1) VST:
Extract Glass_Viper_1_03_VST_OSX.zip to Your Vstplugins dir.
- the VST plug-in directory is usually located at:
"Library/Audio/Plug-Ins/VST"
AU:
Extract Glass_Viper_1_03_AU_OSX.zip to Your Audio Units dir.
- the Audio Unit plug-in directory is usually located at:
"Library/Audio/Plug-Ins/Components"
2) Load plug and use KeyGen.app to generate personal regkey.
│ AT LAST
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govegangovegangovegangovegangovegangovegangovegang ovegangovegangovegango│
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ich hab mal ne frage zum Nexus Refx + bass expansion.
Ich habe das nexus refx vst installiert und die bass expansiones gezogen, die expansion is ja nur ne nxp datei, aber wo in welchen ordner muss die rein. Im Nexus ordner is blos ein "Nexus Live Cache" und "manual" Ordner....
bzw hab ich mit der ReFX Nexus VSTi v1.3.7 READ NFO REPACK-AMPLiFY überhaupt die richtige basis datei?
Vorrausgesetzt, dass du das hier zuerst installiert hast...
Travel to distant locales with selections influenced by cultures world-wide.
This diverse collection features authentic ethnic sounds in addition to
contemporary world-beat grooves.
Visit places such as Egypt, Greece, Spain, Ireland, Africa, and more.
Across Borders may NOT be considered "License Free" or "GEMA Free" in Germany, Austria & Switzerland to producers and production companies located in those countries.
A collection of versatile tracks from many genres.
From small ensembles to large orchestras, these selections can work
with your project either as main features or in supporting roles.
New age, classical, jazz, and action soundtrack styles take center stage.
Core Foundations may NOT be considered "License Free" or "GEMA Free" in Germany, Austria & Switzerland to producers and production companies located in those countries.
"In this category you will find the full range of contemporary synth pads, basses, leads and drum kits at your disposal. Since each synthesizer type possesses its own Performance View (see below), you have the possibility of accessing in seconds the important parameters and tweaking the sound to your desire. Additionally this column contains an integrated drum computer for the synth drum kits - packed full of grooves from the go!"
Create a ''Kontakt 3 Library'' folder on your music drive and extract this folder into it.
There are six in total - Urban beats / Synth / Vintage / World / Orchestral & Band - making up the full 33 gig library.
The format is native Kontakt .NKI and its packed in RAR .
*** also contains a folder with all the samples used in the .nki instruments as .WAV files for all of you that do not use Kontakt ***
A thoughtful selection of emotive tracks to add a light touch to your scene.
From passionate to airy, sensual to innocent, these subtle soundtracks
add emotional depth while being unobtrusive in the scene.
Emotional Journeys may NOT be considered "License Free" or "GEMA Free" in Germany, Austria & Switzerland to producers and production companies located in those countries.
Bold and engaging works that take on future progess. These positive and forward-thinking tracks illustrate the world's competitive business climate. From science and technology backgrounds to edgy rock pieces, Corporate Tech can take on the most serious of projects.
Corporate Tech may not be considered "License Free" in Germany, Austria & Switzerland to producers and production companies located in those countries.
Enhance your story with these flowing, understated backdrops. These unobtrusive melodies can aid in narrative development and tap into the subconscious. Great for documentaries or projects that touch the heart and mind.
Featuring the full spectrum of musical styles and moods. From classical to rock, techno to swing, an essential all-purpose library for many applications.
World-conscious melodies and grooves from across the globe. Traditional sounds and contemporary arrangements can be found in this collection of tracks whose origins range from the Caribbean to the Far East. With a diverse range of applications, World Beat gives your project worldly sophistication.
A strong collection of styles and textures applicable to a host of visuals. Includes tender instrumentals, dramatic rock, ethnic rhythms, motivational works, jazz, baroque, and more. Versatile tracks ready for many situations.
Ich biete ausschließlich RSDownloader und Cryptload Container zum Download an!
SoundCraft - DVD Guide zum Mixing
Disc 1 of 1
Menü: Ja
Qualität: 100%
Größe: 2,2GB
Format DVD-R
Sprache: Englisch
Das schwierigste am Produzieren eines exzellenten Sounds ist das Mixen. Gerade Unerfahrene tun sich beim Einstellen der richtigen Klanglautstärken sehr schwer. Die DVD direkt vom Experten für digitale und analoge Mixingsysteme erklärt schrittweise und leicht verständlich durch welche Einstellungen und Verfahren bzw. Praktiken man das beste Ergebnis beim Abmischen erhält. Ideal für Produzenten und Musiker, die sich in die Welt des Mixings einarbeiten möchten. Die Angewandten Techniken sind übertragbar sowohl auf VST-basierte Soundsoftware als auch auf Sampler. Ideal für Einsteiger!
No-nonsense driving rock, loaded with big riffs and adrenaline to rev up any scene. Electric guitar at its best, featuring a versatile batch of textures - from snarling to sweet.
Energize and intensify any project with SmartSound Maximum Action. Maximum Action explodes with music that is perfect for the excitement of high-speed motion, competition, and unparalleled achievement. Sports, travel and product announcements can all be raised to a new level.
Info:
Cinescore ist das neue Programm von Sony Media, mit dem Sie individuelle und
lizenzfreie Kompositionen für Video und Film erstellen lassen.
In Cinescore lassen sich verschiedene Elemente der mitgelieferten musikalischen
Themenpacks individuell variieren.
Diese Themen-Packs bieten lizenzfreie Musik aus vielen verschiedenen Stilrichtungen.
Sie geben die Länge Ihres Videos an, wählen die musikalische Stilrichtung und Cinescore
generiert eine unbegrenzte Anzahl vollständig orchestrierter Kompositionen, die perfekt zu
Ihrem Video passen. Zusätzlich lassen sich viele Parameter wie Stimmung, Tempo oder Intensität
verändern um sowohl komplexe Filmmusiken als auch kurze Stinger Tracks zu erzeugen.
Besonders interessant ist die Plug-in-Integration in Sony Vegas; ein Verlassen des Schnittprogrammes
für die Soundtrack-Erstellung ist daher nicht notwendig.
Besonderheiten
Enthält DVD mit 20 Themenpacks unterschiedlicher Stilrichtungen: High Adrenaline, Klezmerada,
Night Clubbing, Pink Adrenaline, Really Fine Day, High Voltage, Fourth World Surge,
The End of High Tech, The Speed of Light, Wildfires, Blizzard of Sparks, Slow and Sincere,
Slow Motion Bloom, The Forces of Evil, Spring Break Rock, Rock 'n' Roll Reception, Progress,
Polka Time!, Many Rivers.
Cinescore kann zusätzlich mit weiteren optionalen Theme Packs erweitert werden.
Features
* Erzeugt automatisch Musik, die perfekt zur Projektlänge passt
* Beinhaltet 20 vollständig anpasspare Themen unterschiedlicher musikalischer Genres
* 16-bit, 44.1/48 kHz Songqualität fürHigh-Fidelity Performance
* Generiert 24-bit, 192 kHz Musik in Zusammenarbeit mit Vegas 7 Software
* Individuell beeinflussbare Einstellungen erzeugen unbegrenzte Anzahl musikalischer Ergebnisse
* Eigene Variationen können erzeugt und gespeichert werden
* Tempo, Stimmung, Intensität lassen sich über "Hint-Marker" kontrollieren
* Mehrere Schlußvariationen für die generierten Medien möglich
* Beinhaltet mehr als 300 Sound-Effekte und Audio-Überleitungen
* Themen sind nach Instrument, Schlüsselwort u.m. sortiert
* Video Scoring Track und Echtzeit-Vorschau Windows
* Audio Sweetening Track
* Echtzeitbearbeitung wwährend der Wiedergabe möglich
* Interaktive "Show Me How" Übungen und Online-Hilfe
* Lautstärke- und Panorama-Hüllkurven
* Audio-Time-Stretching
* Track-Marker und Regionen
* CD-Audio Extraktion
* Externer Monitor-Vorschau
* Unbegrenztes Undo/Redo
ype...............Warezed: 22/11/2007 
)
