Software: Live
Developer: Ableton
Primary Type: Sequencer / Multitrack
Cost: $499-$599 / ?469-?549
Copy Protection: Challenge / Response
Can Host (Instruments): VSTAudio Unit
Can Host (Effects): VSTAudio Unit
Supported Sample Formats include: AIFF, SDII, WAV
Live Features:
Recording - Editing
* 24 bit / 192 kHz multitrack hard disk recording
* Complete MIDI and audio sequencing with non-destructive editing, unlimited undo
* Instant capturing and resampling of audio signals while the music is playing
* Real-time loop / overdub MIDI recording for pattern build-up
* Unlimited audio and MIDI tracks
Non-linear Sequencing
* Audio and MIDI files can be mapped to MIDI keyboard ranges and computer keys for instant triggering
* Records all actions as arrangements and automations for later in-depth editing
* Scene concept for non-linear organization of audio and MIDI files for live and jamming purposes
* Customized and random sequencing of audio and MIDI files for generating ideas and preparing performances
Actions can be set up to allow for automatic jamming and generative music
Time and Pitch Manipulation
* Real-time time-stretching to play any audio file in sync with the project tempo, even if original tempo fluctuates
* Real-time pitch shifting for the individual notes in a sample
* Real-time groove and swing manipulations for MIDI and audio
* Tempo automation via continuous breakpoint envelopes
Instruments - Effects
* Includes a wide array of innovative Ableton audio and MIDI effects
* 'Simpler' instrument for polyphonic playback and creative exploration of any sound recorded or dragged into Live
* 'Impulse' percussion sampler instrument for dynamic drum sound design
* Endless expansion via VST, Audio Units, and ReWire Plug-in support
* Free assignment of effects, mixer, tempo and transport functions to MIDI controllers
* Complete and easy automation recording and editing for all instrument and effects parameters
Browsing - Import - Export
* Built-in browsers for previewing WAV, AIFF and SDII audio files in sync with the project tempo
* Audio tracks play mono and stereo audio files of any sample rate, bit depth, length with no prior conversion
* Drag-and-drop MIDI file import
* Exports MIDI and audio files
Routing - I/O - Sync
* Drag-and-drop signal flow management for MIDI effects, instruments and audio effects
* Unlimited bussing for audio and MIDI signals for mix grouping, synth layering, post-effects recording, MIDI to audio
* Supports previewing and cuing via separate audio outs
* Up to 8 send / return tracks
* Supports ASIO, MME, DirectX, Sound Manager and CoreAudio audio interfaces
* Manages unlimited number of MIDI ins and outs
* Acts as MIDI clock master or slave; MIDI timecode slave
* Acts as ReWire master or slave
NFO
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███ ▀▀▀▀▀▀▀ PROUDLY PRESENTS ▀▀▀▀▀▀▀▀ ███
██▄ ▄██
█▄ Ableton.Live.v7.0.2 ▄█
█ █
▀█ █▀
█ SUPPLIER ..: TEAM AiR █
█ PROTECTION : SERIAL █
█ SIZE ......: 24 * 4,77MB █
█ DATE ......: 02/2008 █
█ █
█ Ableton Live 7 is your companion during every stage █
█ of the musical process, from creation to production █
█ to performance. █
█ █
█ █
█ Version 7 renews the core of Live: █
█ █
█ █
█ The enhanced audio engine improves fidelity with 64 █
█ -bit mix summing, POW-r dithering, optimized sample █
█ -rate conversion and other advances. █
█ █
█ The new compressor device integrates three █
█ compression models, one of which is based on a █
█ feedback design commonly found in the most praised █
█ vintage compressors. █
█ █
█ Fully integrated side-chaining capability is █
█ available for the new Compressor as well as Gate and █
█ Auto Filter. █
█ █
█ High-Quality modes have been added to Operator, █
█ Dynamic Tube and Saturator for anti-aliased █
█ processing, reducing typical "digital" artifacts. █
█ █
█ EQ Eight has an improved user interface and a 64 bit █
█ mode for increased accuracy. █
█ █
█ The new Spectrum analyzer provides visual feedback █
█ for any audio signals within Live. █
█ █
█ The MIDI engine has been reworked to minimize timing █
█ error (jitter) of recorded MIDI. █
█ █
█ Hardware integration has been streamlined?hardware █
█ synthesizers and effects can now be inserted into █
█ device chains just like software plug-ins. █
█ █
█ New memory management technology allows users of █
█ large sample libraries, such as Ableton's new sampled █
█ instruments or third-party libraries imported via █
█ Sampler, to run an impressive number of instruments █
█ at the same time. This happens automatically, with no █
█ setup changes required. █
█ █
█ New Audio and MIDI fact sheets explain exactly how █
█ signals are (or are not) being modified when using █
█ specific features in Live and provide tips for █
█ achieving the highest quality results. █
█ █
█ Live 7 brings the features most frequently requested █
█ by Live's users: █
█ █
█ Time signature changes can be inserted in the █
█ Arrangement timeline and tied to Session scenes. █
█ █
█ Warped and unwarped video can be exported to files. █
█ █
█ Multiple automation lanes per track can be displayed █
█ and edited at the same time. █
█ █
█ A new "tempo nudge" function makes it easier to █
█ synchronize to live musicians or DJs. █
█ █
█ REX files can be dragged, dropped and played just █
█ like WAV or AIFF files. █
█ █
█ Live, Operator and Sampler have received many small █
█ improvements and additions based on users' requests. █
█ █
█ The new "Drum Rack" streamlines beat production via █
█ an easy drag-and-drop interface and brings endless █
█ creative possibilities: █
█ █
█ A familiar drum pad interface allows dragging and █
█ dropping of samples, instruments and effects. █
█ █
█ Every pad can have its own Sampler, Simpler, █
█ Operator, or any other virtual instrument or plug-in, █
█ and its own individual effects chain. █
█ █
█ The slicing feature fills a Drum Rack with the █
█ individual hits from REX or audio loops. The original █
█ sequence is represented as a MIDI clip, making it █
█ easy to replace, reshuffle or re-record the events █
█ and process them individually. █
█ █
█ A Drum Rack can have its own sends, returns and sub █
█ -mixes. █
█ █
█ Every pad can be shown as a mixer channel in the █
█ Session View. █
█ █
█ Each drum can be dragged out of its rack for isolated █
█ pattern control and editing. █
█ █
█ █
█ New Ableton Instruments █
█ █
█ The new add-on instruments are the result of █
█ Ableton's collaboration with leading industry █
█ partners. The palette covers physical models of █
█ electric pianos, analog synthesizers and string █
█ instruments as well as multi-mic/multi-layer sampled █
█ acoustic drums, and drum machines. The instruments █
█ integrate tightly with Live, both in terms of █
█ workflow and resource management. █
█ █
█ Tension is a physical modeling string synthesizer █
█ based on the advanced technology found in String █
█ Studio from Applied Acoustics Systems (AAS). Through █
█ the use of mathematical models, Tension simulates █
█ each component of a stringed instrument. Tweak █
█ everything from how the string is played?with a pick, █
█ bow or hammer?to the size and type of instrument body █
█ used. Create incredibly accurate reproductions of █
█ real instruments or design otherworldly hybrids, all █
█ within Live's familiar working environment. █
█ █
█ Electric offers the much sought-after sounds of █
█ classic electric pianos. Based on AAS' acclaimed █
█ Lounge Lizard, Electric uses the same advanced █
█ physical modeling synthesis technology and integrates █
█ perfectly into Live's workflow. Because Electric uses █
█ synthesis, users can dive inside and play with the █
█ guts of the instrument?the hammers, tines, pickups █
█ and more?to achieve just that right amount of █
█ melancholy or bark and bite. █
█ █
█ Analog emulates the unique circuitry and irresistible █
█ tweakability of vintage analog synthesizers, █
█ employing the renowned physical modeling technology █
█ of AAS' Ultra Analog. Analog is a creative workhorse █
█ that features versatile alias-free oscillators, █
█ multi-mode filters, syncable LFOs, looping envelope █
█ generators and much more. Able to produce everything █
█ from silky pad sweeps to earth-shaking bass, Analog █
█ is also completely integrated in Live's familiar █
█ interface. █
█ █
█ Changes in v7.0.2 █
█ █
█ read included live 7.0.2.txt █
█ █
█ █
█ http://www.ableton.com/ █
█ █
█ █
█ █
█ █
█ Installation Notes : █
█ -------------------- █
█ █
█ 1) Unzip, Unrar and run Setup.exe █
█ █
█ 2) Enjoy this fine Team AiR release !!! █
█ █
█ █
█ █
█ █
█ Ableton Suite Instruments Addon █
█ █
█ free downloadable at: █
█ █
█ http://www.ableton.com/latest_versions █
█ █
█ █
█ █
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▀▀███▄▄▄▀▀ nFO lAYOUT (c) 2006 bEARCAVE-dESIGN ▀▀▄▄▄███▀▀
Steve takes us through the basic process of writing a track from scratch showing us loads of technique to getting that killer house sound. He also shows us how to go about editing a track for maximum dance floor effect focusing on builds and drops.
If you love to listen/produce house-electro house, then this is must have!
By forging together synthesis and sampling, ABSYNTH 2.0 breaks
down all barriers between inspiration and realization.
ABSYNTH 2.0 draws its formidable power from a combination
of multiple synthesis techniques, granular sampling, and
flexible envelope control. A versatile semi-modular
architecture and clean interface make it effortless to
sculpt everything from organic textures to rhythmic madness,
from time-evolving soundscapes to vintage sounds. ABSYNTH 2.0
includes more than 800 evocative, expressive, and musical
presets that cover an astonishing range of territory.
New Features in Version 2
The second generation of ABSYNTH presents sampling and
granular sampling, new envelope functions, libraries and
much more. New features overview... With ABSYNTH 1.x Native
Instruments realized an unbelievably high-performance
synthesizer, which thanks to its outstanding sonic
potential quickly became a standard amongst musicians,
producers, and film music composers alike.
With Version 2 the unique synthesis concept behind
ABSYNTH is radically expanded, multiplying the sonic
possibilities and resulting in an even more unique and
versatile synthesizer. Among the most exciting new features
are the integrated sampling and granular sampling
capabilities, powerful new envelope control, new filters,
waveform libraries, improved plug-in integration, automatic
tempo synchronization and much more. At the same time the
unmistakable ABSYNTH sound has become even more clear,
brilliant and shapeable thanks to new anti-aliasing
oscillators.
Ich kann dich beruhigen. Sonar 7 arbeitet mit VSTs, wie Cubase jetzt der Unterschied ist halt das man nicht F11 sondern Alt-8 drücken muss. Es ist so einfach wie mit Cubase und bisjetzt hat er jedes Plugin erkannt.
* Step Sequencer
o Save and load SONAR Step Sequencer pattern files
o New mouse gestures to edit velocities in the steps pane
o Change/set default velocity of new steps
o Step record from MIDI devices
o Option to audition notes when clicking on steps
o Preserve patterns when changing step sizes
* Main Application
o Auto-fade playback when starting/stopping the transport
o Option to automatically enable input monitoring when recording
* Euphonix EuCon
o Cakewalk has released a Control Surface plug-in supporting the Euphonix EuCon protocol, which now makes SONAR compatible with all Euphonix Control Surfaces - Download the EuCon Control Surface plug-in here
Issues Resolved in SONAR 7.0.2:
* Main Application
o Various performance/stability issues
o Duplicate notes in drum map manager would crash SONAR
o Inserting an effect into a track with the per-track EQ set to post-FX Bin would cause a crash.
o AudioSnap clip rendering could not be cancelled by the user
o Audio Export file type defaulted to AIFF after exporting an MP3
o SendLocalOn TTSEQ.INI variable was not functioning properly
o Track Inspector did not always update to the selected track
o Synth freeze failed when a post-fader send was assigned to a sidechain input
o Opening and closing Clip Properties dialog sometimes changed clip length
o Reverting clips to original time stamp sometimes failed after original clip was split
o Cropping audio and MIDI clips that are at time 0 sometimes caused the clip's contents to shift in time
o Intermittent audio stuttering, aka "motorboating", during playback with certain audio hardware and system configurations is corrected
o Freezing a synth sometimes caused bus automation to be ignored
o Sysex banks were never rendered to soft synths when exporting or bouncing a project containing sysex banks
o Saving Cakewalk Bundle Files with mixed audio bit depths could fail when the total size exceeded 2GB if the individual audio files were under 2GB
o In the Staff View, noteheads and the time ruler sometimes displayed incorrectly during playback.
o SONAR reported installation issues on some systems loaded with an OEM version of Microsoft Vista.
* Piano Roll View
o Painting new CCs in multi-track Piano Roll View sometimes caused CCs from other tracks in the PRV to be erased
o When inserting a note on a hidden track, the track was not made visible
o Lasso selecting notes and moving the selection offscreen caused original notes to become unselected
* Automation
o SONAR would sometimes crash when adding bus envelopes
o Automation from synths in the Synth Rack could not be edited
o Editing automation during playback was not always rendered immediately
* External Inserts
o Assigning a series of track inputs when an External Insert was in the project would sometimes cause SONAR to freeze
o Did not retain mono routings
o Failed to launch help when pressing F1
* Step Sequencer
o Current step display indicators sometimes got out of sync when editing patterns during playback
o Track transpose (Key+/-) settings were ignored on input
* Plug-ins and Components
o When dragging MIDI data from a V-Vocal pitch-to-MIDI operation, the new MIDI clip was not always created at the drop point
o Paging through Z3TA+ patches sometimes caused a crash
o Improvements made to match mode in PCR-30, PCR-300 and ACT MIDI Control Surface plug-ins
o Send pre/post and enable buttons were not exposed to Control Surfaces
o SONAR did not refresh preset lists when requested by VST plug-ins
* Third Party Issues
o Inserting Korg LegacyCell or Steinberg Hypersonic would crash SONAR
o Bounced tracks that contained VST plug-ins requiring delay compensation would sometimes include artifacts from extra buffers
o V-Station PowerCore was disabled upon inserting into SONAR
o UAD-1 displayed an Err=30 message when changing audio driver buffer size
Over a decade of history has made Steinberg's Cubase a robust and powerful application. Using our training and tutorial videos you can begin to harness the true potential of this program. Our Cubase tutorials are compatible with all recent versions of Cubase including SE, SL, SX and even the new version 4 series. We guide you from the basics of recording audio and MIDI to more advanced mixing, editing, exporting your tracks, sequencing and much more...
Current Online Videos
Getting Started
Starting Cubase
Creating a Project
Track Types
Setup and Record Audio
Setup and Record MIDI
Gainstaging Basics
Monitoring Overview
Metronome Overview
Knowing Your Options
Project Window Part 1
Project Window Part 2
Mixer Panel - Part 1
Mixer Panel - Part 2
Mixer Panel - Part 3
Devices Panel
Browser Window Overview
Transport Panel
VST Overview
Marker Overview
Importing and OMF
Timecode Overview
Inspector Overview
Tempo Track
Project Optimaztion
Mixing and Routing
Extended Mixer Options
Using Multiple Mixers
Understanding Inserts
Understanding Sends
Using EQ
Using Group Tracks
Using FX Tracks
Freezing Tracks
Using External FX
Link Channels
Offline Process History
Sweetening a Vocal
Automation
Automation Modes
Mixer Automation
Project Window Automation
Line Tools with Automation
Editing
The Media Pool
Snap Modes
Audio Warping
Hitpoints Overview
Beat Calculator
Detect Silence
Edit History
Sample Editor
Cut, Copy and Paste
Playorder Track
Mixdown and Export
VSTi Mixdown
Using MIDI in the Mixdown
Exporting Final Mix
Dither
Intro to Mastering
Create a CD
Backing Up Projects
MIDI
MIDI Device Manager
MIDI Track Parameters
Quantize MIDI
Key Editor Pt. 1
Key Editor Pt. 2
Key Editor Pt. 3
Step Input
List Editor
3.1 Updates
New Preferences
New Settings
New Editing Functions
New Mixer Functions
New MIDI Options
Tempo Track Updates
Media Pool Update
Audio Recovery
Rewire
Rewire Basics
Over a decade of history has made Steinberg's Cubase a
robust and powerful application. Using our training and
tutorial videos you can begin to harness the true
potential of this program. Our Cubase tutorials are
compatible with all recent versions of Cubase including
SE, SL, SX and even the new version 4 series. We guide
you from the basics of recording audio and MIDI to more
advanced mixing, editing, exporting your tracks, sequencing
and much more...
http://www.grooveboxmusic.com/store/training-tutorials/cubase-training/
█ █
▓═╬═▓ INSTALLATION ▓═╬═▓
█ █
Burn or Mount
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▓═╬═▓ Founded in 1998. The Society of Sharing is dedicated to ▓═╬═▓
█ sharing knowledge and resources, and doing whatever it █
▓ takes to get them to the inexperienced and experts alike. ▓
█ We earned our name, as we work strictly on a donation █
█░█ basis, and take pride in that fact. █░█
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▓ SoS can be reached at sosfxp@hush.com ▓
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▓═╬═▓ SoS DOES NOT SUPPLY MISSING FILES ! ▓═╬═▓
█ █
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▓═╬═▓ Greets Go Out To ▓═╬═▓
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All those who share
█ SHARE OR BE SHARED █
▓═╬═▓ IT'S NOT WHAT YOU GET,IT'S WHAT YOU GIVE ▓═╬═▓
█ █
S.O.S
[center]Mutekki Media Ultimate Vocals Vol.1.WAV-PAD
Infos
Das alte Problem, Dir fehlt für Deinen Dancetrack noch der passende Aufhänger ? ein Vocal oder gar eine Hook muss her? Nun brauchst Du nur noch den passenden Vocalist, eine Idee oder gegebenenfalls ein Songwriter, adäquate Studiotechnologie sowie das Know-how für Gesangsaufnahmen und Zeit - oder aber ?Ultimate Vocals Vol.1? aus dem Hause Mutekki Media! Diverse professionelle, sowohl männliche als auch weibliche, charakteristisch verschiedene Vocalists performen über 350 Vocal Fragmente und 20 vollständig komponierte Songs. Alles auf höchstem Niveau und unter Einsatz neuester Studiotechnologie produziert von M.A.S. de Vries und fertig für den sofortigen Einsatz. Alle Songs sind mit B.P.M.-Angaben und zugehörigem Grundton versehen. Die von den Songwritern von Pulsedriver, Keira Green, Central Seven, Sam G., Katie Jewels, DJ C7 geschriebenen Vocals finden in Genres wie Hands Up, Dance, Trance, House & Club perfekt ihren Einsatz, lassen sich aber auch problemlos in artverwandte Genres einbinden.
Devastor is a simple Multiband Distortion Unit. It is an enhanced version of the distortion unit from Phoscyon.
Devastor consists of three blocks: dynamic-gain module, diode-clipper distortion and three filter sections. Each of the filters can process the signal before or after the diode-clipper. The filters are not the peaking EQ type which are used in classic multiband distortion They are like those found in analogue synthesizers (low pass, high pass, band pass and band reject) - with adjustable resonance and cutoff. As a result, Devastor has a completely unique sound.
Devastor can be used to distort and enhance a wide range of sounds - from full-on acid synth sounds to guitar fuzz or analogue amp with combo speaker. It can even be used with drums to make them sound more dirty and dynamic. Devastor isn't just good at creating distorted monster sounds. It can also be used subtlety to improve the timbre and character of more gentle sounds. Reducing the preamp gain, increasing the threshold and selecting a soft-knee for the dynamics will bring out more warmth and detail in a sound without introducing distortion.
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███ ▀▀▀▀▀▀▀ PROUDLY PRESENTS ▀▀▀▀▀▀▀▀ ███
██▄ ▄██
█▄ D16.Devastor.VST.v1.0.Incl.Keygen ▄█
█ █
▀█ █▀
█ SUPPLIER ..: TEAM AiR █
█ PROTECTION : KEYFILE █
█ SIZE ......: 01 * 4,77MB █
█ DATE ......: 02/2008 █
█ █
█ D16 proudly presents our first Fx Plugin from our █
█ "Silver Collection" - Devastor. Devastor is a simple █
█ but remarkable Multiband Distortion Unit. It is an █
█ enhanced version of the distortion unit from our █
█ synth Phoscyon. Being multiband, the sonic mangling █
█ capabilities are endless! █
█ █
█ Structure █
█ █
█ Devastor consists of three blocks: dynamic-gain █
█ module, diode-clipper distortion and three filter █
█ sections. Each of the filters can process the signal █
█ before or after the diode-clipper. The filters are █
█ not the peaking EQ type which are used in classic █
█ multiband distortion They are like those found in █
█ analogue synthesizers (low pass, high pass, band pass █
█ and band reject)- with adjustable resonance and █
█ cutoff. As a result, Devastor has a completely unique █
█ sound - just check out the Factory Presets. █
█ █
█ Versatile and advanced █
█ █
█ Devastor can used to distort and enhance a wide range █
█ of sounds - From full-on acid synth sounds to guitar █
█ fuzz or analogue amp with combo speaker. It can even █
█ be used with drums to make them sound more dirty and █
█ dynamic! Devastor isn't just good at creating █
█ distorted monster sounds. It can also be used █
█ subtlety to improve the timbre and character of more █
█ gentle sounds. Reducing the preamp gain, increasing █
█ the threshold and selecting a soft-knee for the █
█ dynamics will bring out more warmth and detail in a █
█ sound without introducing distortion. █
█ █
█ When designing Devastor, we applied special █
█ antialiasing techniques to the output signal to make █
█ sure the signal had no aliasing (aliasing is one of █
█ the reasons why digital distortion units sound so █
█ cold and un-musical). As a result, Devastor has a █
█ warm, musical and very high quality sound. █
█ █
█ To hear Devastor, we would like to invite You to █
█ listen our audio examples. You'll find many types █
█ - from distorted acid lines, through drum'n'bass █
█ loops, to electric pianos and organs. Devastor is so █
█ good that you may think that the sound has been sent █
█ from the computer to an external analogue distortion █
█ unit and back into the computer again! █
█ █
█ █
█ probably the best diode-clipper emulation █
█ █
█ analogue-like filters █
█ █
█ dynamics flattener █
█ █
█ presets organised into groups █
█ █
█ midi learn function █
█ █
█ pre/post processing mode for each filter █
█ █
█ 64bit internal processing █
█ █
█ low aliasing output █
█ █
█ █
█ █
█ http://www.d16.pl █
█ █
█ █
█ █
█ █
█ █
█ Installation Notes : █
█ -------------------- █
█ █
█ 1) Unzip, Unrar and run Setup.exe █
█ █
█ 2) Use Keygen to create your personal key █
█ and place it into installation folder █
█ █
█ 3) Enjoy this fine Team AiR release !!! █
█ █
█ █
█ █
█ █
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▀▀███▄▄▄▀▀ nFO lAYOUT (c) 2006 bEARCAVE-dESIGN ▀▀▄▄▄███▀▀
Ueberschall Analog FX VSTi RTAS AU HYBRID DVDR-DYNAMiCS
Infos
Software: Analog FX
Developer: Ueberschall
Primary Type: Loop Module
Cost: $119 / ?99
Copy Protection: Challenge / Response
Instrument Format(s): VSTAudio Unit
Analog FX is a state-of-the-art FX sample collection boasting a 1.7 Gb library of "analog" sounds and loops offering a huge variety of atmospheres, noises, basslines, leads, sweeps, LFO as well as hundreds synth loops. The library is produced for: advertising and game audio, trailer creation, cinema and TV post production, animation, sound design, multimedia presentations and for all the different musical styles and producers looking for analog production FX elements. All sounds are simplistically organized into folders. Loops are enhanced with BPM information and tonal effects are accurately described and assigned to their root keys. The complete content provides a wide range of styles. Responsible for the production of Ueberschall Analog FX is Marc Steinmeier?highly respected music producer and sound designer in the international music industry.
Content: Atmo FX (Dark Mood, Filtered, Low End, XXL), LFO FX (Dark Mood, Filtered, Grooves, Hard & Dirty, Random, Resonance, Sirens), Mixture FX, Noise FX, SciFi FX (Filtered Drones, Signals, Sub FX, Sweep FX (Up- and Downlifter), Synth Grooves FX (Basslines, Noiselines, Sublines, Synthlines), Wired FX - 1.7 GB Analog Sounds, 960 Loops and Samples.
The sound library comes with the Elastik Loop Player, which includes features like:
* High-speed time-stretching and pitch-shifting in best quality.
* Innovative "LoopEye" for fast loop variations.
* All parameters MIDI controllable.
* Multiple content management.
* Each product separately installable.
* Mapping tools (automatic slice- & chromatic-map).
* Save audio of original and modified loops.
* Creation of user presets.
* Filter with "kill function" (-72db).
* Adaptable to tempos from 10 to 480 BPM.
* Audio engine for quick adaptation.
* And many more...
SUPPLiER..: TEAM DYNAMiCS DiSKS...: 1 DVD 35 x 50MB
CRACKER...: TEAM NGEN DATE....: 0217 2008
PACKAGER..: TEAM DYNAMiCS RELEASE#: DYNAMiCS-578
PROTECTION: C/R FORMAT..: VSTi/RTAS/AU
HYBRID
Rapid solutions for Sound Design architects. Unbelievable new
dimensions provided by a hybrid analog tonal source concept. Instant
Action, Emphasis, Momentum, Time Travel, Emotion, Weird Science,
Stimulants and more. Immense assortment of loops and single-shot FX
for Trailers, Games, Animation, CGI, Ads, Film, TV, Web and other
multimedia situations. A strategically organized Elastik Audio FX
collection in a class of it's own. See why!
Analog FX is a sophisticated sample collection boasting a massive
library of premium and designed analog Sounds and Loops which contain
over 1.7 GB of cutting-edge sound material. The complete
content?programmed and produced to the highest possible
standard?provides a wide range of styles. It is a state-of-the-art FX
collection of samples offering a huge variety of atmospheres, noises,
basslines, leads, sweeps, LFO as well as hundreds synth loops. The
library is produced for: advertising and game audio, trailer creation,
cinema and tv post production, animation, sound design, multimedia
presentations and for all the different musical styles and producers
looking for analog production fx elements. All sounds are
simplistically organized into folders. Loops are enhanced with B.P.M.
information and tonal effects are accurately described and assigned to
their root keys. You will locate every sample real quick for direct
use.
Responsible for the production of Ueberschall Analog FX is Marc
Steinmeier?highly respected music producer and sound designer in the
international music industry.
There's no doubt that Analog FX is the best fx collection you can buy
right now to achieve the authentic sound design of today.
Expect the Unexpected
Atmo FX (Dark Mood, Filtered, Low End, XXL), LFO FX (Dark Mood,
Filtered, Grooves, Hard & Dirty, Random, Resonance, Sirenes), Mixture
FX, Noise FX, SciFi FX (Filtered Drones, Signals, Sub FX, Sweep FX
(Up- and Downlifter), Synth Gooves FX (Basslines, Noiselines,
Sublines, Synthlines), Wired FX
1.7 GB Analog Sounds, 960 Loops and Samples, Mac/PC/AU/VST/RTAS
Requirements
Mac OS X 10.4, 512 MB RAM minimum,
G4 500 MHz minimum
- RTAS (req. ProTools 7 or later)
- AU
- VST
- StandAlone
Windows XP SP2, Vista, 512 MB RAM minimum,
Pentium 800 MHz minimum
- RTAS (req. ProTools 7 or later)
- VST
- StandAlone
NOTE: Special Thanks goes to TEAM NGEN that created the KeyGen for this
release.
Devastor is a simple Multiband Distortion Unit. It is an enhanced version of the distortion unit from Phoscyon.
Devastor consists of three blocks: dynamic-gain module, diode-clipper distortion and three filter sections. Each of the filters can process the signal before or after the diode-clipper. The filters are not the peaking EQ type which are used in classic multiband distortion They are like those found in analogue synthesizers (low pass, high pass, band pass and band reject) - with adjustable resonance and cutoff. As a result, Devastor has a completely unique sound.
Devastor can be used to distort and enhance a wide range of sounds - from full-on acid synth sounds to guitar fuzz or analogue amp with combo speaker. It can even be used with drums to make them sound more dirty and dynamic. Devastor isn't just good at creating distorted monster sounds. It can also be used subtlety to improve the timbre and character of more gentle sounds. Reducing the preamp gain, increasing the threshold and selecting a soft-knee for the dynamics will bring out more warmth and detail in a sound without introducing distortion.
D16 proudly presents our first Fx Plugin from our "Silver Collection"
- Devastor. Devastor is a simple but remarkable Multiband Distortion Unit. It
is an enhanced version of the distortion unit from our synth Phoscyon. Being
multiband, the sonic mangling capabilities are endless!
Structure
Devastor consists of three blocks: dynamic-gain module, diode-clipper
distortion and three filter sections. Each of the filters can process the
signal before or after the diode-clipper. The filters are not the peaking EQ
type which are used in classic multiband distortion They are like those found
in analogue synthesizers (low pass, high pass, band pass and band reject)
- with adjustable resonance and cutoff. As a result, Devastor has a completely
unique sound - just check out the Factory Presets.
Versatile and advanced
Devastor can used to distort and enhance a wide range of sounds - From full-on
acid synth sounds to guitar fuzz or analogue amp with combo speaker. It can
even be used with drums to make them sound more dirty and dynamic! Devastor
isn't just good at creating distorted monster sounds. It can also be used
subtlety to improve the timbre and character of more gentle sounds. Reducing
the preamp gain, increasing the threshold and selecting a soft-knee for the
dynamics will bring out more warmth and detail in a sound without introducing
distortion.
When designing Devastor, we applied special antialiasing techniques to the
output signal to make sure the signal had no aliasing (aliasing is one of the
reasons why digital distortion units sound so cold and un-musical). As a
result, Devastor has a warm, musical and very high quality sound.
To hear Devastor, we would like to invite You to listen our audio examples.
You'll find many types - from distorted acid lines, through drum'n'bass loops,
to electric pianos and organs. Devastor is so good that you may think that the
sound has been sent from the computer to an external analogue distortion unit
and back into the computer again!
Pitchwheel is a real-time pitch changing plug-in - it changes the pitch of a sound without changing its length. It has a large, easy to use, dial and simple parameters making it a fast and creative effect unit. It has a range of two semi-tones to two octaves, which gives you control from subtle tuning changes to wild swings of pitch. The user pointer acts as a desired pitch change, and the actual pitch is produced by smoothing and inertia controls. Pitchwheel moves towards the desired pitch at sample accuracy, enabling nice transitions without stepping. A DJ turntable feel can be created with some play, but the difference here is that the tempo remains the same, so your track can go on without sequence timing changes.
You can of course use it static, to create odd alien sounds, and character changes. Doppler effects can be simulated easily, or just use it to alter background atmospheres in real-time to get them just right.
The stereo image is kept intact on all pitches, without movement across the channels. The buffer size parameter gives you control of the internal processing; some sounds work better on larger sizes, others, like percussion benefit from smaller buffers. All latencies are kept the same on all sizes.
Features:
* Changes the pitch but not the length of a sound.
* Large and easy to to use, ideal for experiments and live performances.
* Full range adjustments from one semitone to an octave up or down.
* Unique inertia parameters for springy vibrato effects.
* Sample accurate changes prevent stepped pitch changes.
* Phase locked for stereo sounds.
* Buffer size changes, allows quality adjustments for vocal or percussion.
* Great visual feed-back with semitone snap, and actual pitch indicator.
* Extremely low CPU.
Real-time pitch changing plug-in ?
* Changes the pitch but not the length of a sound.
* Large and easy to use, ideal for experiments and live performances.
* Full range adjustments from one semitone to an octave up or down.
* Unique intertia parameters for springy vibrato effects.
* Sample accurate changes prevent stepped pitch changes.
* Phase locked for stereo sounds.
* Buffer size changes, allows quality adjustments for vocal or percussion.
* Great visual feed-back with semitone snap, and actual pitch indicator.
* Extremely low CPU.
? INSTALL NOTES
+-----------------------------------------------------------------------+
?
1) Copy Pitchwheel.dll to vstplugins dir.
2) Load plug and enter following to register:
Name: NEMESiS
Email: Team@NEMESiS.org
Key: 4G6UL8PG649V83AP
3) Try the soft.
4) Buy the soft.
5) Enjoy!!
? GREETINGS
+-----------------------------------------------------------------------+
?
0xdBass hwsnbn HYPERMANN & BREZEL NoGRP
? AT LAST
+-----------------------------------------------------------------------+
govegangovegangovegangovegangovegangovegangovegang ovegangovegangovegango?
------------------------------------------------------------------------+
Pitchwheel is a real-time pitch changing plug-in - it changes the pitch of a sound without changing its length. It has a large, easy to use, dial and simple parameters making it a fast and creative effect unit. It has a range of two semi-tones to two octaves, which gives you control from subtle tuning changes to wild swings of pitch. The user pointer acts as a desired pitch change, and the actual pitch is produced by smoothing and inertia controls. Pitchwheel moves towards the desired pitch at sample accuracy, enabling nice transitions without stepping. A DJ turntable feel can be created with some play, but the difference here is that the tempo remains the same, so your track can go on without sequence timing changes.
You can of course use it static, to create odd alien sounds, and character changes. Doppler effects can be simulated easily, or just use it to alter background atmospheres in real-time to get them just right.
The stereo image is kept intact on all pitches, without movement across the channels. The buffer size parameter gives you control of the internal processing; some sounds work better on larger sizes, others, like percussion benefit from smaller buffers. All latencies are kept the same on all sizes.
Features:
* Changes the pitch but not the length of a sound.
* Large and easy to to use, ideal for experiments and live performances.
* Full range adjustments from one semitone to an octave up or down.
* Unique inertia parameters for springy vibrato effects.
* Sample accurate changes prevent stepped pitch changes.
* Phase locked for stereo sounds.
* Buffer size changes, allows quality adjustments for vocal or percussion.
* Great visual feed-back with semitone snap, and actual pitch indicator.
* Extremely low CPU.
? INFO
+-----------------------------------------------------------------------+
?
NEMESiS :Supplier.............Coder: NEMESiS
Authorization Key :Protection..........Packer: NEMESiS
QuikQuak :Company.................OS: OSX
AU & VST plug ype...............Warezed: 19/02/2008
1 x 10MB :# of ZIP x Size.....Rel. #: 205
Real-time pitch changing plug-in ?
* Changes the pitch but not the length of a sound.
* Large and easy to use, ideal for experiments and live performances.
* Full range adjustments from one semitone to an octave up or down.
* Unique intertia parameters for springy vibrato effects.
* Sample accurate changes prevent stepped pitch changes.
* Phase locked for stereo sounds.
* Buffer size changes, allows quality adjustments for vocal or percussion.
* Great visual feed-back with semitone snap, and actual pitch indicator.
* Extremely low CPU.
? INSTALL NOTES
+-----------------------------------------------------------------------+
?
1) Run Pitchwheel.mpkg to install.
2) Load plug and enter following to register:
Name: NEMESiS
Email: Team@NEMESiS.org
Key: 4G6UL8PG649V83AP
3) Try the soft.
4) Buy the soft.
5) Enjoy!!
? GREETINGS
+-----------------------------------------------------------------------+
?
0xdBass hwsnbn HYPERMANN & BREZEL NoGRP
? AT LAST
+-----------------------------------------------------------------------+
govegangovegangovegangovegangovegangovegangovegang ovegangovegangovegango?
------------------------------------------------------------------------+
Software: Live
Developer: Ableton
Primary Type: Sequencer / Multitrack
Cost: $499-$599 / ?469-?549
Copy Protection: Challenge / Response
Can Host (Instruments): VSTAudio Unit
Can Host (Effects): VSTAudio Unit
Supported Sample Formats include: AIFF, SDII, WAV
Live Features:
Recording - Editing
* 24 bit / 192 kHz multitrack hard disk recording
* Complete MIDI and audio sequencing with non-destructive editing, unlimited undo
* Instant capturing and resampling of audio signals while the music is playing
* Real-time loop / overdub MIDI recording for pattern build-up
* Unlimited audio and MIDI tracks
Non-linear Sequencing
* Audio and MIDI files can be mapped to MIDI keyboard ranges and computer keys for instant triggering
* Records all actions as arrangements and automations for later in-depth editing
* Scene concept for non-linear organization of audio and MIDI files for live and jamming purposes
* Customized and random sequencing of audio and MIDI files for generating ideas and preparing performances
Actions can be set up to allow for automatic jamming and generative music
Time and Pitch Manipulation
* Real-time time-stretching to play any audio file in sync with the project tempo, even if original tempo fluctuates
* Real-time pitch shifting for the individual notes in a sample
* Real-time groove and swing manipulations for MIDI and audio
* Tempo automation via continuous breakpoint envelopes
Instruments - Effects
* Includes a wide array of innovative Ableton audio and MIDI effects
* 'Simpler' instrument for polyphonic playback and creative exploration of any sound recorded or dragged into Live
* 'Impulse' percussion sampler instrument for dynamic drum sound design
* Endless expansion via VST, Audio Units, and ReWire Plug-in support
* Free assignment of effects, mixer, tempo and transport functions to MIDI controllers
* Complete and easy automation recording and editing for all instrument and effects parameters
Browsing - Import - Export
* Built-in browsers for previewing WAV, AIFF and SDII audio files in sync with the project tempo
* Audio tracks play mono and stereo audio files of any sample rate, bit depth, length with no prior conversion
* Drag-and-drop MIDI file import
* Exports MIDI and audio files
Routing - I/O - Sync
* Drag-and-drop signal flow management for MIDI effects, instruments and audio effects
* Unlimited bussing for audio and MIDI signals for mix grouping, synth layering, post-effects recording, MIDI to audio
* Supports previewing and cuing via separate audio outs
* Up to 8 send / return tracks
* Supports ASIO, MME, DirectX, Sound Manager and CoreAudio audio interfaces
* Manages unlimited number of MIDI ins and outs
* Acts as MIDI clock master or slave; MIDI timecode slave
* Acts as ReWire master or slave
NFO
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███ ▀▀▀▀▀▀▀ PROUDLY PRESENTS ▀▀▀▀▀▀▀▀ ███
██▄ ▄██
█▄ Ableton.Live.v7.0.2.WORKING ▄█
█ █
▀█ █▀
█ SUPPLIER ..: TEAM AiR █
█ PROTECTION : WEIRD █
█ SIZE ......: 24 * 4,77MB █
█ DATE ......: 02/2008 █
█ █
█ Ableton Live 7 is your companion during every stage █
█ of the musical process, from creation to production █
█ to performance. █
█ █
█ █
█ Version 7 renews the core of Live: █
█ █
█ █
█ The enhanced audio engine improves fidelity with 64 █
█ -bit mix summing, POW-r dithering, optimized sample █
█ -rate conversion and other advances. █
█ █
█ The new compressor device integrates three █
█ compression models, one of which is based on a █
█ feedback design commonly found in the most praised █
█ vintage compressors. █
█ █
█ Fully integrated side-chaining capability is █
█ available for the new Compressor as well as Gate and █
█ Auto Filter. █
█ █
█ High-Quality modes have been added to Operator, █
█ Dynamic Tube and Saturator for anti-aliased █
█ processing, reducing typical "digital" artifacts. █
█ █
█ EQ Eight has an improved user interface and a 64 bit █
█ mode for increased accuracy. █
█ █
█ The new Spectrum analyzer provides visual feedback █
█ for any audio signals within Live. █
█ █
█ The MIDI engine has been reworked to minimize timing █
█ error (jitter) of recorded MIDI. █
█ █
█ Hardware integration has been streamlined┐hardware █
█ synthesizers and effects can now be inserted into █
█ device chains just like software plug-ins. █
█ █
█ New memory management technology allows users of █
█ large sample libraries, such as Ableton's new sampled █
█ instruments or third-party libraries imported via █
█ Sampler, to run an impressive number of instruments █
█ at the same time. This happens automatically, with no █
█ setup changes required. █
█ █
█ New Audio and MIDI fact sheets explain exactly how █
█ signals are (or are not) being modified when using █
█ specific features in Live and provide tips for █
█ achieving the highest quality results. █
█ █
█ Live 7 brings the features most frequently requested █
█ by Live's users: █
█ █
█ Time signature changes can be inserted in the █
█ Arrangement timeline and tied to Session scenes. █
█ █
█ Warped and unwarped video can be exported to files. █
█ █
█ Multiple automation lanes per track can be displayed █
█ and edited at the same time. █
█ █
█ A new "tempo nudge" function makes it easier to █
█ synchronize to live musicians or DJs. █
█ █
█ REX files can be dragged, dropped and played just █
█ like WAV or AIFF files. █
█ █
█ Live, Operator and Sampler have received many small █
█ improvements and additions based on users' requests. █
█ █
█ The new "Drum Rack" streamlines beat production via █
█ an easy drag-and-drop interface and brings endless █
█ creative possibilities: █
█ █
█ A familiar drum pad interface allows dragging and █
█ dropping of samples, instruments and effects. █
█ █
█ Every pad can have its own Sampler, Simpler, █
█ Operator, or any other virtual instrument or plug-in, █
█ and its own individual effects chain. █
█ █
█ The slicing feature fills a Drum Rack with the █
█ individual hits from REX or audio loops. The original █
█ sequence is represented as a MIDI clip, making it █
█ easy to replace, reshuffle or re-record the events █
█ and process them individually. █
█ █
█ A Drum Rack can have its own sends, returns and sub █
█ -mixes. █
█ █
█ Every pad can be shown as a mixer channel in the █
█ Session View. █
█ █
█ Each drum can be dragged out of its rack for isolated █
█ pattern control and editing. █
█ █
█ █
█ New Ableton Instruments █
█ █
█ The new add-on instruments are the result of █
█ Ableton's collaboration with leading industry █
█ partners. The palette covers physical models of █
█ electric pianos, analog synthesizers and string █
█ instruments as well as multi-mic/multi-layer sampled █
█ acoustic drums, and drum machines. The instruments █
█ integrate tightly with Live, both in terms of █
█ workflow and resource management. █
█ █
█ Tension is a physical modeling string synthesizer █
█ based on the advanced technology found in String █
█ Studio from Applied Acoustics Systems (AAS). Through █
█ the use of mathematical models, Tension simulates █
█ each component of a stringed instrument. Tweak █
█ everything from how the string is played┐with a pick, █
█ bow or hammer┐to the size and type of instrument body █
█ used. Create incredibly accurate reproductions of █
█ real instruments or design otherworldly hybrids, all █
█ within Live's familiar working environment. █
█ █
█ Electric offers the much sought-after sounds of █
█ classic electric pianos. Based on AAS' acclaimed █
█ Lounge Lizard, Electric uses the same advanced █
█ physical modeling synthesis technology and integrates █
█ perfectly into Live's workflow. Because Electric uses █
█ synthesis, users can dive inside and play with the █
█ guts of the instrument┐the hammers, tines, pickups █
█ and more┐to achieve just that right amount of █
█ melancholy or bark and bite. █
█ █
█ Analog emulates the unique circuitry and irresistible █
█ tweakability of vintage analog synthesizers, █
█ employing the renowned physical modeling technology █
█ of AAS' Ultra Analog. Analog is a creative workhorse █
█ that features versatile alias-free oscillators, █
█ multi-mode filters, syncable LFOs, looping envelope █
█ generators and much more. Able to produce everything █
█ from silky pad sweeps to earth-shaking bass, Analog █
█ is also completely integrated in Live's familiar █
█ interface. █
█ █
█ █
█ █
█ http://www.ableton.com/ █
█ █
█ █
█ █
█ Installation Notes : █
█ -------------------- █
█ █
█ 1) Unzip, Unrar and run Setup.exe █
█ █
█ 2) Enjoy this fine Team AiR release !!! █
█ █
█ █
█ █
█ Note: █
█ █
█ █
█ our previous release still produced the dreaded █
█ █
█ "copyright violation protection" █
█ █
█ message under special circumstances █
█ █
█ █
█ █
█ █
█ Ableton Suite Instruments Addon █
█ █
█ free downloadable at: █
█ █
█ http://www.ableton.com/latest_versions █
█ █
█ █
▄█ █▄
▄█ █▄
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▀▀███▄▄▄▀▀ nFO lAYOUT (c) 2006 bEARCAVE-dESIGN ▀▀▄▄▄███▀▀
Also noch mal zum thema "sauberer" Windows für einen Rechner auf dem nur Musik gemacht wird!
Es ist nicht von mir, aber es läuft bestens, eine Windows XP SP2 version die als
Audio Workstation gedacht ist da ist nur das wichtigste vorhanden und sie braucht gerade mal 40 mb in RAM :
Microsoft Windows XP Pro Digital Audio Workstation Edition-mythX
A Clean and stable Windows XP PRO SP2 ISO CD installation
that consumes only 40MB of RAM!!!
No need for Activation! no need for
entering any Serial Information!
No IExplore, Net Services, Firewall.
NOTE
This is just a "Stripped" version of windows XP Pro,
doesn't install networking functions etc etc,
or anything that requires networking or internet.
DO NOT TRY TO USE IT FOR ANY OTHER PURPOSES THAN DAW
OR THIS WINDOWS WILL CRASH!!!
that means install just your apps and your cubase or whatever you use.
its basically a windows XP without the crap. very light weight.good for music making.
with all of the above said, it is still not actually tweaked.
you can tweak it even more by following any one of the guides
given:
give it a try, i installed it on an old Pentium 3 and its great,
although of coarse there will be mixed views on it.never the less,
its there for the taking if you want it.
Native Instruments Kore v2.0.1.005 VSTi RTAS iSO Incl v2.0.1.007 Update APPS-AMPLiFYiSO
Infos
Software: KORE
Developer: Native Instruments
Primary Type: Universal Sound Platform
Cost: $559 / ?499
Copy Protection: Challenge / Response
Instrument Format(s): VSTAudio Unit
Effect Format(s): VSTAudio Unit
Can Host (Instruments): VSTAudio Unit
Can Host (Effects): VSTAudio Unit
KORE attempts to bring order to the overwhelming number of software instruments, effects, presets and varying operating concepts. Uniting all your NI and third party VST and Audio Units instruments and effects into a single platform, KORE presents them in a single, clearly structured, uniform interface. Inside your sequencer KORE becomes a plug-in.
KORE shifts the focus from the instrument to the sound itself. The KoreSound format stores information that describes a preset's musical characteristics. Use the Sound Browser's powerful search and filter functions to find sounds according to their musical attributes. As well as descriptive meta data, the KoreSound format also stores information on key splits, layers, routings, assignments and more making it a truly comprehensive format.
KORE's standardized software interface corresponds exactly to the layout and functionality of KORE's hardware component. The bi-directional communication delivers a dynamic workflow, displaying information instantly on both interfaces. The controller's high-resolution protocol, touch-sensitive knobs and USB 2.0 sound card turn all your plug-ins into a single, powerful and tactile instrument. NOTE: This is NOT a DSP solution - the hardware is a controller and audio/MIDI interface ONLY.
Komplete Kompatibility*
The presets included with all the Komplete 3 instruments and NI Sound Libraries, more than 11.000 in total, have been pre-configured and categorized with a variety of musical attributes and individual controller assignments. Just search the database for an instrument type, keyword, timbre, style or mood and you will be playing and tweaking the desired sound within seconds.
* NI Komplete 3 is not part of KORE but is available separately.
Interfaces:
* Loads all Audio Unit and VST plug-ins.
* Can be used stand-alone or as plug-in via Audio Units, VST, RTAS, DXi.
Main Features:
* Universal Sound Platform and performance environment, uniting all Audio Unit and VST plug-ins, both third party and NI.
* Hardware for hands-on control of all Audio Unit and VST plug-ins (This is NOT a DSP solution - the hardware is a controller and audio/MIDI interface ONLY).
* Integrated 24bit/96KHz USB 2.0 Audio/MIDI interface.
* Sound Browser searches for sounds by musical attributes.
* KoreSound format allows categorization and combination of sounds.
* Integrated mixer with send, insert and group channels and 20 high-end effects.
* Powerful live performance features allow seamless transitions between set-ups.
* Pre-configured for immediate use with Komplete 3 and NI Komplete Sound 2.
KORE 2 is the Super Instrument ? a powerful software /
hardware system with a versatile library of more than 500
production-ready sounds with over 3,000 sound variations,
plus over 100 effect settings. Find, play, and tweak sounds
with unprecedented speed, power and ease.
KORE 2 features six integrated sound engines, a dedicated
hardware controller, and the ultra-fast KoreSound? browser.
Additionally, KORE 2 is infinitely expandable with the KORE
SOUNDPACKS, KOMPLETE 5 or any other Audio UnitÖ/VST?-plug-in.
Production-ready sound library
KORE 2 produces cutting-edge sounds right from the start
based on the integrated sound engines of REAKTOR, MASSIVE,
ABSYNTH, FM8, KONTAKT and GUITAR RIG. The versatile sound
library covers production-ready sounds of nearly all kinds
- ranging from band and orchestral instruments to
synthesizers, drums, soundscapes and sound effects. Every
included sound provides up to 8 sound variations which can
be morphed using the unique morphing pad or the KORE
controller - intricate sonic transitions are at your
fingertips!
Fast and easy access to sounds
KORE 2 makes finding the desired sound a breeze - simply
choose an instrument type and its musical characteristics
in the new and expanded KoreSound? Browser or use the text
search function.
Analog-style control
In KORE 2, software generated sound acquires the tactile
feel of hardware. The KORE Controller's high resolution,
touch-sensitive controls guarantee tangibly direct
analog-style sound manipulation. All library sounds have
been pre-mapped for immediate hands on tweak-ability.
Top Features
* Unified software / hardware system to instantly find,
play and control sounds
* Includes sound engines* from REAKTOR, MASSIVE,
ABSYNTH, FM8, KONTAKT and GUITAR RIG with 500 unique
KoreSounds?
* Sound Variations enrich every KoreSound with up to 8
variations that can be morphed into each other
* Perfectly integrated hardware controller for
analog-style sound control and complete software navigation
* Loads Audio UnitÖ- and VST?-plug-ins with easy preset
import for immediate use
* Ultra-fast KoreSound?-Browser lets you find any sound
according to its musical attributes
* Drag and Drop user interface for a fast and inspiring
workflow that liberates creativity
* 30 top quality effects ranging from classic to
inspiring creative tools
* Powerful routing/layering possibilities based on a
highly flexible audio and MIDI signal flow
* Built-in Arpeggiator and Step Sequencer with
real-time control
Interfaces
KORE 2 as a host loads:
VST?, Audio UnitsÖ
KORE 2 as a instrument or effect
plug-in runs:
Stand-alone, VST?, Audio UnitsÖ, RTAS? under Pro Tools 7Ö
* Preconfigured for smooth use with KOMPLETE 5
1. Unrar
2. Burn or mount with your favorite tool
3. Install
4. Run "nikore2update-patch.exe" to update and patch files
(select components you have installed and want to be updated and patched)
5. Buy the stuff if you like and use it
Native Instruments Kontakt Player v2.2.4.001 VSTi DXi RTAS REPACK-DYNAMiCS
Infos
Software: Kontakt Player
Developer: Native Instruments
Primary Type: Sampler/Sample Player
Cost: N/A
Copy Protection: Challenge / Response
Instrument Format(s): VSTDirectXAudio Unit
Supported Sample Formats include: Kontakt
Kontakt Player 2 powers many 3rd party sample libraries. It is not available for purchase as a separate product.
Building on the success of its predecessor, Kontakt Player 2 allows for highly playable instruments. Kontakt 2's powerful Kontakt Script Processor plays a central role in Kontakt Player 2-based instruments.
Further advantages offered by the Kontakt Player 2 platform are virtually unlimited polyphony and up to 64-part multi-timbrality, advanced surround capabilities, integrated effects including convolution and master effects, a versatile library browser and optimized DFD technology.
Key features:
* Powerful Kontakt 2.1 engine.
* AU, VST, DXI, RTAS, Standalone.
* Easy library handling.
* Combines / replaces the previous Kompakt, Intakt and Kontakt Player 1 instruments.
Kontakt Player 2 is a universal sample player that can load all Kontakt Player 2 compatible libraries from within one software interface. The feature range is dependent on the individual sample library.
The Unique Sample Player for Professional Sample Libraries
Now available with a number of professional 3rd party sample
libraries, KONTAKT PLAYER 2 is Native Instruments' new and uniquely
powerful sample library player.
Building on the success of its predecessor, KONTAKT PLAYER 2 allows
for innovative, highly playable instruments that leave existing
technological and musical limitations behind. KONTAKT 2's powerful
Kontakt Script Processor plays a central role in KONTAKT PLAYER
2-based instruments. The virtually unlimited flexibility of KSP allows
for instruments with unprecedented functionality and musicality.
Further advantages offered by the KONTAKT PLAYER 2 platform are
virtually unlimited polyphony and up to 64-part multitimbrality,
advanced surround capabilities, integrated effects including
convolution and master effects, a versatile library browser and
optimized DFD technology.
Feature Summary
Key Features
Powerful KONTAKT 2.1 engine
AU, VST, DXI, RTAS, Standalone
Easy library handling
Combines KOMPAKT, INTAKT, KONTAKT PLAYER 1
New Features
Customizable instrument GUI
Rack view and Minimized view
64 times multitimbral
Unlimited voices
Script Processor
Master effects
Surround
Instrument database
KONTAKT PLAYER 2 is a universal sample player that can load all
KONTAKT Player 2 compatible libraries from within one software
interface. The feature range is dependent on the individual sample
library. Please see the detailed product information of the relevant
sample library producer.
NOTE: We forgot to include the standalone platform inside our installer.
Linplug Alpha v3.0.1 VSTi RTAS AU MAC OSX UB Incl KeyGen-DYNAMiCS
Infos
Software: Alpha
Developer: LinPlug
Primary Type: Synth (Analogue / Subtractive)
Cost: $99 / ?79
Copy Protection: Serial Number
Instrument Format(s): VSTAudio Unit
Average User Rating: Average rating - 9.375
Focused on the essential modules of an analogue synthesizer Alpha 3 offers true hands on operation. Everything is where you would expect it, nothing is more complex than it needs to be. Nothing is less powerful than it needs to be.
Features:
* 2 Oscillators with numerous waveforms.
* PWM (symmetry of all waveforms modulatable).
* Switchable freerun for both oscillators.
* Extended Ring-modulation (modulatable Off-AM-RM).
* Noise Oscillator.
* Spread (5 detuned oscillators per voice, adjustable).
* Rich sounding multimode filter with saturation.
* Dedicated filter ADSFR envelope.
* Amplifier section with dedicated ADSFR envelope.
* 7 slot Modulation Matrix, 19 sources, 18 destinations.
* 3 individual LFOs with tweakable attack time, speed (syncable), multiple shapes, switchable freerun.
* Portamento / Glide with various modes.
* Adjustable Chorus, no other effects (intentionally).
* Adjustable analogness.
* Global tuning and Microtonal support.
* Powerful ECS (MIDI learn for almost all Controllers).
* Sample accurate processing, total recall.
* All controls automatable.
* Direct access to all banks and presets.
* 32 voice polyphonic (adjustable), true mono mode.
Focussed on the essential modules of an analogue synthesizer Alpha 3
offers true hands on operation. Everything is where you would expect
it, nothing is more complex as it needs to be. Nothing is less
powerfull as it needs to be. Alpha 3 is the sum of all our experience
in synthesizer manufacturing.
Just when you get tired about the many over-complex synthesizers of
today, when you want to return to the roots, the beginning of all
synthetic sound, the times when a Synthesizer could be fully
programmed, then the Alpha 3 is the right synthesizer for you. Get the
synth that you can control. Completely.
* AU and VST plug-in instrument for Mac and PC
* 2 Oscillators with numerous waveforms
* PWM (symmetry of all waveforms modulatable)
* Switchable freerun for both oscillators
* Extended Ringmodulation (modulatable Off-AM-RM)
* Noise Oscillator
* Spread (5 detuned oscillators per voice, adjustable)
* Rich sounding multimode filter with saturation
* dedicated filter ADSFR envelope
* Amplifier section with dedicated ADSFR envelope
* 7 slot Modulation Matrix, 19 sources, 18 destinations
* 3 individual LFOs with tweakable attack time, speed (syncable),
multiple shapes, switchable freerun
* Portamento / Glide with various modes
* adjustable Chorus, no other effects (intentionally)
* Adjustable analogness
* Global tuning and Microtonal support
* Powerfull ECS (MIDI learn for almost all Controllers)
* sample accurate processing, total recall
* all controls automatable
* direct access to all banks and presets
* 32 voice polyphonic (adjustable), true mono mode
Alpha 3 allows Frequency Modulation of the Filters Cutoff, a feature
only found in very few Synthesizers. The source of the Filter FM can
be any oscillator, even noise. Together with the Ringmodulator which
can be gradually morphed from pure Oscillator 2 over
Amplitude-Modulation to Ring-Modulation this is a guaratee for some of
very finest and most excotic sounds a classic subtractive synth can
produce.
Alpha 3 has two oscillators with each producing a continuously
adjustable mix of 2 from 30 waveforms. Taking into account that both
basic waveform can have a different pitch already allows for thousands
of resulting waveforms. But dont worry, our concept of handling is
dead easy, pick the waveforms and adjust the mix. Done.
Requirements
AU or VST2.0 capable host software. Alpha itself requires about 8 Mb
memory only (first instance, 2 Mb for all additional instances).
Screen resolution of 1024 x 768
400 MHz, 256 Mb, Mac OSX 10.2.6 or newer
NOTE: Special Thanks goes to TEAM BEAT that created the KeyGen for
this release.
BITTE BITTE FRAGT NICHT BEI JEDEM PLUGIN ODER PROGRAMM NACH, OB ES UNTER VISTA LÄUFT!
HIER WIRD NUR SOFTWARE GEPOSTET!
UND DIESE SOFTWARE WIRD DEFINITIV UNTER WINDOWS XP SP2 LAUFEN, FÜR VISTA WIRD KEINE GARANTIE ÜBERNOMMEN!
FINDET EUCH BITTE DAMIT AB, DASS VISTA FÜR DAS PRODUZIEREN NOCH LANGE ZEIT UNGEEIGNET BLEIBEN WIRD!
ICH WERDE VON NUN AN JEDE ANFRAGE, OB DIESES ODER JENES UNTER VISTA LAUFEN WÜRDE LÖSCHEN LASSEN!
SOLCHE ANFRAGEN KÖNNT IHR BITTE IM UNTERFORUM SELBSTGEMACHTE MUSIK STELLEN, ABER NICHT HIER, DA WIR HIER EH SCHON EINEN DER UNÜBERSICHTLICHEN THREADS DES BOARDS HABEN
Olga is a virtual analog synthesizer designed from first principles to be distinctive.
"Imagine a handmade experiment from an unlikely place, a synthesizer so full of life and character that it earns the right to be called a musical instrument. Olga encourages risk, experimentation, and exploration, and rewards you with unexpected and exciting sounds, vibrant and human. This is the dusty gem you could spend your life searching for."
Bezier Anti-aliased Dynamic Analog Synthesis System: Olga uses a new approach to DSP waveform generation to emulate glorious analog imperfection. Olga's free running oscillators are in a constant state of structured variability, a deeply musical instability, free of aliasing artifacts and light on your CPU.
Gaussian Reactive Oscillator Overdrive Virtual Engine: Throughout Olga's signal path, levels can be pushed through saturation and into full overdrive, with a thickness that develops organically, breathing life and character into your music.
Olga is a virtual analog synthesizer unlike any other, designed from
first principles to be distinctive.
Imagine a handmade experiment from an unlikely place, a synthesizer so
full of life and character that it earns the right to be called a
musical instrument. Olga encourages risk, experimentation, and
exploration, and rewards you with unexpected and exciting sounds,
vibrant and human. This is the dusty gem you could spend your life
searching for.
Bezier Antialiased Dynamic Analog Synthesis System: Olga uses a truly
new approach to DSP waveform generation to emulate glorious analog
imperfection. Olga?s free running oscillators are in a constant state
of structured variability, a deeply musical instability, free of
aliasing artifacts and light on your CPU.
Gaussian Reactive Oscillator Overdrive Virtual Engine: Throughout
Olga?s signal path, levels can be pushed through saturation and into
full overdrive, with a thickness that develops organically, breathing
life and character into your music.
Olga has been tested in the following audio host applications: Ableton
Live 7, Chainer, Cubase SX3 and C4, Energy XT2, FL Studio 7, Forte,
Reaper, Samplitude 9, Sonar 7, Tracktion. If you experience any trouble
using Olga in any host application, please post the details on our
support forum and we will address the issue as quickly as possible.
Note: Olga makes extensive use of the SSE2 processor instruction set for
maximum CPU efficiency. Older CPUs (notably the pre-64 Athlon XP series)
that do not support SSE2 will not recognize the standard version of Olga
as a loadable plugin. A less optimized build that will run on older
machines can be downloaded here. There is no difference in usage or
licensing terms.
Version history
v1.00.00, 23 February 2008 (initial release)
v1.00.01, 25 February 2008 (sustain pedal fix)
? INSTALL NOTES
+-----------------------------------------------------------------------+
?
1) Copy Olga.dll to vstplugins dir. [Older CPUs (notably the pre-64
Athlon XP series) that do not support SSE2 will not recognize the
standard version of Olga as a loadable plugin. Use Olga_noSSE2.dll
instead.]
2) Try the soft.
3) Buy the soft.
4) Enjoy!!
NOTE:
If you get a "Microsoft visual C++ runtime library" error then run
\extra\vcredist_x86.exe to update your system.
? GREETINGS
+-----------------------------------------------------------------------+
?
0xdBass hwsnbn HYPERMANN & BREZEL NoGRP
? AT LAST
+-----------------------------------------------------------------------+
govegangovegangovegangovegangovegangovegangovegang ovegangovegangovegango?
------------------------------------------------------------------------+
A massive, expansive, and complex collection of electronic textures, the core of syntAX is a 2000+ patch synth library covering an immense amount of synth territory, including soaring leads, evolving pads, thick basses, harsh distortions, unusual textures, other-worldly atmospheres, FX, hits, blips, and more. Then syntAX blazes into new territory with its custom scatterFX engine which allows real-time manipulation and interaction with the syntAX core library. scatterFX is made up of two components: scatFX and stepFX.
* scatFX gives you control over rhythmic stuttering, allowing you to program, play, and command rhythmic patterns of syntAX.
* stepFX functions as an advanced step modulator allowing you to melodically animate pattern-based arpeggiations.
Both scatFX and stepFX lock to tempo and can be controlled by numerous external MIDI controllers, making the synth completely interactive.
Features:
* Over two thousand different synth patches across a wide variety of folders: Arp Attacks, Atmospheres, Basses, Distortions, FX and Hits, Leads, Pads, Phat and Filtered, SyntOrchestra, and Textures.
* 3.6 GB of 24-bit samples.
* The scatterFX engine available in all patches.
* Remote control of many sonic parameters, including scatterFX and envelope controls, available via MIDI CC.
* Independent control of scatFX and stepFX modules.
* Resonant filter controllable via modulation wheel.
* 16 Preset slots to save custom scatterFX settings.
* All rhythmic operations instantly tempo-sync to sequencer hosts.
* Customizable input quantization.
* Multi-timbral operation, supporting up to 64 simultaneous instruments loaded (subject to RAM availability), receiving up to 64 MIDI channels (16 in plug-in mode).
SUPPLiER..: TEAM DYNAMiCS DiSKS...: 1 DVD 85 x 50MB
CRACKER...: TEAM DYNAMiCS DATE....: 0217 2008
PACKAGER..: TEAM DYNAMiCS RELEASE#: DYNAMiCS-579
PROTECTION: RAS2 FORMAT..: VSTi/DXi/RTAS/AU
HYBRID
Introducing syntAX...part synth, part interactive sonic revolution.
A massive, expansive, and complex collection of electronic textures,
the core of syntAX is a 2000+ patch synth library covering an immense
amount of synth territory, including soaring leads, evolving pads,
thick basses, harsh distortions, unusual textures, other-worldly
atmospheres, FX, hits, blips, and more.
Then syntAX blazes into new territory with its custom scatterFX engine
which allows real-time manipulation and interaction with the syntAX
core library. scatterFX is made up of two components: scatFX and
stepFX. scatFX gives you unprecedented control over rhythmic
stuttering, allowing you to program, play, and command rhythmic
patterns of syntAX. stepFX functions as an advanced step modulator
allowing you to melodically animate pattern-based arpeggiations. Both
scatFX and stepFX lock to tempo and can be controlled by numerous
external MIDI controllers, making the synth completely interactive.
syntAX goes far beyond where synthesizers have gone before. With
a massive core library (designed by the renowned sonic sculptors at
Bunker 8 Digital Labs) that goes far beyond traditional synthesis
types, and an easily tweakable engine that multiplies the
possibilities, syntAX is a new breed of synthesizer that puts the
power in the hands of the synth enthusiast. syntAX is complex
synthesis, but effortless creation.
Compatibility
syntAX is compatible with both Macintosh and Windows platforms and
includes the standalone Kontakt Player 2 application as well as
AudioUnit, VST, RTAS, and DXi plug-ins. All of these versions ship
in the same box.
The Macintosh version requires a G4 1.4gHz or faster, 512MB of RAM,
a DVD drive, and OS 10.4.x or higher. It ships as a Universal Binary
and is fully compatible with Intel Macs. For optimum performance, Vir2
Instruments recommends a G5 or Intel-powered Mac, and a minimum of 1GB
of RAM. The library requires 3.6GB of free hard drive space.
The Windows version requires a processor speed of 1.4gHz or higher,
512MB of RAM, a DVD drive, and Windows XP SP2 or Windows Vista 32-bit.
For optimum performance, Vir2 Instruments recommends a minimum of 1GB
of RAM. The library requires 3.6GB of free hard drive space.
syntAX will run in standalone mode and is also compatible with every
major sequencing package in the world, including but not limited to:
Apple Logic and GarageBand, MOTU Digital Performer, Digidesign Pro
Tools (TDM, LE, and M-Powered), Steinberg Cubase and Nuendo, Ableton
Live, and more.
Kantos ist ein softwarebasierter Synthesizer, der nicht wie normalerweise üblich von MIDI-Daten (Keyboards, Controller,...) sondern von Audiosignalen (Stimme, Musikinstrumente,...) gesteuert wird. Kantos analysiert ankommende Audiosignale und zerlegt diese nach Tonhöhe, Dynamik, harmonischem Inhalt und Formant-Charakteristiken. Diese Informationen werden dann zur Ansteuerung der Kantos Sound Engine verwendet, was zu bisher nicht möglichen Klang-Ergebnissen führt!.
Guitar Synth allows you to control either the synthesiser built into your
soundcard or an external synthesiser, by playing your electric guitar
in real-time. Unlike a hardware guitar synthesiser, Guitar Synth does not
require special pickups to be attached to your guitar.
Play the guitar and Guitar Synth will convert the audio signal from your
guitar into polyphonic MIDI. Hear beautiful synth chords and lead lines.
You can even control the synthesiser using your voice, a CD or other
audio input.
You can also use Guitar Synth to tune your guitar.
- Fully polyphonic - up to 12 simultaneous notes
- "Harmonic Suppresser" distinguishes between notes and harmonics
- Low latency
Mit dem Jupiter-8V setzt Arturia die erfolgreiche Reihe analoger Synthesizer-Klassiker erfolgreich fort. Der Roland Jupiter-8 wurde zwischen 1981 und 1984 gebaut und gilt bis heute als einer der besten Roland analog Synthesizer.
Arturias TAE (True Analog Emulation) sorgt für eine authentische Emulation des durch Künstler wie Prince, Howard Jones oder Depeche Mode bekannt gewordenen Sounds. Tiefe Bässe, strahlende Höhen mit dennoch analoger Wärme, das ist der Sound des Jupiter-8.
Wie schon bei anderen Emulationen hat es Arturia nicht bei einer simplen Nachbildung belassen. Der Jupiter-8V bietet zusätzliche Features, die Klänge ermöglichen, die mit dem Original nicht möglich waren. So lassen sich verschiedenste Effekte direkt in den Signalfluss (vor dem Filter und vor dem VCA) einbinden und ein neuer LFO namens Galaxy dient als flexible Modulationsquelle. Zudem verfügt der Jupiter-8V über einen spontan zu bedienenden internen Sequenzer. Damit verbindet Arturia wieder einmal klassische analoge Klangerzeugung mit modernen Performance-Features.
Keyboard Split und Layer Architektur
* Zwei Insert Effekte innerhalb der Klangsynthese (vor dem Filter und dem VCA), inklusive:
Bit Crusher, Chorus, Distortion, Reverb, Parametrischer EQ, Phaser und Ring Modulator
* Zwei zusätzliche Effekte vor dem Audio Out mit Chorus, Delay und Phaser
* Neuer Step-Sequenzer für Live-Anwendungen
* Neues Galaxy-LFO Module für komplexe Modulationen
* Neuer Preset Manager
* Volle MIDI Kontrolle per MIDI mit ein paar simplen Mausklicks
* Kompatibel mit allen wichtigen Formaten und Hostprogrammen unter Mac OS X und
Windows XP (VST, AU, RTAS)
* Über 400 Presets namhafter Musiker und Sounddesigner
* Bis zu 32-fache Polyphonie und Unison-Modus
* Windows: Stand-alone, VST, DXi, RTAS
* Mac OS X: Stand-alone, VST, RTAS, AU
INTRO:
?
The Jupiter-8V is the newest addition to the family Arturia?s analog
synthesizer recreations. Offering the unique sound palette of the
Roland Jupiter 8, this virtual version is a sound designer?s dream.
Based on the latest version of TAE?, the Jupiter-8V also offers a host
of modern features: an advanced step sequencer, a new line of dynamic
effects, a module combining LFO?s (called Galaxy), and lots more?
MAIN FEATURES:
- More than 400 high quality and innovative sounding presets
- Up to 32 voices of polyphony, and a Unison mode
- A unique audio structure featuring 2 oscillators per voice (16
oscillators in total), 2 LFO?s, 2 filters and 2 envelopes.
- Keyboard split and layer
- A set of Analog Sounding Effects: Dual Delay, Phaser, Flanger, all
three being largely modulable by any audio source in the synth.
- 2 digital effects, X and Y.
- Additional Live-oriented Step-sequencer, additional Galaxy module
for advanced modulations
- Set to Control with your external MIDI keyboard in just a few clicks.
- Full compatibility with major formats and hosts on Windows XP (VST,
RTAS)
A LITTLE BIT OF HISTORY...
Back to the early 80?s, the Prophet 5 and Oberheim OB series dominated
the polyphonic synthesizer market. Having that in mind the Jupiter-8?s
success, initiated in 1981, took every one by storm.
But what made the Jupiter-8 so successful? Well, in terms of sonic
possibilities, it complemented its competition by bringing something
different. The Jupiter-8 was capable of creating very versatile sounds.
You could easily make 'fat' or ?Crystal? sounds with it. In fact, the
Jupiter-8 sounded the way it looked, ?sleek and polished?.
The electro-pop community became quickly convinced by the qualities of
the Jupiter-8.'Relax', by Frankie Goes to Hollywood was produced
incorporating a Jupiter 8, and players such as Vince Clarke, John Foxx,
and Martyn Ware were also using it. The path to classic status of the
Jupiter started there. Other artists that have used The Jupiter-8
include Tangerine Dream, Underworld, Jean Michel Jarre, Depeche Mode,
Prince, Gary Wright, Adrian Lee, Heaven 17, Kitaro, Elvis Costello,
Tears for Fears, Huey Lewis and the News, Journey, Devo,Freddy Fresh,
Simple Minds, Jan Hammer and BT.
AN ACCURATE RECREATION OF THE ROLAND JUPITER-8
The legacy of the Roland Jupiter synthesizers is due to their unique
voice architecture and design, creating sounds that were so unreal
that they have to be heard. For many musicians no other synths in
the world can create analog sounds as cool and as authentic as these.
The Jupiter-8 offers a very interesting combination of a high-pass non
resonant filter and a low-pass resonant filter.
The arpegiator and the keyboard split make it a remarkable performance
keyboard.
Fast envelopes and precise oscillators confer to the Jupiter-8?s
sounds its famous versatility.
You can easily make 'phat' or ?Crystal? sounds with it.
INNOVATIVE ADDITIONS
With the Jupiter-8V Arturia brings this magic back while adding a new
generation of features opening a unique and contemporary sound palette:
The Galaxy allows the user to choose from different LFO types and
intertwine them together into a single unique modulation source, giving
a new evolving element to the sound of the Jupiter 8.
The Jupiter's step sequencer is also an assignable modulation source,
which allows for easily generated patterns to be used to control the many
interesting parameters of the sound.
In addition to the step sequencer and Galaxy modulation sources, each
voice now has its own suite of creative effects, which can be inserted
into the main synthesizer signal path in each voice. Key parameters
from each effect can be modulated by chosen sources, adding a new
contemporary dimension to the traditional subtractive synthesis sound
of the original Jupiter 8.
PLATFORM SPECIFICATIONS
Windows: Windows 9/2000/XP
REQUIRED CONFIGURATION
PC/Windows : 512 MB RAM; 1.5 GHz CPU
NOTE:
Installer does include the option to install RTAS version. This option
has not been tested by us, but could work. That's it.
? INSTALL NOTES
?ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ?
?
1) Run Jupiter-8V 1.0 Setup.exe to install:
- Accept agreement...
- Select Destination Location...
- Full / Custom Installation... (RTAS should/could work. Not tested)
- Select Vstplugins dir...
- Select Start Menu Folder...
- Select Additional Tasks...
- Install
- IMPORTANT: Untick "Install Syncrosoft License Control Center"
on the "Completing the Jupiter-8V Setup Wizard". DO NOT SELECT
THIS ONE.
- Finish
2) Copy Jupiter-8V.VSTi.v1.0-patch.exe form Patch to the folder(s)
where Jupiter-8V.dll can be found.
(VSTi: ususally Program Files\Steinberg\Vstplugins\Arturia
RTAS: ususally Program Files\Arturia\Jupiter-8V [Not tested])
3) Copy Jupiter-8V.Standalone.v1.0-patch.exe form Patch to the folder
where Jupiter-8V.exe can be found.
(Ususally Program Files\Arturia\Jupiter-8V )
? AT LAST
?ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ?
govegangovegangovegangovegangovegangovegangovegang ovegangovegangovegango?
ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ?
Der Tassman ist ein modularer physical modeling Software - Synthesizer der kanadischen Firma Applied Acoustics Systems. Die Software bietet also neben den üblichen Synthesizer Modulen noch Bausteine zur Simulation von Blass-, Zupf-, Schlag- und Streichinstrumenten und den dazugehörigen Resonanzkörpern. Das Programm lässt sich als eigenständige Applikation starten oder als DXi oder VST - Instrument im Verbund mit einer Host - Software. Daher ist auch der Betrieb und Cubase, Logic oder Sonar kein Problem.
The Tassman is a modular software synthesizer based on physical modeling.
Physical Modeling is a synthesis technique, which uses the laws of physics
to reproduce the behavior of an object.
Tassman 2.0 is also fully integrated into Cakewalk's multitrack recording
system, Sonar XL.
- Tassman 2.0 Key Features :
- Intuitive user interface.
- Low Latency, real time response.
- 32 bit floating point calculations.
- Polyphonic.
- Multitimbral.
- 44 100 kHz Sampling Rate.
- 16 bit Stereo Output.
- Extensive customizable MIDI support.
- Over 100 pre-patched synths and instruments.
- DXi and VST instrument plug-in compliant.
- Synths saved as short text files for easy exchange between users.
- System Requirements :
- 233Mhz Pentium Processor.
- Windows 95/98/2000/ME.
- 800 x 600 or higher resolution with +16 bit color.
- 32 MB RAM.
- DirectX 5.0 or higher.
- DirectX supported soundcard.
NOTES : The VSTi side seems to not be compatible with Logic Audio.
ÚÄÄÄ? ÚÄÄÄ?
: ÚÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ- ? ú INSTALL NOTES ú ? -ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ? :
? ? ? ?
? ? ? ?
? - Unpack and Run Tassman20.EXE. ?
? ?
? - Have Fun! ?
? ?
? ? - Then Go Buy The Software. ? ?
? ? ? ?
: ? ? :
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: ÚÄÄÄÄÄÄÄÄÄÄÄÄ-- - ? úú ú ZONE GROUP NEWS ú úú ? - -ÄÄÄÄÄÄÄÄÄÄÄÄ? :
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? ?
? ZONE is looking for affils for various positions. Contact us via ?
? email if you want to make us an offer. ( mail@z-o-n-e.net ) ?
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ÚÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ?
? ?ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ--[ HOW TO CONTACT ZONE ]--ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ? ?
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? ZONE is looking for : ?
: :
? * SOFTWARE SUPPLIERS * ?
ú * SITEOPS * ú
* SHELL ADMINS *
ú If you fit any of these roles, or even if you don't but think you ú
? fit the role of something we need, please dont hesitate to contact ?
: us at: :
? ( mail@z-o-n-e.net ) ?
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?ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ?
?ÄÄÄÄÄÄÄÄÄÄ[ ]ÄÄÄÄÄÄÄÄÄ?
Minimal House is a specialist sample collection comprised of productions with condensed tonal intensity for maximum emphasis. 24 thundering kits, up to one minute long. 1.6 GB of edgy recordings on the rise.
Sound awakenings for novice and advanced mix makers. Includes a lush offering of state of the style instrument samples. With a huge variety of sequences from basslines, atmospheres, synthetix and fx. Hundreds of finely detailed drums, percussion samples and loops ready to utilize and personalize.
Christian Quast, producer of Nouvelle Series Minimal House, originates from Hamburg, Germany, and is label owner of Salto & Modulator Recordings. Previously he has released works under the labels: BPitch Control, Safari Electronique, Ironbox Music, Neopren and Zyx Music. He received overwhelming support from top Djs like Sven Vдth, Ellen Alien, James Holden, John Digweed and Radioslave. His style evolves to a mixture of experimental and modern sounds, by combining harder sounds with melodies. Minimal House was mixed and mastered by Danya Vodovoz.
Feature Summary:
* 1.6 GB.
* 24 Construction Kits.
* 900 Loops and Samples.
* Mac OS X / Windows, AU / VST / RTAS.
Minimal House includes Ueberschall's Elastik Player and thus functions in VST, AU, RTAS and stand-alone formats on Windows and Mac OS X.
Elastik features:
* Highspeed timestretching and pitchshifting in best quality.
* Innovative "LoopEye" for fast loop variations.
* All parameters MIDI controllable.
* Multiple content management.
* Each product separately installable.
* Mapping tools (automatic slice- & chromatic-map).
* Save audio of original and modified loops.
* Creation of user presets.
* Filter with "kill function" (-72db).
* Adaptable to tempos from 10 to 480 BPM
* Audio engine for quick adaptation.
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███ ▀▀▀▀▀▀▀ PROUDLY PRESENTS ▀▀▀▀▀▀▀▀ ███
██▄ ▄██
█▄ Antares.VoiceThing.v1.0 ▄█
█ █
▀█ █▀
█ SUPPLIER ..: TEAM AiR █
█ PROTECTION : SOFTWRAP/XLOK █
█ SIZE ......: 01 * 4,77MB █
█ DATE ......: 03/2008 █
█ █
█ Want to sound like the characters you play in online █
█ games? █
█ █
█ Want to change your voice in voice chat or VOIP apps? █
█ █
█ Want to create custom voices for podcasts, video, or █
█ other multimedia projects? █
█ █
█ █
█ Well, you've come to the right place. █
█ █
█ For over 15 years, Antares Audio Technologies has █
█ been developing cutting-edge audio processing █
█ technology for the professional recording industry. █
█ Today, Antares vocal processing tools are used daily █
█ by thousands of musicians, engineers and producers in █
█ recording studios around the world. And now some of █
█ that same technology is available in Antares Voice █
█ Thing!, an incredibly fun, easy to use (and █
█ affordable) tool for changing your voice. █
█ █
█ █
█ So What The Heck Is This Thing ? █
█ █
█ Voice Thing! is an innovative bit of software █
█ designed to process and change your voice in an █
█ almost limitless variety of ways. It sits between █
█ your microphone and any PC application that accepts █
█ audio input. (Examples of such applications might █
█ include online role-playing games, instant messaging, █
█ VOIP, or a video editing program that allows you to █
█ add your own narration of other sound effects to your █
█ video.) █
█ █
█ With Voice Thing!, you can subtly or radically change █
█ the character of your voice, turn your (audio) self █
█ into a monster or alien, and create the effect of █
█ being in a wide variety of sonic environments, from █
█ small rooms to huge halls. █
█ █
█ Best of all, it?s both easy and seriously fun to use. █
█ █
█ █
█ What's It Do? █
█ █
█ █
█ With Voice Thing! you can: █
█ █
█ █
█ ?Change your voice with the same super high-quality █
█ voice processing used in Antares's professional audio █
█ tools █
█ █
█ ? Raise or lower your voice with high quality pitch █
█ -shifting █
█ █
█ ? Radically change the quality and/or gender of your █
█ voice with our unique vocal tract modeling technology █
█ █
█ ? Use the Mutation function for a huge variety of █
█ monstrous, demonic, or other alternate-species voices █
█ █
█ ? Instantly translate everything your say into Alien █
█ █
█ ? Simulate a variety of environments, from a huge █
█ hall to a small room █
█ █
█ ? Choose from an extensive collection of included █
█ human, creature, (and just plain weird) voices Listen █
█ to some audio examples here. █
█ █
█ ? Save a virtually unlimited number of your own █
█ creations █
█ █
█ ? Have some serious fun █
█ █
█ █
█ How's It Do That? █
█ █
█ Despite featuring some seriously arcane DSP █
█ technology, Voice Thing! has been designed to be █
█ quick and intuitive to use. Here's a quick overview █
█ of its functions (although, in the time it would take █
█ to read this, you could be downloading the free demo █
█ and checking it out for yourself - your choice): █
█ █
█ █
█ http://www.antaresvox.com █
█ █
█ █
█ █
█ █
█ Installation Notes : █
█ -------------------- █
█ █
█ 1) Unzip, Unrar and run Setup.msi █
█ █
█ 2) Enjoy this fine Team AiR release !!! █
█ █
█ █
█ █
█ █
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▀▀███▄▄▄▀▀ nFO lAYOUT (c) 2006 bEARCAVE-dESIGN ▀▀▄▄▄███▀▀
