SUPPLIER..: TEAM AiR CRACKER....: TEAM AiR
PACKER....: TEAM AiR PROTECTION.: RSA+BASE32
DATE......: 08/2010
SiZE......: 76 * 100MB
SYSTEM....: [þ]WiN [þ]OSX
TYPE......: Digital Audio Workstation
URL.......: Propellerhead Software
Reason is a virtual studio rack with all the tools and instruments you need
to turn your ideas into music.
Propellerhead Reason bietet mit der neuen Sound-Bank neue Klänge von traditionell bis experimentell. Für jeden Musikstil bietet Reason 4.0 das richtige Werkzeug. Das neue Propellerhead Reason 4.0 Remote System erkennt automatisch angeschlossene Remote Keyboards und der neue Datei-Browser ist eine komfortable Lösung, um schnell seine Sounds für den Live-Auftritt zu wählen und zu organisieren. Mit dem neuen Combinator Device ist es den Propellerheads zum ersten Mal gelungen, beliebig komplexe Gerätekombinationen komfortabel und übersichtlich zu realisieren und darüber hinaus die tontechnische Erfahrung vieler Produzenten aus aller Welt in transparente, für den Anwender direkt zur Verfügung stehende Geräte zu bündeln.
New in Version 5
The new Kong Drum Designer and Dr. Octo Rex loop player extend Reason's
instrument arsenal to help musicians get "phenomenal sounding" rhythms,
drums tracks and beats. Reason 5 and Record 1.5 add a whole new take on
sequencing: Blocks—build songs parts like patterns and string them together
for lightening fast arranging with the ability to freely go back and forth
between pattern and linear modes. Neptune, a pitch correction tool and
voice synthesizer, turns less than perfect performances into great ones in
no time. Simply play new harmonies on a MIDI keyboard for instant backing
vocals. Live sampling into all sample capable devices means any musician
can use samples in a new and playful manner, discovering the lost art of
creative sampling. The Expanded Factory Sound Bank, doubling in size, plus
added signature sound designers' patches, inspire new arrangements and
compositions. Multi core optimization, an on-screen keyboard and tempo
scaling of clips top the list of additional improvements
1) Unrar and mount or burn.
2) Install and register with Keygen
serial numbers:
RSN500-0000-264684-EULQ-AEHN-8J4M
RSN500-0000-146187-X6L9-C26W-GYCB
RSN500-0000-389894-FUHC-VEG8-YAMN
RSN500-0000-470583-XTHV-X283-3JPR
RSN500-0000-152733-NKNY-QMZT-94VM
Reason is a virtual studio rack with all the tools and instruments you need
to turn your ideas into music.
Synthesizers, samplers, drum machine, REX file loop player, mastering
tools, mixer, vocoder, effects, pattern sequencer and more. As many of each
as your computer can handle. Reason is an all-in-one music production
environment, complete with its own realtime sequencer.
Although easy to learn and use, Reason is a flexible music system - a
system that can be just as complex and advanced as you make it, featuring
numerous tools such as the MClass mastering suite, the Combinator device,
and the powerful Thor synth.
Choose a synth, a drum machine, a loop player or any device from the Create
menu, and it will instantly appear in your rack, logically patched into the
signal chain. If you need more machines than you have mixer channels, just
create another mixer.
Each unit in Reasons virtual rack is edited from its own on-screen front
panel. All the sliders, knobs, buttons and functions are right in front of
you, ready to be tweaked, turned and twisted in absolute real-time. And all
your front panel actions - filter adjustments, pitch bending, gain riding
or panning - can be recorded and automated in the Reason sequencer.
A single keypress will turn Reasons rack around to reveal patch cord
heaven. Most audio connections are made automatically. When a new device
is created, it appears immediately below the currently selected device, and
Reason patches it into the system in the most logical way. Repatch by
dragging the patch cord plug to the desired connector, or just make a pop
-up menu choice. Most devices have one or more parameters controlled by
Gate and/or CV. And all instrument devices have several Gate or CV output
options. Combine this with easy, transparent patching, and you have
connection power approaching that of a fully modular synth.
New in Version 5
The new Kong Drum Designer and Dr. Octo Rex loop player extend Reasons
instrument arsenal to help musicians get phenomenal sounding rhythms,
drums tracks and beats. Reason 5 and Record 1.5 add a whole new take on
sequencing: Blocksbuild songs parts like patterns and string them together
for lightening fast arranging with the ability to freely go back and forth
between pattern and linear modes. Neptune, a pitch correction tool and
voice synthesizer, turns less than perfect performances into great ones in
no time. Simply play new harmonies on a MIDI keyboard for instant backing
vocals. Live sampling into all sample capable devices means any musician
can use samples in a new and playful manner, discovering the lost art of
creative sampling. The Expanded Factory Sound Bank, doubling in size, plus
added signature sound designers patches, inspire new arrangements and
compositions. Multi core optimization, an on-screen keyboard and tempo
scaling of clips top the list of additional improvements
Größe: 6.97 GB
Parts: 39
alle Mirrors kompatibel
kein PW
The handling of bad sound drivers has been improved, lessening the risk of a crash due to faulty drivers.
Added Remote support for M-Audio Oxygen 88.
Added localized help and documentation in German, Japanese and French. Note: The localized help and documentation files are automatically included when Reason or Record are installed from the DVD. When downloading Reason or Record, you need to download and install localized help and documentation separately.
During certain circumstances, if a MIDI control surface was locked to a device and the user deleted any device from that song, the program could crash. This would happen if there was another song open and that song was playing back in the background.
The "Arpeggio Notes to Track" function on the RPG-8 could cause the program to crash if some of the RPG-8 parameters had been automated.
Saving a patch could in rare cases cause the program to crash. This happened if the user loaded a patch from a folder containing a huge number of patches, then moved the patch file to another folder and finally attempted to resave the patch by Alt-clicking the Save Patch button on the device.
In some cases, after copying and pasting a sample-based device from one song to another, the pasted device could refer to the wrong samples if the samples were self-contained.
Cable drawing has been slightly improved.
Thor's step sequencer in random mode triggered two voices. This could happen when the "Step" run mode was selected and the direction was set to "Random".
The program will occasionally check the available hard disk space. On some systems, these checks could make the user interface temporarily unresponsive.
Duplicating devices a large number of times could cause a graphical bug in the rack.
A number of localized (translated) text strings were cut off.
Voice handling for the NN-XT has been optimized slightly.
Dr. OctoRex slice numbers were not shown correctly in Edit mode when using the application in German.
If a song used SoundFonts under Windows Vista or Windows 7, the program could store the wrong path to the referenced samples. As a result, there would be missing sounds next time the song was opened.
Switching from MIDI sync to internal sync could result in an "Unknown Exception" alert.
The program could become very unresponsive when working with songs with a large number of self-contained samples.
Songs or combi patches could load with incorrect settings. This happened if a Combi rotary or button had been programmed to control a certain device parameter, and this parameter had been changed "manually" so that its state conflicted with the Combi rotary/button. After saving and loading, the setting of the device parameter was reset to match the Combi settings.
When stopping after recording in ReWire mode, the program could freeze for a few seconds.
Updated some Japanese translations.
The program could assert when changing to virtual MIDI input settings.
Kong's Nurse Rex in Slice Trig mode within a Mute Group would not mute the voice when another pad was triggered.
A crash could be caused by dragging one or more half width devices and hovering over a Disk Channel device that doesn't show inserts.
The function of bouncing several audio clips to new samples or to a new recording could take longer than expected.
The remote override mode was not completely blocked while the program tried to quit.
Muted audio clips in Blocks while adjusting the Block Clip offset could look a bit peculiar.
Sample Editor now handles samples with a sampling frequency below 8000 HZ correctly.
Names of Mix Channels could become blank in certain cases.
Bug in the Mix/Disk-channel, which could occur whenever a device was added or removed in the combi of a channel device (insert effects). This bug might show itself by some short clicking sound, artifact or short freeze when adding or removing devices in a channel device. The Combinator was not affected, and also not the master section.
There was a bug when the user tried to move the notes that were being recorded either by scaling the tempo in the tool window or nudging them with Ctrl-left/right.
Handling of ReGrooved blocks has been improved.
NN-Nano now uses High Quality Interpolation when pitching samples.
Converting pattern automation to notes disregarded pattern offsets incorrectly.
Automation of aftertouch, expression and breath are now smoothed in Thor.
ReFill Packer:
ReFill Packer will now preserve tempo maps in AIFF and WAV files.
The previous version of ReFill Packer didn't handle files with leading and trailing spaces in their names properly.
Better handling of how ReFill Packer works when invoked using non privileged accounts.
Reason is a virtual studio rack with all the tools and instruments you need
to turn your ideas into music.
Synthesizers, samplers, drum machine, REX file loop player, mastering
tools, mixer, vocoder, effects, pattern sequencer and more. As many of each
as your computer can handle. Reason is an all-in-one music production
environment, complete with its own realtime sequencer.
Changes in v5.0.1
-----------------
See included > WhatsNew.txt
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1) Unzip, Unrar and run Setup.exe
Reason is a virtual studio rack with all the tools and instruments you need to turn your ideas into music. It emulates a rack of hardware synthesizers, samplers, signal processors, sequencers, and mixers, all of which can be freely interconnected in an arbitrary manner. Reason can be used either as a complete virtual music studio or as a collection of virtual instruments to be played live or used with other sequencing software. With its generous sound bank and intuitive flow, Reason helps you along in the creative process and is the music software that never gets in your way. Walk into any professional recording studio and you will see racks filled to the brim with different tools used in music production from reverb to compressors, vocoders, synths, distortion units, and parametric EQs. Unlike a real studio, however, if you want another synth or an extra compressor you can create one from a menu rather than taking that second job or signing up for those experimental clinical drug trials.
Included with Reason is a huge sound bank full of inspiring instruments, synth patches, loops, and effects. Patches have been created by producers like Death Cab for Cutie's Jason McGerr, Bomb Squad's Hank Shocklee, Black Eyed Peas' Printz Board, DJ Lucky Date, Kill the Noise, and more.
Basic Devices:
• Hardware Interface – The Hardware Interface handles the connection between software and hardware and supports up to sixty-four separate outputs. As it is integral to Reason's functionality, it cannot be removed.
• Mixer 14:2 – Reason's mixer is used to group numerous device outputs into a stereo output. It has fourteen stereo channels with level meters, fixed bass and treble EQ and four stereo auxiliary sends. It is possible to mute or solo any given channel, as well as alter its level, pan and auxiliary output level. The console has chaining master inputs to allow several line mixers to be daisy chained together, effectively allowing for an unlimited number of channels.
• Line Mixer 6:2 – Similar to the Mixer 14:2, and also known as the Micromix, it is a smaller, six channel mixer, with only one auxiliary send and return, no EQ, smaller level controls and limited metering.
Synthesizers:
• Subtractor Analogue Synthesizer – Subtractor is a polyphonic synthesizer device based on subtractive synthesis, which is the method used in classic, analog synthesizers. Its two oscillators can produce basic waveforms such as square, sawtooth, triangle, and sine. Additional waveforms based on samples can also be generated. The Subtractor device can be completely automated from a controlling device, such as Reason's sequencer.
• Thor Polysonic Synthesizer – The Thor device simulates a semi-modular synthesizer. Six filter and oscillator slots let you load up three different filter modules and three different oscillator modules simultaneously, allowing you to dial in novel sounds. A modulation matrix gives you complete control over your signal flow, letting you modulate anything within Thor. Thor also has a simulation of an analog style step sequencer with more than one twist.
• Malstrom Graintable Synthesizer – The Malstrom device creates its sounds using Graintable technology. This technology is a cross between granular synthesis and wavetable synthesis. Malstrom features many filtering and modulation options. It is capable of real-time waveform stretching, spectral modulation, and wavetable sweeping. Malstrom comes with a wide range of Graintables.
Samplers:
• NN-19 Digital Sampler – The NN-19 device is Reason's original sampler, introduced in the first version. All of the controls on the NN-19 can be fully automated from a controlling device. There are two ways of getting sound out of NN19: load a single wav/aiff sample or load a sampler patch. Loading a single wav/aiff file will instantly transpose the audio across the keyboard by speeding up or slowing down the playback of the sample. The NN19 can import and play mono or stereo files.
• NN-XT Advanced Sampler – The NN-XT device is an advanced sampler with many features. It is designed for working with multiple samples which can be assigned to different keys on the keyboard. It can be used for both sound design and instrument emulation. Useful features include alternate sample playback, auto-pitch detection, keyboard zones with individual parameters, and tempo syncable LFOs.
Rhythm Sequencers:
• Dr. Octo REX Loop Player – This update of the Dr.Rex device, the Dr. Octo Rex Loop Player plays back samples created by the ReCycle (program) in the .rex and .rx2 formats. These formats allow for manipulation of the sample's tempo without affecting its pitch. Imagine that you have a sample of a drum loop. The loop is 144 bpm and your track is 118 bpm. Instead of stretching the sample, which would change the sample's timbre and pitch, ReCycle slices the loop into little pieces so that each beat gets its own sample. ReCycle also creates a MIDI file with the samples played the way the loop was originally played.
• Redrum Drum Computer – The Redrum device is a sample-playback drum module with a built in pattern sequencer. It has ten channels that plays samples loaded individually or from a preset kit. In addition to the pattern sequencer, Redrum can also be played from Reason's main sequencer or via MIDI.
Mastering:
• MClass Equalizer – The MClass Equalizer is a 4-band, professional level mastering EQ with low and high shelving bands, two peak filters and a low cut switch. The MClass Equalizer lets you make subtle or drastic frequency adjustments to the audio.
• MClass Stereo Imager – The MClass Stereo Imager splits the incoming audio into low and high frequency bands, and lets you adjust each independently.
• MClass Compressor – The MClass Compressor is a single-band compressor with a sidechain input for advanced compression such as ducking or de-essing, and CV out for dynamically controlling other devices.
• MClass Maximizer – The MClass Maximizer is a tool designed to maximize the volume of your Reason tracks, without crushing them or introducing other unwanted artifacts.
Effects:
• RV7000 Advanced Reverb – The RV7000 contains basic reverb controls located on the main panel, and eight separate knobs for algorithms and their parameters, which can be accessed from a fold-out remote when pressed.
• Scream 4 Distortion – With Scream 4's cut and body filters, two parameters for its ten modes including overdrive, distortion, feedback and tape damage, you can use it for digital bit crushing, or regular crushing, or for simulating adding analog warmth to audio.
• BV512 Digital Vocoder – The BV-512 is a 4 to 512-band vocoder that can modulate sound in several ways, and can also be used as an automated equalizer.
Ich habe mein ganzes Leben lang nur versucht, nach oben zu kommen in der Gesellschaft, wo es legal und ehrlich zugeht. Aber je höher ich aufsteige, umso verlogener und schlimmer wird alles.
Bei Problemen mit einem Angebot bitte den Uploader per PN kontaktieren.
Hosteranfragen werden nicht geduldet, und wer sich bedanken möchte kann das mit dem "bedanken"-Button erledigen.
Sollten weitere Beiträge auftauchen, die nicht den Regeln entsprechen, werden die üblichen Maßnahmen durchgeführt (Verwarnung) und bei mehrfachen Verstößen müssen eben auch die Sanktionen in Kauf genommen werden (Sperren bis Bann).
"Wer A sagt, der muß nicht B sagen. Er kann auch erkennen, daß A falsch war." - Bertolt Brecht
